Movies
Jio Studios puts the Jio in content business
Mumbai: In an event held at the Jio World Convention Centre in Mumbai, Jio Studios, the media and content arm of Reliance Industries Ltd., for the first time has unveiled its spectacular content slate, the single largest slate ever produced by an Indian studio in any given year. The studio has lined up ready to release over 100+ stories across genres of films and original web series in multiple languages including Hindi, Marathi, Bengali, Gujarati, South and Bhojpuri, capturing every emotion and genre of storytelling – Action, Drama, Thriller, Comedy, Romance, Biopics, Horror, Musicals et al.
The depth and width of this marquee offering promises to be a game-changer in the world of Indian entertainment, delivering high quality content that is both entertaining and thought provoking, with unheard of scale. This has been achieved through meticulous collaboration with some of the best creative minds in the country including Raj Kumar Hirani, Sooraj Barjatya, Dinesh Vijan, Ali Abbas Zafar, Aditya Dhar, Prakash Jha, Amar Kaushik, Laxman Utekar to name a few, featuring stories with some superstars as well as new talent, be it actors or filmmakers.
RIL Media and content business president Jyoti Deshpande commented, “We are in the most exciting and eventful phase of Indian entertainment, with storytelling taking centre stage in an era of explosive digital disruption. Since its inception five years ago, Jio Studios has worked very hard to lay solid foundations in scaling what is traditionally a very fragmented industry. We have actively partnered with some of the best names in the business and newcomers alike to reach this day, when a staggering and exciting 100 content assets have been produced, ready to be showcased to the world.”
“Our vision is to power stories that are from, by and for India and Bharat, tell stories that not only entertain but also have purpose, partner with storytellers in every Indian language and take these stories mainstream. Our mission to Make in India and Show the World is vast and inclusive and will ensure the growth of the entire entertainment value chain. The future holds infinite possibilities, and this occasion marks a new chapter in our journey to give wings to the greatest stories ever told and champion the creative excellence of incredible storytellers,” concluded Deshpande.
The film line-up includes Dunki (Shah Rukh Khan), Bloody Daddy (Shahid Kapoor), Bhediya 2 (Varun Dhawan) , Bhul Chuk Maaf (Kartik Aryan & Shraddha Kapoor), Untitled (Shahid Kapoor & Kriti Sanon) Stree 2 (Rajkummar Rao & Shraddha Kapoor), Section 84 (Amitabh Bachchan), Hisaab Barabar (R Madhavan), Zara Hatke Zara Bachke (Vicky Kaushal & Sara Ali Khan), BlackOut (Vikrant Massey & Mouni Roy), Mumbaikar (Vijay Sethupathi), The Storyteller (Paresh Rawal & Adil Hussain), Dhoom Dhaam (Pratik Gandhi & Yami Gautam), Empire (Taapsee Pannu & Arvind Swamy), to name just a few.
Jio Studios has further produced in its mix of web originals, riveting sagas with powerhouse talent. These include Laal Batti, a political thriller helmed by Prakash Jha (marking Nana Patekar’s debut in OTT & Sanjay Kapoor), Union: The Making of India (Kay Kay Menon, Ashutosh Rana & a stellar ensemble cast), Inspector Avinash (Randeep Hooda & Urvashi Rautela), Rafuchakkar (Maniesh Paul’s debut in OTT), Bajao (Rapper Raftaar’s OTT debut), The Magic of Shiri (Divyanka Tripathi), Doctors (Sharad Kelkar), A Legal Affair (Barkha Singh & Angad Bedi) and many more. Additionally, the studio has built a Mini-Originals slate showcasing slice-of-life content that includes Ishq Next Door (Abhay Mahajan & Natasha Bharadwaj), Do Gubbare (Mohan Agashe & Siddharth Shaw) and Hajamat (Sanjay Mishra & Anshumaan Pushkar).
