MAM
Game changers take the stage at Stairs National Games and Ebel Awards
MUMBAI: It’s not just medals that will be won, minds, movements and milestones are in the making. On Monday, 19 May, New Delhi’s Talkatora Indoor Stadium will host a sports spectacle with a purpose as the Stairs National Games 2025 and Ebel Awards 2025 roll out the red carpet for grassroots glory and transformative youth leadership.
Organised by the Stairs Foundation (Society for Transformation, Inclusion, and Recognition through Sports), the event is no ordinary gathering. It’s a dynamic convergence of young athletes, changemakers, policymakers, and performers from across the country and beyond, coming together to prove that sport is more than just play, it’s a powerful language for unity and impact.
With participation from over 20 states, the Stairs National Games champions inclusivity by levelling the playing field where talent, not privilege, determines victory. At the same time, the Stairs National Sports Excellence Awards will spotlight those who’ve quietly coached, mentored, and built India’s sports ecosystem from the ground up.
The evening will crescendo with the Ebel (Ek Bharat Ek Lakshya) Awards 2025, recognising individuals and institutions creating ripples in education, wellness, inclusion, and innovation. The awards have become one of India’s most aspirational honours in youth transformation saluting local heroes and global allies redefining empowerment from the grassroots.
Chief guest Pankaj Kumar Singh, Minister for Health, Family Welfare, Transport, and IT, will headline the proceedings, joined by H.E. Patrick John Rata, High Commissioner of New Zealand to India, and several dignitaries from governance, diplomacy, and public service. Special guests also include Sheeshpal Rajput, Vikram K. Porwal (IPS), and Ajit Sharan, bringing a blend of policy and purpose to the celebration.
Taking centre stage alongside these stalwarts are Stairs Brand Ambassadors international boxer Gaurav Bidhuri, actor and youth advocate Amit Sadh, and para-athlete Rohtash Chaudhary, who embody the campaign’s core belief: that India’s future leaders will rise from its playgrounds.
Stairs Foundation founder & President Siddhartha Upadhyay states, “We are building a scalable and sustainable model of youth empowerment. By combining sports, education, equity, and ethical leadership, we’re nurturing not just athletes but visionary citizens. The Stairs platform is about democratising opportunity, amplifying grassroots voices, and preparing India’s youth to lead, inspire, and transform. India’s future will rise from its playgrounds.”
Expect more than applause, the event will feature taekwondo, yoga, jump rope acts, and a stirring audiovisual tribute to Stairs’ journey. With the Stairs platform aligned to the United Nations sustainable development goals, and partnerships spanning embassies, federations, and NGOs, the evening promises to be a launchpad for larger conversations and collaborations.
And just like that, the whistle will blow for a movement that’s raising much more than games. It’s raising a nation.
Digital
Content India 2026 opens with a copro pitch, a spice evangelist and a £10,000 prize for Indian storytelling
Dish TV and C21Media’s three-day summit puts seven ambitious projects before an international jury, and two walk away with serious development money
MUMBAI: India’s content industry gathered in Mumbai this March for Content India 2026, a three-day summit organised by Dish TV in partnership with C21Media, and it wasted no time making a statement. The event opened with a Copro Pitch that put seven scripted and unscripted television concepts before an international panel of judges, and by the end of it, two projects had walked away with £10,000 each in marketing prize money from C21Media to support development and international promotion.
The jury, comprising Frank Spotnitz, Fiona Campbell, Rashmi Bajpai, Bal Samra and Rachel Glaister, evaluated a shortlist that ranged from a dark Mumbai comedy-drama about mental health (Dirty Minds, created by Sundar Aaron) to a Delhi coming-of-age mystery (Djinn Patrol, by Neha Sharma and Kilian Irwin), a techno-thriller about a teenage gaming prodigy (Kanpur X Satori, by Suchita Bhatia), an investigative crime drama blending mythology and modern thriller (The Age of Kali, by Shivani Bhatija), a documentary on India’s spice heritage (The Masala Quest, hosted by Sarina Kamini), a documentary on competitive gaming (Respawn: India’s Esports Revolution, by George Mangala Thomas and Sangram Mawari), and a reality-horror competition merging gaming and immersive fear (Scary Goose, by Samar Iqbal).
The session was hosted by Mayank Shekhar.
The two winners were Djinn Patrol, backed by Miura Kite, formerly of Participant Media and known for Chinatown and Keep Sweet: Pray & Obey, with Jaya Entertainment, producers of Real Kashmir Football Club, also attached; and The Masala Quest, created and hosted by Sarina Kamini, an Indian-Australian cook, author and self-described “spice evangelist.”
The summit also unveiled the Content India Trends Report, whose findings made for bracing reading. Daoud Jackson, senior analyst at OMDIA, set the tone: “By 2030, online video in India will nearly double the revenue of traditional TV, becoming the main driver of growth.” He noted that in 2025, India produced a quarter of all YouTube videos globally, overtaking the United States, while Indians collectively spend 117 years daily on YouTube and 72 years on Instagram. Traditional subscription TV is declining as free TV and connected TV gain ground, forcing broadcasters to innovate. “AI-generated content is just 2 per cent of engagement,” Jackson added, “highlighting the dominance of high-quality human content. The key for Indian media companies is scaling while monetising effectively from day one.”
Hannah Walsh, principal analyst at Ampere Analysis, added hard numbers to the picture. India produced over 24,000 titles in January 2026 alone, with 19,000 available internationally. The country now accounts for 12 per cent of Asia-Pacific content spend, up from 8 per cent in 2021, outpacing both Japan and China. Key exporters include JioStar, Zee Entertainment, Sony India, Amazon and Netflix, delivering over 7,500 Indian-produced titles abroad each year. The top importing markets are Saudi Arabia, the UAE, Egypt, the United States and the Philippines. Scripted content dominates globally at 88 per cent, with crime dramas and children’s and family titles performing particularly strongly.
Manoj Dobhal, chief executive and executive director of Dish TV India, framed the summit’s ambition squarely. “Stories don’t need translation. They need a platform, discovery, and reach, local or global,” he said. “India produces more movies than any country, our streaming platforms compete globally, and our tech and creators win international awards. Yet fragmentation slows growth. Producers, platforms, and tech move in different lanes. We need shared spaces, collaboration, and an ecosystem where ideas, technology, and people meet. That is why we built Content India.”
The data, the pitches and the prize money all pointed to the same conclusion: India is not waiting for the world to discover its stories. It is building the infrastructure to sell them.
