iWorld
India tunes into the future: D2M phones set to beam broadcast content straight to mobiles
MUMBAI: Say hello to television without the internet. At Waves 2025, India’s flagship World Audio Visual & Entertainment Summit to be held at Jio World Centre in Mumbai, a game-changing coalition of technology players will unveil the roadmap to bring direct-to-mobile (D2M) broadcasting to the fingertips of Indian consumers.
The ambitious push is led by FreeStream Technologies, an IIT Kanpur-incubated deeptech startup, alongside mobile giants Lava International and HMD Global, powered by chipsets and infrastructure from Tejas Networks (formerly Saankhya Labs), with global validation from US-based broadcasting behemoth Sinclair Inc.
The tech, hailed as a breakthrough in both communications and accessibility, allows live TV, emergency alerts, educational content, and multimedia programming to be delivered directly to mobile phones via terrestrial broadcast signals — bypassing internet or mobile data altogether.
“This is India’s moment to lead the world in next-gen broadcasting. Lava and HMD are laying the foundation of a robust device ecosystem, and their commitment to scaling up proves D2M is more than a proof of concept — it’s a national opportunity,” said FreeStream Technologies director Sumeet Nindrajog.
Lava, known for its made-in-India ethos, is ensuring that the price-point doesn’t become a hurdle. “Our D2M featurephone design cleverly integrates the modem and apps in a way that keeps costs low — something that has always defined Lava,” said Lava International executive director Sanjeev Agarwal.
HMD — the home of Nokia phones — is matching that energy. “HMD has always been about delivering meaningful innovation. With D2M, we’re enabling consumers to access live content and alerts on their devices, without needing Wi-Fi or mobile data,” said HMD CEO & VP India & APAC. Ravi Kunwar. “This is a global first, and we’re proud to be building it in India.”
Behind the scenes, it’s Tejas Networks’ award-winning SL-3000 D2M chipset — the tech’s beating heart — that makes it all possible. A product of Saankhya Labs (now part of Tejas and the Tata Group), the chip is designed for mobile broadcast reception, even in dense or low-connectivity environments.
“This isn’t just about watching TV — this is about creating a national broadcast backbone that can deliver everything from emergency alerts to targeted education, from CDN offload to next-gen advertising,” said Tejas Networks EVP and co-founder of Saankhya Labs Parag Naik. “It’s an empowerment platform, aligned with PM Modi’s vision of a digitally empowered India and Viksit Bharat.”
Tejas has also built out the full core network platform to support nationwide rollout — integrating both broadcast and broadband layers, a capability rare even by global standards.
From the other side of the Atlantic, Sinclair Inc, a pioneer of ATSC 3.0 — the broadcasting standard enabling D2M — praised India’s swift strides. “The adoption of ATSC 3.0 in affordable mobile devices underscores the foresight of our global investments, and vindicates our ‘mobile-first’ strategy,” said Sinclair Inc president & CEO Chris Ripley. ““India is now in the driver’s seat. Our next focus is B2X — Broadcast to Everything — which will be vital to achieving the goals of 6G and next-gen applications.”
Sinclair’s One Media unit has been working with Indian partners to future-proof mobile broadcasting as a core digital infrastructure. Their role isn’t just investor — they’re co-developers and global evangelists.
Backed by policy momentum and partnerships with Prasar Bharati, the D2M ecosystem has already undergone field trials across live networks. The next step? Nationwide field deployment, with Lava and HMD readying devices for market at scale.
D2M is now not just a tech demonstration — it’s a political, social and commercial opportunity:
* To decongest mobile data networks,
* To deliver content equitably across rural and urban India,
* And to anchor India’s leadership in media-tech manufacturing.
With global standards, Indian R&D, and mass-market readiness coming together, Waves 2025 could well be remembered as the moment India turned its phones into broadcast hubs.
iWorld
Subedaar puts Indian original cinema on the global map with record-breaking Prime Video debut
MUMBAI: Prime Video has a runaway hit on its hands. Subedaar, the gritty action drama starring Anil Kapoor, has stormed to become the most-watched Indian original movie on the platform in its opening weekend, cracking the Top 10 across 31 countries and landing in 91 per cent of India’s pin codes within days of its March 5 premiere.
The film, a visceral, emotionally-charged story of a retired soldier, Subedaar Arjun Maurya, wrestling with civilian life amid crime and corruption, has struck a nerve. Directed by Suresh Triveni and co-starring Radhikka Madan, Mona Singh, Saurabh Shukla, Aditya Rawal, Faisal Malik, and Khushboo Sundar, the film is already being hailed as a showcase for what Indian original storytelling can achieve on the world stage.
“Subedaar’s success is a reflection of the growing scale and global resonance of Indian storytelling,” said Nikhil Madhok, director and head of originals at Prime Video India. “The film’s emotional narrative, its rooted portrayal of a soldier confronting his toughest battles beyond the battlefield, has struck a chord. Anil Kapoor delivers an acting masterclass, while Suresh Triveni’s solid direction and great performances from the ensemble cast have resulted in love and appreciation from customers across the world.”
Kapoor, 62, has been here before, but rarely at this altitude. Written by Triveni and Prajwal Chandrashekar, with dialogues by Triveni, Saurabh Dwivedi, and Chandrashekar, the film is a production by Opening Image Films in association with Anil Kapoor Film & Communication Network (AKFCN), produced by Vikram Malhotra, Kapoor, and Triveni.
Subedaar streams exclusively on Prime Video in Hindi, Tamil, and Telugu across India, and in over 240 countries and territories worldwide.
For Prime Video, the numbers tell the real story: one weekend, one film, a global footprint, and a very loud signal that Indian original cinema is no longer just travelling well. It’s arriving.