Jio Studios has invested significantly in building a vast local content repertoire and is set to dominate the regional space as well with a slew of captivating stories across languages. It has a noteworthy Marathi slate with Baipan Bhari Deva (Rohini Hattangadi, Vandana Gupte, Sukanya Kulkarni), Four Blind Men (Ankush Chaudhari), 1234 (Vaidehi Parshurami and Nipun Dharmadhikari), Kharvas (Sandesh Kulkarni), Kaata Kirrr (Priyadarshan Jadhav), Khashaba (Nagraj Manjule) and is arguably the only content company to invest in premium Marathi web original series like Kaalsutra (Subodh Bhave and Sayaji Shinde), Eka Kaleche Mani (Prashant Damle) and Aga Aai Aho Aai (Renuka Shahane and Hruta Durgule).
Jio Studios has also announced one of the biggest deals in the Bengali market by entering into a multi-year, multi film collaboration with SVF Entertainment, the powerhouse of Bengali cinema to create a new era of blockbusters. The upcoming films in this partnership will include top of the line talent such as Mithun Chakraborty, Prosenjit Chatterjee, Jisshu Sengupta and makers Dhrubo Banerjee, Raj Chakraborty, Anirban Bhattacharya, Srijit Mukherji, Suman Ghosh to name a few.
The studio is also backing Gujarati cinema and will present an interesting line up including Bachubhai (Siddharth Randeria), Chaandlo (Kaajal Oza Vaidya, Manav Gohil & Shraddha Dangar) & Ghulam Chor (Malhar Thakkar).
Movies
Tamil film Made in Korea tops Netflix global chart, storms 24 countries
Cross-cultural drama races to No.1, marking a global breakthrough for South Indian cinema
MUMBAI: A Tamil tale has gone global at speed. Netflix’s Made in Korea has shot to No.1 on its Global Top 10 Non-English Films list, trending across 24 countries within days of release.
Premiering on March 12, the film, directed by Ra.Karthik and starring Priyanka Mohan, is the only South Indian title to claim the top spot across both licensed and Netflix original films, underlining the growing global pull of regional Indian cinema.
The story, which follows Shenba’s journey from Tamil Nadu to Seoul, has struck a chord for its emotional warmth, scenic visuals and cross-cultural appeal. Early word-of-mouth has powered its rapid climb, turning a modest release into a global talking point.
Monika Shergill, vice-president, content, Netflix India, said, “We are proud that a story like Made in Korea has become the first ever film from our south slate to land at the No.1 spot on our Global Top 10 Non-English Films list. It reaffirms our belief that there is so much more from India for the world to discover and embrace. This film stands out for blending two distinct cultures into one powerful story that explores universal emotions of love, friendship, belonging and family. At Netflix, we remain committed to championing authentic, locally rooted stories and it’s incredibly exciting to see a film like this travel so widely and connect with audiences around the world.”
Priyanka Mohan called the moment deeply personal. “Moments like these are what every artist truly hopes for. We always strive to give our best, but some films become very special in our journey as performers, and Made in Korea is one of them for me. Shenba is a character that touched my heart from the moment I read the script, and bringing her story to life has been incredibly meaningful. Working with Ra.Karthik sir was a wonderful experience. He has such clarity and sincerity in the way he tells stories. I’m also grateful to our producer Sreenidhi Sagar sir and the entire team for their constant support. And of course, my heartfelt thanks to Netflix for giving this story such a wonderful platform and helping it reach audiences everywhere.”
Ra.Karthik struck a similar note. “There are certain films you make with complete faith in the audience, believing they will connect with the emotions you are trying to convey. It is truly heartening to see Made in Korea trending on Netflix and receiving such encouraging responses from viewers, not just in India but across the world. Priyanka Mohan brought incredible dedication and sincerity to Shenba’s character, and that commitment reflects beautifully on screen. I’m grateful to producer Sreenidhi Sagar for trusting this story and to Netflix for providing such a wonderful platform for the film to reach audiences across countries.”
As the film continues to travel across borders, its success signals more than just a hit. It marks a shift, where local stories, told with authenticity, are no longer confined by language or geography. In the streaming wars, the South is not just rising. It is rewriting the script.
