MAM
On Earth Day, brands rally around our Blue Planet
MUMBAI: Every year, 22 April is celebrated as Earth Day all over the world. The practice dates back to 1970, when scores of people took to the streets on this day in protest of the negative impacts of 150 years of industrial development. With the world reeling under a global health crisis, this day is a reminder that everyone can contribute to a better, safer, and consequently healthier planet.
Ahead of World Earth Day, several brands launched campaigns and even new products to demonstrate their support for the environment:
The Google Doodle
Search engine Google on Thursday marked the annual Earth Day through a video doodle on its home page highlighting how everyone can plant the seed to a brighter future—one sapling at a time. The film shows how just one sapling planted by each of us can turn into a forest of trees, even outliving the humans who planted them. The underlying message is: ‘This Earth Day—and everyday—we encourage everyone to find one small act they can do to restore our Earth. It’s bound to take root and blossom into something beautiful.’
MTV says ‘Using Plastic is a Crime’
MTV India launched a new satirical film ahead of World Earth Day 2021 giving out a powerful message that “Using Plastic is a Crime” and people who continue to use plastic carelessly, without any thought, should be treated on par with criminals. The film opens to a setting of a potential crime scene, where a masked killer is all set to choke a man with a plastic sheet. Much to the victim and the killer’s surprise, the police arrive at the scene, leading on to an unexpected discourse by the cop on the evils of using plastic, rather than focusing on the crime itself. It concludes with the masked man pledging never to use plastic so carelessly again.
Godrej #TwoDegreesCooler on global warming
The Godrej Group, through a digital film, urges individuals and industry owners to help slow down climate change, by turning to smart usage of resources. The film titled #TwoDegreesCooler showcases the brand’s commitment to limit global warming to well-below two degrees Celsius by 2050 and help India keep her part of the Paris agreement. Whether we can succeed in this mission or not, depends on each one of us, the film says. It ends by reminding us that ‘it’s all we need to restore our Earth’.
Animal Planet bats for all animals
On Earth Day, Animal Planet lived up to its name and reached out to all pet lovers on behalf of the wild animals inhabiting our planet, through a series of telling posts on its Instagram handle. The message it strove to spread via this digital campaign, featuring different species of wild birds and animals in their natural habitats, being : Just like our pets, they too deserve our unconditional love. And we can do so by protecting their home. They may not be our pets, but they’re just as precious. And if we don’t take care of the Earth, then we’re not taking care of them. Let’s act towards saving the planet and all its wonders, together.
Discovery India
Discovery India too shared a poignant digital campaign to mark Earth day, with some moving posts revolving around the trees and marine life of our planet. It posts said:
“When trees are cut, it affects all species. Deforestation contributes to climate change and threatens life on earth. This #EarthDay let’s support more sustainably produced products and pledge to protect our friends, the trees.” And “If the disposal of plastic materials & packaging into our oceans continues, it is estimated that by the year 2050 there will be more plastic in the oceans than there are fish (by weight). This #EarthDay let’s rethink plastic disposal & support effective methods of recycling plastic.”
L’Oréal for the Future, because our Planet is Worth it
Global cosmetics giant L’Oréal Paris has unveiled a new sustainability program, ‘L’Oréal for the Future, because our Planet is Worth it’, on the occasion of World Earth Day. The beauty brand pledged to reduce its carbon footprint by 50 per cent by year 2030. Among the key goals set by the brand include its aim to use 100 per cent recycled plastic, 100 per cent sustainable cardboard and operate 100 per cent carbon neutral factories by 2030. The beauty brand has also announced its decision to contribute €10 million to environmental projects around the world.
Reebok launches sustainable eco-friendly shoe:
Sports brand Reebok’s Floatride Energy GROW is a plant-based running shoe for high-performance. It combines the award-winning Forever Floatride Energy model with the commitment and responsibility to protect the environment and strives to create a fitter planet.
In a bid to up its sustainability efforts, Reebok is focusing on creating products using recycled or repurposed materials. The global sportswear brand is committed to reducing virgin polyester from its material mix and eliminating it altogether by 2024.
Wildermart, an online grocery store that aims to be a truly sustainable model, opened its doors in India on Earth Day with a hard-hitting digital launch campaign to raise awareness about the current state of our planet, the impact of clean consumption and what we can do to be a part of the solution with the click of a button. Calling itself ‘your clean grocery store’ it claims to offer a conscious solution to help everyday consumption be clean, green and earth-friendly. Launched in Bangalore, with an offering of over 1,000+ products across 30+ categories the brand aims to take this sustainable model to conscious consumers across the country within the next 3 years. In a show of support, animal rights activist and environmentalist Maneka Sanjay Gandhi made the first purchase on the portal today.
