iWorld
Synamedia boosts investment in compression R&D
MUMBAI: Synamedia, the world’s largest independent video software provider, today announced a boost to R&D investment in its groundbreaking compression technologies alongside a trio of senior appointments. With the adoption of 4K-ready devices and new broadcasting standards such as ATSC 3.0 supporting 4K and ultimately 8K streams over-the-air, Synamedia’s investment in compression will meet the growing need for advanced encoding technologies to deliver stunning low latency live experiences while optimizing bandwidth.
Synamedia will focus on driving innovation in content-adaptive encoding including the use of neural networks. First previewed at IBC 2019, content-adaptive encoding uses automation and machine learning techniques and builds on Synamedia Digital Content Manager (DCM) with the award-winning Smart Rate Control for live ABR. Other initiatives will include new core video and audio algorithms, filtering noisy source content, and encoding optimization. With the goal of fully autonomous deployments in Synamedia’s sights, the analytics team will play a vital role in accelerating video network development by advancing the automation of video quality assessment and performance benchmarking.
Synamedia’s compression team is now led by one of the industry’s foremost encoding experts, Jan De Cock, who has joined as Director of Codec Development. Jan’s entire career has been in the compression space, most recently at Netflix where he was Manager of Video and Image Encoding for four years. Prior to this, Jan was Assistant Professor in the Department of Electronics and Information Systems at Ghent University in Belgium. He holds a PhD in Engineering, has authored dozens of academic papers on video compression, and holds patents in signal, image and video processing.
Also joining the video network business as VP of services is John Hargrave, (pictured above), who was most recently CTO and COO at Zone·tv. With a specialism in software-as-a service, John spent four years at Ericsson as Vice President of Mediaroom Field Engineering then Vice President of Global Media Services. John also worked at Microsoft as General Manager for Mediaroom and at Telus as National Director of Professional Services.
Rounding out the new hires, David Baranski joins as Vice President of Sales for Video Network, the Americas. Before his 18 months at Mediakind as VP of Sales for US Cable Operators, David spent six years with encoding specialist Envivio and then Ericsson, following its acquisition of Envivio in 2016. As VP of Sales for US cable operators at Ericsson, David headed up software compression and media delivery sales for the Americas.
As well as supporting established codecs including MPEG-2, AVC and HEVC, Synamedia’s compression team is adding newer codecs such as AV1 and MPEG’s Versatile Video Coding codec (VVC). Last month Synamedia joined the Alliance for Open Media (AOMedia) to advance open standards for media compression and delivery over the web using AV1, furthering Synamedia’s goal of enhancing OTT video streaming experiences at scale.
“These new hires are part of an initiative to accelerate customers’ journey to virtualized, software-based encoding for broadcast and OTT using DCM. Boosting our world-class team with such an experienced trio of video and compression experts will help us supercharge our ambitions and deliver top-notch solutions to customers faster,” said Julien Signes, senior VP and GM, Video Network at Synamedia.
Synamedia’s video network portfolio powers premium quality broadcast and broadband video for more than 1,000 operators worldwide and 100 million daily viewers. Its video distribution, processing and delivery services and solutions create compelling live multi-screen experiences, enable software-defined video processing and unify operations. The award-winning portfolio also touts a cloud-ready, converged broadcast and broadband end-to-end ATSC 3.0 offering and low latency solutions for live video. Its virtualized Digital Content Manager (DCM) features live transcoding to multiple bit rates and formats, scalable video functions and best-in-class video quality all aimed to deliver infinite entertainment.
Follow Tellychakkar for the consumer facing news & entertainment
iWorld
Micro-Dramas Surge in India, Redefining Mobile Content Habits
Meta-Ormax study maps rapid rise of short-form storytelling among 18–44 audiences.
MUMBAI: Micro-dramas aren’t just short, they’re the snack that ate Indian entertainment, and now everyone’s bingeing between the sofa cushions. Meta, in partnership with Ormax Media, has released ‘Micro Dramas: The India Story’, a comprehensive study unveiled at the inaugural Meta Marketing Summit: Micro-Drama Edition. The report maps how the vertical, bite-sized format is reshaping content consumption for mobile-first audiences aged 18–44 across 14 states.
Conducted between November 2025 and January 2026 through 50 in-depth interviews and 2,000 personal surveys, the research reveals that 65 per cent of viewers discovered micro-dramas within the last year proof of explosive adoption. Nearly 89 per cent encounter the format through social feeds and recommendations, making algorithm-driven discovery the primary engine rather than active search.
Key viewing patterns show a median of 3.5 hours per week (about 30 minutes daily) spread across 7–8 short sessions. Consumption peaks between 8 pm and midnight, with additional spikes during commutes and work breaks classic “in-between moments” that the format fills perfectly. Around 57 per cent of viewing happens in ambient mode (while doing something else), and 90 per cent is solo, enabling more intimate, personal storytelling.
Romance, family drama and comedy lead genre preferences. Audiences show growing openness to AI-generated content, 47 per cent find it unique and creative, while only 6 per cent say they would avoid it entirely. Regional languages are surging after Hindi and English, Tamil, Telugu and Kannada dominate consumption.
Meta, director, media & entertainment (India) Shweta Bajpai said, “Micro-drama isn’t a passing trend, it’s rewriting the rules of Indian entertainment. In under a year, an entirely new category of platforms has emerged, built audience habits from scratch, and created a business vertical that is scaling fast.”
Ormax Media founder-CEO Shailesh Kapoor added, “Micro-dramas are beginning to show the early signs of becoming a distinct content category in India’s digital entertainment landscape. When a format aligns closely with how audiences naturally engage with their devices, it has the potential to scale very quickly.”
The study proposes ecosystem-wide responsibility, universal signposting of commercial intent, shared accountability among advertisers, platforms, creators, schools and parents, built-in safeguards, and formal media literacy in schools.
In a feed that never sleeps and a day that never stops, micro-dramas have slipped into the cracks of every spare minute turning 30-second stories into the new national pastime, one vertical swipe at a time.
