Movies
Royal Stag Barrel Select Large Short Films continues association with Mami Mumbai Film Festival
Mumbai: Royal Stag Barrel Select Large Short Films is once again partnering with Mami Mumbai Film Festival 2024. As part of the association, the brand is championing select and distinctive narratives for discerning viewers. This initiative reinforces the brand’s focus on curating content “For the Select Ones” by celebrating creativity, originality, and collaborating with the choicest storytellers and renowned artists.
This year’s collaboration will feature a short film contest and the premiere of two original Royal Stag Barrel Select Large Short Films shorts on 23 October 2024.
1. Royal Stag Barrel Select Large Short Films Premieres: Royal Stag Barrel Select Large Short Films will premiere two new original short films at the festival, featuring renowned talent from the industry. The event promises a captivating evening, highlighted by a panel discussion, and select conversations with the cast.
● Gul Panag’s Aloo Bhujia, starring Rannvijay Singha, Arnav Maggo, Padma Damodaran; directed by Lakshmi R Iyer.
● Tigmanshu Dhulia’s The Promise, starring Jim Sarbh and Priya Mani.
2. Short Film Contest: The contest offered aspiring filmmakers an exciting opportunity to showcase their creativity and storytelling, with the top 10 shortlisted films scheduled to be screened at the festival. Of the shortlisted films, winners under the ‘Best Film’ category will also be announced. The special jury, comprising some of India’s top voices in the industry – Hansal Mehta, Aditi Rao Hydari and Rajshri Deshpande – will be present for the Royal Stag Barrel Select Large Short Films Premieres.
Pernod Ricard India chief marketing officer and head of global business development Kartik Mohindra said, “Royal Stag Barrel Select Large Short Films has become ‘the’ destination for short films over the years for viewers to experience great filmmaking. The platform has been a pioneer in transforming the way individuals perceive the short film genre and has evolved to create an ecosystem for aspiring and established storytellers alike to bring select short films to our audiences. We are thrilled to continue our association with MAMI Mumbai Film Festival 2024, which is a testament to our dedication towards crafting the next chapter of select storytelling. This strengthens our endeavour of fostering a dynamic environment that empowers storytellers, and curating select narratives for our discerning audiences.”
MAMI Mumbai Film Festival artistic director Deepti DCunha shared, “We are delighted to continue our long-standing association with Royal Stag Barrel Select Large Short Films, united by our shared passion for exceptional storytelling and empowering talented filmmakers. Together, we remain committed to curating compelling content that resonates with evolving audience preferences and shifting consumption trends.”
The festival is set to take place from 19 October to 24 October 2024.
Movies
Tamil film Made in Korea tops Netflix global chart, storms 24 countries
Cross-cultural drama races to No.1, marking a global breakthrough for South Indian cinema
MUMBAI: A Tamil tale has gone global at speed. Netflix’s Made in Korea has shot to No.1 on its Global Top 10 Non-English Films list, trending across 24 countries within days of release.
Premiering on March 12, the film, directed by Ra.Karthik and starring Priyanka Mohan, is the only South Indian title to claim the top spot across both licensed and Netflix original films, underlining the growing global pull of regional Indian cinema.
The story, which follows Shenba’s journey from Tamil Nadu to Seoul, has struck a chord for its emotional warmth, scenic visuals and cross-cultural appeal. Early word-of-mouth has powered its rapid climb, turning a modest release into a global talking point.
Monika Shergill, vice-president, content, Netflix India, said, “We are proud that a story like Made in Korea has become the first ever film from our south slate to land at the No.1 spot on our Global Top 10 Non-English Films list. It reaffirms our belief that there is so much more from India for the world to discover and embrace. This film stands out for blending two distinct cultures into one powerful story that explores universal emotions of love, friendship, belonging and family. At Netflix, we remain committed to championing authentic, locally rooted stories and it’s incredibly exciting to see a film like this travel so widely and connect with audiences around the world.”
Priyanka Mohan called the moment deeply personal. “Moments like these are what every artist truly hopes for. We always strive to give our best, but some films become very special in our journey as performers, and Made in Korea is one of them for me. Shenba is a character that touched my heart from the moment I read the script, and bringing her story to life has been incredibly meaningful. Working with Ra.Karthik sir was a wonderful experience. He has such clarity and sincerity in the way he tells stories. I’m also grateful to our producer Sreenidhi Sagar sir and the entire team for their constant support. And of course, my heartfelt thanks to Netflix for giving this story such a wonderful platform and helping it reach audiences everywhere.”
Ra.Karthik struck a similar note. “There are certain films you make with complete faith in the audience, believing they will connect with the emotions you are trying to convey. It is truly heartening to see Made in Korea trending on Netflix and receiving such encouraging responses from viewers, not just in India but across the world. Priyanka Mohan brought incredible dedication and sincerity to Shenba’s character, and that commitment reflects beautifully on screen. I’m grateful to producer Sreenidhi Sagar for trusting this story and to Netflix for providing such a wonderful platform for the film to reach audiences across countries.”
As the film continues to travel across borders, its success signals more than just a hit. It marks a shift, where local stories, told with authenticity, are no longer confined by language or geography. In the streaming wars, the South is not just rising. It is rewriting the script.