Bombay Shaving Company on the environmental cost of disposable razors
Personal care brand for men & women Bombay Shaving Co released a short, factual video on its social media platforms to encourage “shaving responsibly”.
The video talks about some hard hitting facts regarding disposable plastic razors prevalent in the personal care industry like: “Did you know, that over 2 billion disposable razors are produced in the world and almost 200 million razors are bought and disposed of every year. A normal disposable razor is made completely out of plastic.” It wraps up with the message: “It poses a health hazard for animals, marine life, and even safety workers.”
The solution? Switch to metal. The brand declares that their precision safety razor is recycle-ready, reduces plastic waste, and gives you a much better shaving experience, without hurting the environment.
Digital
Content India 2026 opens with a copro pitch, a spice evangelist and a £10,000 prize for Indian storytelling
Dish TV and C21Media’s three-day summit puts seven ambitious projects before an international jury, and two walk away with serious development money
MUMBAI: India’s content industry gathered in Mumbai this March for Content India 2026, a three-day summit organised by Dish TV in partnership with C21Media, and it wasted no time making a statement. The event opened with a Copro Pitch that put seven scripted and unscripted television concepts before an international panel of judges, and by the end of it, two projects had walked away with £10,000 each in marketing prize money from C21Media to support development and international promotion.
The jury, comprising Frank Spotnitz, Fiona Campbell, Rashmi Bajpai, Bal Samra and Rachel Glaister, evaluated a shortlist that ranged from a dark Mumbai comedy-drama about mental health (Dirty Minds, created by Sundar Aaron) to a Delhi coming-of-age mystery (Djinn Patrol, by Neha Sharma and Kilian Irwin), a techno-thriller about a teenage gaming prodigy (Kanpur X Satori, by Suchita Bhatia), an investigative crime drama blending mythology and modern thriller (The Age of Kali, by Shivani Bhatija), a documentary on India’s spice heritage (The Masala Quest, hosted by Sarina Kamini), a documentary on competitive gaming (Respawn: India’s Esports Revolution, by George Mangala Thomas and Sangram Mawari), and a reality-horror competition merging gaming and immersive fear (Scary Goose, by Samar Iqbal).
The session was hosted by Mayank Shekhar.
The two winners were Djinn Patrol, backed by Miura Kite, formerly of Participant Media and known for Chinatown and Keep Sweet: Pray & Obey, with Jaya Entertainment, producers of Real Kashmir Football Club, also attached; and The Masala Quest, created and hosted by Sarina Kamini, an Indian-Australian cook, author and self-described “spice evangelist.”
The summit also unveiled the Content India Trends Report, whose findings made for bracing reading. Daoud Jackson, senior analyst at OMDIA, set the tone: “By 2030, online video in India will nearly double the revenue of traditional TV, becoming the main driver of growth.” He noted that in 2025, India produced a quarter of all YouTube videos globally, overtaking the United States, while Indians collectively spend 117 years daily on YouTube and 72 years on Instagram. Traditional subscription TV is declining as free TV and connected TV gain ground, forcing broadcasters to innovate. “AI-generated content is just 2 per cent of engagement,” Jackson added, “highlighting the dominance of high-quality human content. The key for Indian media companies is scaling while monetising effectively from day one.”
Hannah Walsh, principal analyst at Ampere Analysis, added hard numbers to the picture. India produced over 24,000 titles in January 2026 alone, with 19,000 available internationally. The country now accounts for 12 per cent of Asia-Pacific content spend, up from 8 per cent in 2021, outpacing both Japan and China. Key exporters include JioStar, Zee Entertainment, Sony India, Amazon and Netflix, delivering over 7,500 Indian-produced titles abroad each year. The top importing markets are Saudi Arabia, the UAE, Egypt, the United States and the Philippines. Scripted content dominates globally at 88 per cent, with crime dramas and children’s and family titles performing particularly strongly.
Manoj Dobhal, chief executive and executive director of Dish TV India, framed the summit’s ambition squarely. “Stories don’t need translation. They need a platform, discovery, and reach, local or global,” he said. “India produces more movies than any country, our streaming platforms compete globally, and our tech and creators win international awards. Yet fragmentation slows growth. Producers, platforms, and tech move in different lanes. We need shared spaces, collaboration, and an ecosystem where ideas, technology, and people meet. That is why we built Content India.”
The data, the pitches and the prize money all pointed to the same conclusion: India is not waiting for the world to discover its stories. It is building the infrastructure to sell them.
