MAM
Digitas appoints Amaresh Godbole as CEO India biz
MUMBAI: Digital agency Digitas, a Publicis Groupe brand, has announced a change in its country leadership.
Himani Kapadia, CEO Digitas and SapientRazorfish, who has been with the company for 11 years, is stepping down to pursue other interests. Amaresh Godbole, currently MD India for Digitas, takes over the reins as CEO of the brand.
He will report to Publicis Communications India CEO Saurabh Varma and to Digitas APAC CEO Annette Male for the brand. He will also join the Publicis Communications country leadership team.
Saurabh Varma comments, “Himani has done an incredible job, building the country’s largest digital agency, and she could not have left it in a better place, with strong client relationships and a seasoned leadership team. I’m excited about Amaresh’s elevation. He is one of the few people in our industry who truly understands the power of combining data, creativity, media and technology to deliver successful marketing outcomes. I look forward to the next chapter of Digitas’ ascent.”
Says Annette Male, “Himani has been the architect of the India story for Digitas and a champion of our unique culture. She will be dearly missed, all across the network. In Amaresh, she has had an able partner through this journey, and she has mentored him to take on the mantle of country leadership. I am confident he will deliver the next phase of growth for the brand in India.”
Says Himani Kapadia about her plans, “It’s been an exhilarating ride, taking the company from its inception as a startup to a recognised A list agency. It was a rewarding journey with stories, learnings and relationships that I will carry with me for a lifetime. I feel I’m now ready for a new challenge. In Amaresh and the Digitas leadership team, I feel assured knowing that the company is in safe hands.”
Amaresh Godbole commented on his new role, “I’m about to step into an industry giant’s shoes. What gives me confidence to take this on are the lessons learnt from Himani over the last decade, where we’ve seen the company through myriad circumstances. I look forward to working closely with Saurabh to learn new lessons. I am a big believer of the Publicis Groupe vision and the Power of One philosophy. Digitas has extremely unique capabilities and talent, and I hope to deploy these towards continued growth for the brand and the Groupe in India.”
Digitas India is one of the leading digital agencies in the country, with 400 experts across data, strategy, creative, media and technology spread across four cities. Digitas works with some of the top-drawer clients in the country such as Nestlé, Hewlett Packard, FCA (Jeep & Fiat), Reliance Jio, AbinBev (Budweiser), TVS Motors, Parle Agro, HUL, Tata CliQ, Tourism New Zealand and JK Tyres among others.
Digital
Content India 2026 opens with a copro pitch, a spice evangelist and a £10,000 prize for Indian storytelling
Dish TV and C21Media’s three-day summit puts seven ambitious projects before an international jury, and two walk away with serious development money
MUMBAI: India’s content industry gathered in Mumbai this March for Content India 2026, a three-day summit organised by Dish TV in partnership with C21Media, and it wasted no time making a statement. The event opened with a Copro Pitch that put seven scripted and unscripted television concepts before an international panel of judges, and by the end of it, two projects had walked away with £10,000 each in marketing prize money from C21Media to support development and international promotion.
The jury, comprising Frank Spotnitz, Fiona Campbell, Rashmi Bajpai, Bal Samra and Rachel Glaister, evaluated a shortlist that ranged from a dark Mumbai comedy-drama about mental health (Dirty Minds, created by Sundar Aaron) to a Delhi coming-of-age mystery (Djinn Patrol, by Neha Sharma and Kilian Irwin), a techno-thriller about a teenage gaming prodigy (Kanpur X Satori, by Suchita Bhatia), an investigative crime drama blending mythology and modern thriller (The Age of Kali, by Shivani Bhatija), a documentary on India’s spice heritage (The Masala Quest, hosted by Sarina Kamini), a documentary on competitive gaming (Respawn: India’s Esports Revolution, by George Mangala Thomas and Sangram Mawari), and a reality-horror competition merging gaming and immersive fear (Scary Goose, by Samar Iqbal).
The session was hosted by Mayank Shekhar.
The two winners were Djinn Patrol, backed by Miura Kite, formerly of Participant Media and known for Chinatown and Keep Sweet: Pray & Obey, with Jaya Entertainment, producers of Real Kashmir Football Club, also attached; and The Masala Quest, created and hosted by Sarina Kamini, an Indian-Australian cook, author and self-described “spice evangelist.”
The summit also unveiled the Content India Trends Report, whose findings made for bracing reading. Daoud Jackson, senior analyst at OMDIA, set the tone: “By 2030, online video in India will nearly double the revenue of traditional TV, becoming the main driver of growth.” He noted that in 2025, India produced a quarter of all YouTube videos globally, overtaking the United States, while Indians collectively spend 117 years daily on YouTube and 72 years on Instagram. Traditional subscription TV is declining as free TV and connected TV gain ground, forcing broadcasters to innovate. “AI-generated content is just 2 per cent of engagement,” Jackson added, “highlighting the dominance of high-quality human content. The key for Indian media companies is scaling while monetising effectively from day one.”
Hannah Walsh, principal analyst at Ampere Analysis, added hard numbers to the picture. India produced over 24,000 titles in January 2026 alone, with 19,000 available internationally. The country now accounts for 12 per cent of Asia-Pacific content spend, up from 8 per cent in 2021, outpacing both Japan and China. Key exporters include JioStar, Zee Entertainment, Sony India, Amazon and Netflix, delivering over 7,500 Indian-produced titles abroad each year. The top importing markets are Saudi Arabia, the UAE, Egypt, the United States and the Philippines. Scripted content dominates globally at 88 per cent, with crime dramas and children’s and family titles performing particularly strongly.
Manoj Dobhal, chief executive and executive director of Dish TV India, framed the summit’s ambition squarely. “Stories don’t need translation. They need a platform, discovery, and reach, local or global,” he said. “India produces more movies than any country, our streaming platforms compete globally, and our tech and creators win international awards. Yet fragmentation slows growth. Producers, platforms, and tech move in different lanes. We need shared spaces, collaboration, and an ecosystem where ideas, technology, and people meet. That is why we built Content India.”
The data, the pitches and the prize money all pointed to the same conclusion: India is not waiting for the world to discover its stories. It is building the infrastructure to sell them.
