English Entertainment
Zee Café brings 10 iconic shows that will forever be a favourite on your binge-list
MUMBAI: Does staying home and spending time together with family during the lockdown remind you of the old days when everyone would come together sharing laugh or getting emotional watching some of the most iconic TV shows? Television holds a special place in viewers' hearts as they bring us closer as a family where we often spend an hour a day enjoying this pleasant experience together. From humorous sitcoms to engaging TV dramas – over the years Zee Café was the game-changing player who brought many of these shows to the Indian audience. On its 20 anniversary, lets revisit them and look back at some evergreen shows that are sure to make us emotional.
1. F.R.I.E.N.D.S.
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It’s truly next to impossible to imagine a world without F.R.I.E.N.D.S.. A show that had the world take sides with just one dialogue, “We were on a break”, is one worth a mention. Who would’ve thought that ‘lobsters’ indicated eternal love or the phrase ‘Oh My God’ literally has a ring to it? From Joey’s ‘How You Doin?’ to Ross’ grammar Nazi side, from Pheobe’s ‘Smelly Cat’ to Monica’s borderline OCD and from Chandler’s sarcastic self to the enchantress Rachel – we wouldn’t have it any other way!
2. The Big Bang Theory
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For more than a decade our favourite quartet of socially awkward scientists, Sheldon, Lenoard, Raj, , Howard, and their ingénue neighbour Penny have entertained us thoroughly with science and funny anecdotes about superheroes, life and love. “The Big Bang Theory” explained as the ‘Sitcom Theory of Evolution’ has given us many amusing moments that made us fall in love with science, all over again. Admit it – haven’t we all hummed ‘Soft Kitty’ or found ‘that spot’ on the couch that’s ours? That’s the magic of unravelling the mysteries that all started with a big bang!
3. Full House
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The Tanner family – a household name that had us in splits with their antics! The meticulous widower Danny and his little girls D.J., Stephanie, Michelle, along with their goofy Uncle Joey and the charming Uncle Jesse made for a perfectly imperfect family of misfits that was always up to some nuisance. ‘Full House’ is one show that brought together the young and old alike in enjoying we-time over some good laughs!
4. Two And A Half Men
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Two brothers and a ever-so-curious teenager lad makes for the perfect recipe for a disaster! As the terrific trio Charlie, Alan and Jake engaged in their daily dose of cheap thrills, the world came together to witness the madness that followed! A show that gifted the world with Charlie, a man full of himself and known for his carefree satirical take on life, truly had us hooked from the word go.
5. Seinfeld
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"Hey, Reilly! The zoo called. You're due back by six." Quips Jerry, the ultimate king of comedy and comebacks! What could be better than witnessing the stand-up legend crack you up with witty one-liners? “Nothing!”. The greatest TV sitcom of the 90s, Seinfeld is one show that ditched the rulebook and redefined television for decades to come with its quirks and ability to mine laughter out of everyday mundane scenarios.
6. Will & Grace
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What would you expect to get served, when you order for a gay lawyer and a cynical Jewish woman? A humorous take on two best friends’ dependence on each other for moral and emotional support in the most peculiar situations is what makes ‘Will & Grace’ a fan favourite even today. The camaraderie and chemistry between Jack and Grace is what won the hearts of many for this timeless sitcom.
7. House of Cards
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The most successful political social drama that’s features the likes of Kevin Space and Robin Wright in titular roles made for the most-awaited and gripping series of our times! A series that showed how politics is a game played by scheming people vying for the power and the highest seat in the round table garnered immense acclaim from critics and fans alike. The end of every season is one nail-biting cliff-hanger that keeps you eagerly looking forward to what lies in store next.
Grey's Anatomy
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We have seen them save countless lives, live through complex relationships and even survive a plane crash! A show all about love, pain, joy, anger and sorrow, Grey’s Anatomy has truly turned our hearts to mush over the past decade, tracing the lives of the charming surgeons from Grey Sloan Memorial Hospital.
Supergirl
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Television’s first-ever red-caped female superhero is one who truly made her presence felt! Set in Arrowverse, Supergirl this fearless cousin of the legendary Superman, has carved her own path in fighting all evil with her phenomenal powers. A series that puts friendship to test, brings the most dangerous villains and unleashes the ultimate powers of Supergirl has had fans hooked on Zee Café as they witness the show ‘Along With The US’.
The Vampire Diaries
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Here’s a terrifying and award-winning drama series that largely garnered a large teen following that made young heartthrobs fall head over heels with them pale smooth jaw-lined blood sucking vamps. The Vampire Diaries was an instant hit with viewers in the country as they ventured into the town of Mystic Falls, one that was clouded in mystery and horror!
Catch more such countless memories here on Zee Café. To know more about our journey, check out the link below.
English Entertainment
The end of Freeview? Britain debates switching off aerial tv by 2034
UK: The aerial is losing its grip. As broadband becomes the default way Britons watch television, the UK is edging towards a decisive, and divisive, question: should Freeview be switched off by 2034? The issue, highlighted in reporting by The Guardian, has exposed deep fault lines over access, affordability and the future of public service broadcasting.
