English Entertainment
Star World and Star World HD to air season 2 of ‘How To Get Away With Murder’
MUMBAI: Home to the best English entertainment, Star World and Star World HD is all set to premiere season 2 of the award-winning series How To Get Away With Murder starting 5 April at 9 pm every Monday to Friday. The show stars Viola Davis who will be reprising her Emmy® Award winning role as Annalise Keating.
After taking Professor Annalise Keating’s (Viola Davis) class at Middleton University and successfully landing the coveted position of working at her law firm under two of Annalise’s trusted associates, Frank Delfino (Charlie Weber) and Bonnie Winterbottom (Liza Weil), the ‘Keating 5’ were pushed to their limits as their values, convictions, dreams and even truths about themselves were revealed to be as dark as the law and justice system they’re trying to learn. The first season left the audience wanting for more, with flashbacks of well-laid plots involving the mysterious murders of Annalise Keating’s husband and young student Rebecca.
As relationships are tested and pushed to a breaking point, season 2 promises to showcase dark twisted plots that have never been seen before, answer few questions like who killed Rebecca and raiseeven more questions.
English Entertainment
Ellison takes his Paramount-Warner Bros case straight to theater owners
The Skydance chief goes to CinemaCon with promises and a skeptical crowd waiting
CALIFORNIA: David Ellison strode into a room packed with thousands of cinema owners and executives at CinemaCon in Las Vegas on Thursday and did something rather bold: he looked them in the eye and asked them to trust him.
The chief executive of Paramount Skydance vowed that his company would release a minimum of 30 films a year if regulators greenlight its proposed $110 billion acquisition of Warner Bros Discovery, a deal that has made theater owners deeply, and loudly, nervous.
“I wanted to look every single one of you in the eye and give you my word,” Ellison told the crowd. “Once we combine with Warner Bros, we are going to make a minimum of 30 films annually across both studios.”
It was a confident pitch. Whether it landed is another matter. Cinema operators have already called on regulators to block the deal, and scepticism in the room was hardly concealed.
Ellison pushed back by pointing to recent form. Paramount, born from the merger of Paramount Global and Skydance Media last August, plans to release 15 films this year, nearly double the eight it put out in 2025. Progress, he argued, was already underway.
He also threw theater owners a bone they have long been chasing: all films, he pledged, would run exclusively in cinemas for a minimum of 45 days, drawing applause from a crowd that has spent years fighting for exactly that commitment across the industry.
“People can speculate all they want,” Ellison said, “but I am standing here today telling you personally that you can count on our complete commitment. And we’ll show you we mean it.”
Fine words. The regulators, however, will have the last one.
