iWorld
Indian SVOD audience consumes content in more than four languages: Study
Mumbai: The Indian subscription video-on-demand (SVOD) audience consumes content in 4.6 languages on an average, found a study by media consulting firm Ormax Media.
The presence of widely available subtitling and dubbing options available on SVOD platforms makes it much easier for audiences to watch content outside their native language. The study found that for advertising video-on-demand services that outlook on language content is more conservative, primarily because of the low presence of multi-language dubbing on AVOD services, including YouTube.
The study titled ‘Ormax OTT Audience Report: 2022’ is based on research conducted across more than 6,000 SVOD and SVOD audiences in urban India. As per the report’s estimates for the year 2021, India’s digital video audience universe stood at 353.2 million out of which 31 per cent were SVOD audience while the remaining 69 per cent were AVOD audience.
As per Ormax’s findings, a large share of the audience of content in the four South Indian languages comes from outside their native state. For example, 88 per cent Malayalam content viewers are from outside Kerala, while 82 per cent Tamil content viewers are from outside Tamil Nadu.
Dubbing has also fuelled the growth of English and other foreign language content, including Korean, according to the report. It found that 65 per cent SVOD audience and 43 per cent AVOD audience in urban India watch English language content, though a sizable section among them (more than half) prefer to watch it in an Indian language via dubbing.
Average number of languages of content consumption among SVOD audience are higher in the Southern states, with Karnataka leading with an average of 5.7 languages. UP, Rajasthan, MP and Chhattisgarh rank the lowest on this measure, at an average of less than four languages.
“Streaming is a fast-growing category in India, and hence, it is important for content creators and marketers to constantly upgrade their understanding of the audiences, their taste, their viewing habits, and their viewing triggers,” said Ormax Media founder and CEO Shailesh Kapoor. “This report is a comprehensive update on how the behaviour and choices of Indian OTT audience have evolved over the course of the pandemic years, where there was unprecedented exposure to streaming content”.
“A lot of AVOD content is being made in India today with an SVOD lens,” noted Kapoor. “However, this report reveals that the formats and genres preferred by SVOD and AVOD audiences are significantly different from each other. Since streaming has come up in India only recently in a big way, a lot of content greenlighting in the category has happened on instinct so far, without any robust consumer data to aid the decision-making process. The Ormax OTT Audience Report is our endeavour to help platforms make more informed content choices.”
iWorld
Anirudh Ravichander and Universal Music India join forces to take South India’s sound to the world
The composer behind 13 billion streams launches Albuquerque Records with UMI as its exclusive global partner
MUMBAI: Universal Music India has struck an exclusive partnership with Albuquerque Records, the freshly minted independent label of singer-composer Anirudh Ravichander, in a deal that bets big on South India’s booming pop and hip-hop scene going global.
The arrangement, announced on 17 March, will see Universal Music India handle future pop and hip-hop releases by Anirudh himself, as well as artists signed to the new label. A first release is already in the pipeline for April, featuring Anirudh.
The numbers behind the man are hard to ignore. Debuting in 2012 with the viral sensation “Why This Kolaveri Di”, Anirudh has since clocked over 13 billion audio streams across more than 770 tracks, cementing his position as the No.1 South Indian artist on Spotify by total streams. His fingerprints are all over some of the Tamil film industry’s biggest musical moments, from Hukum and Vaathi Coming to Arabic Kuthu and the A23 Theme.
But Albuquerque Records is a different beast. Built for the non-film space, it is designed to nurture independent talent and champion the next wave of Indian pop voices. “Universal Music India’s leadership in pop and hip-hop made them the natural partner,” said Anirudh. “I’m excited to take independent voices to audiences around the world.”
Universal Music India’s chairman and CEO Devraj Sanyal was equally effusive. “Anirudh represents the future of Indian music, bold, original, and with enormous potential,” he said. “Identifying transformative talent is our superpower, and this partnership reflects that belief.”
Sanujeet Bhujabal, managing director of Universal Music India, framed the deal as more than a distribution play. “Albuquerque Records represents Anirudh’s bold artistic vision in the world of pop and hip-hop,” he said. “True to his legacy of innovation, this partnership is set to establish yet another landmark creative space, this time for the emerging world of iPop and beyond.”
For Universal Music India, the deal deepens a long-running push into South India’s four key language markets: Tamil, Malayalam, Kannada and Telugu. The label already has regional imprints, film partnerships with Maddock Films and Excel Entertainment, and a growing non-film roster. Landing Anirudh, arguably the south’s most bankable music brand, is a statement of intent. South Indian music has the streams. Now it is coming for the world.