For nearly 25 years, Freeview has delivered free-to-air television from the BBC, ITV, Channel 4 and Channel 5 to almost every corner of the country. Even now, it remains the UK’s largest TV platform, used in more than 16m homes and on around 10m main household sets. Yet the same broadcasters that built it are now pressing for its closure within eight years.
Their case rests on a structural shift in viewing. Smart TVs, superfast broadband and the Netflix-led streaming boom have pulled audiences online. Advertising economics have followed. By 2034, the number of homes using Freeview as their main TV set is forecast to fall from a peak of almost 12m in 2012 to fewer than 2m, making digital terrestrial television, or DTT, increasingly costly to sustain.
But critics say the rush to switch off risks abandoning those least able, or least willing, to move online.
“I don’t want to be choosing apps and making new accounts,” says Lynette, 80, from Kent. “It is time-consuming and irritating trying to work out where I want to be, to remember the sequence of clicks, with hieroglyphics instead of words. If I make a mistake I have to start again.”
Lynette is among nearly 100,000 people who have signed a “save Freeview” petition launched by campaign group Silver Voices. She fears the government is about to “take [Freeview] away from me and others who either don’t like, can’t afford, or can’t use online versions”.
Official figures underline the fault lines. A report commissioned by the Department for Culture, Media and Sport estimates that by 2035, 1.8m homes will still depend on Freeview. Ofcom’s analysis shows those households are more likely to be disabled, older, living alone, female, and based in the north of England, Wales, Scotland and Northern Ireland.
Freeview is owned by the public service broadcasters through Everyone TV, which also operates Freesat and the newer streaming platform Freely. After two years of review, DCMS is expected to set out its position soon, drawing on three options proposed by Ofcom: a costly upgrade of Freeview’s ageing technology; maintaining a bare-bones service with only core PSB channels; or a full switch-off during the 2030s.
The broadcasters have rallied behind the third option. They argue that 2034 is the logical cut-off, when transmission contracts with network operator Arqiva expire. By then, they say, the cost of broadcasting to a dwindling audience will far outweigh the returns from TV advertising.
Ofcom agrees a crunch point is approaching. In July, the regulator warned of a “tipping point” within the next few years, after which it will no longer be commercially viable for broadcasters to carry the costs of DTT.
Others see risks beyond economics. Questions remain over whether internet TV can reliably deliver emergency broadcasts, such as the daily Covid updates, in the way that universally available DTT can. The UK radio industry has also warned that an internet-only future for TV could push up distribution costs and force some radio stations off air if PSBs no longer share Arqiva’s mast network.
“It is a political hot potato,” says Dennis Reed, founder of Silver Voices, who says he has “dissociated” his organisation from the government’s stakeholder forum, which he believes is “heavily biased” towards streaming.
The Future TV Taskforce, representing the PSBs, counters that moving online could “close the digital divide once and for all”. “We want to be able to plan to ensure that no one is left behind,” a spokesperson says, adding that rising DTT costs could otherwise mean cuts to programme budgets.
The numbers show the scale of the challenge. Of the 1.8m Freeview-dependent homes projected for 2035, around 1.1m are expected to have broadband but not use it for TV. The remaining 700,000 are forecast to lack a broadband connection altogether.
Veterans of the analogue switch-off, completed in 2012 after 76 years, recall similar fears of “TV blackout chaos”. Around 6 per cent of households were labelled “digital refuseniks”, yet a targeted help scheme and a national campaign, fronted by a robot called Digit Al voiced by Matt Lucas, delivered a largely smooth transition.
This time, the BBC is less keen to foot the bill. Tim Davie, the outgoing director general, has said the corporation should not fund a comparable support programme for a Freeview switch-off.
Research for Sky by Oliver & Ohlbaum suggests that with early awareness campaigns and digital inclusion measures, only about 330,000 households would ultimately need hands-on help ahead of a 2034 shutdown.
Meanwhile, viewing habits continue to fragment. Audience body Barb says 7 per cent of UK households no longer own a TV set, choosing to watch on other devices. In December, YouTube overtook the BBC’s combined channels in total UK viewing across TVs, smartphones and tablets, albeit measured at a minimum of three minutes.
That shift may accelerate. YouTube has recently blocked Barb and its partner Kantar from accessing viewing session data, limiting transparency just as online platforms consolidate power.
“When the government chose British Satellite Broadcasting as the ‘winner’ in satellite TV it was Rupert Murdoch’s Sky instead that came out on top,” says a senior TV executive quoted by The Guardian. “There already is such an outsider ready to be the winner in the transition to internet TV; it is YouTube.”
Freeview’s future now hangs on a familiar British dilemma: modernise fast and risk exclusion, or protect universality and pay the price. Either way, the aerial’s days as king of the living room look numbered.








