Digital
RVCJ Digital Media hits 10M Instagram followers milestone
Mumbai: RVCJ MEDIA, a leading digital media company, is thrilled to announce a major milestone as its Instagram community “RVCJ Media” has grown to a whopping ten million followers, with a total follower base of over 45 million people. This achievement is a testament to the tremendous support and loyalty shown by our audience throughout the years.
The power of social media, memes, and influencers:
In recent years, social media has revolutionised the way businesses operate. It has become an essential channel for companies to engage with their target audience, increase brand awareness, and drive conversions. With its visually appealing format and extensive reach, Instagram has emerged as one of the most popular platforms for businesses to showcase their products and services.
But what makes Instagram truly unique is its vibrant community of content creators, influencers, and meme pages. RVCJ MEDIA, as a leading content platform, has leveraged the power of memes and influencers to connect with millions of users worldwide. Memes, with their humorous and relatable content, have become a universal language on social media, allowing brands to establish an emotional connection with their audience.
The rise of RVCJ MEDIA on Instagram:
Since its inception on 9 March 2015, RVCJ MEDIA has captivated Instagram users with its entertaining and engaging content. We started our journey in the digital world with a humble following, but through our dedication and commitment to quality, we have seen unprecedented growth. On 22 March 2022, we celebrated a significant milestone by reaching eight million followers. And today, we are elated to announce that our Instagram community has expanded to a massive ten million followers!
This achievement would not have been possible without the unwavering support and enthusiasm of our audience. It is your continuous engagement, likes, comments, and shares that have propelled us to new heights. We are grateful for every individual who has joined us on this exciting journey.
Our commitment to quality content:
At RVCJ MEDIA, we understand the importance of providing our audience with top-notch content. Our team of talented creators, writers, and designers work tirelessly to ensure that every post, meme, and video resonates with our audience. We strive to entertain, inspire, and bring a smile to your face with our content.
Moving forward:
As we celebrate this remarkable momentous, we would like to express our heartfelt gratitude to our followers, supporters, and partners. Your trust and encouragement have been instrumental in our success. We promise to continue delivering engaging and entertaining content that will keep you hooked to our Instagram page.
RVCJ Digital Media Pvt Ltd co-founder and CCO Ankit Mor shared their appreciation, stating, “Reaching the milestone of 10 million followers on Instagram is truly extraordinary for RVCJ Digital Media Pvt Ltd. We extend our deepest gratitude to our dedicated audience for their unwavering support. This accomplishment is a testament to the tireless efforts and dedication of our team, who continually strive to deliver the most captivating and impactful content to our followers. We are thrilled to expand our horizons further, providing a platform that embraces diverse voices and perspectives.”
Digital
Content India 2026 opens with a copro pitch, a spice evangelist and a £10,000 prize for Indian storytelling
Dish TV and C21Media’s three-day summit puts seven ambitious projects before an international jury, and two walk away with serious development money
MUMBAI: India’s content industry gathered in Mumbai this March for Content India 2026, a three-day summit organised by Dish TV in partnership with C21Media, and it wasted no time making a statement. The event opened with a Copro Pitch that put seven scripted and unscripted television concepts before an international panel of judges, and by the end of it, two projects had walked away with £10,000 each in marketing prize money from C21Media to support development and international promotion.
The jury, comprising Frank Spotnitz, Fiona Campbell, Rashmi Bajpai, Bal Samra and Rachel Glaister, evaluated a shortlist that ranged from a dark Mumbai comedy-drama about mental health (Dirty Minds, created by Sundar Aaron) to a Delhi coming-of-age mystery (Djinn Patrol, by Neha Sharma and Kilian Irwin), a techno-thriller about a teenage gaming prodigy (Kanpur X Satori, by Suchita Bhatia), an investigative crime drama blending mythology and modern thriller (The Age of Kali, by Shivani Bhatija), a documentary on India’s spice heritage (The Masala Quest, hosted by Sarina Kamini), a documentary on competitive gaming (Respawn: India’s Esports Revolution, by George Mangala Thomas and Sangram Mawari), and a reality-horror competition merging gaming and immersive fear (Scary Goose, by Samar Iqbal).
The session was hosted by Mayank Shekhar.
The two winners were Djinn Patrol, backed by Miura Kite, formerly of Participant Media and known for Chinatown and Keep Sweet: Pray & Obey, with Jaya Entertainment, producers of Real Kashmir Football Club, also attached; and The Masala Quest, created and hosted by Sarina Kamini, an Indian-Australian cook, author and self-described “spice evangelist.”
The summit also unveiled the Content India Trends Report, whose findings made for bracing reading. Daoud Jackson, senior analyst at OMDIA, set the tone: “By 2030, online video in India will nearly double the revenue of traditional TV, becoming the main driver of growth.” He noted that in 2025, India produced a quarter of all YouTube videos globally, overtaking the United States, while Indians collectively spend 117 years daily on YouTube and 72 years on Instagram. Traditional subscription TV is declining as free TV and connected TV gain ground, forcing broadcasters to innovate. “AI-generated content is just 2 per cent of engagement,” Jackson added, “highlighting the dominance of high-quality human content. The key for Indian media companies is scaling while monetising effectively from day one.”
Hannah Walsh, principal analyst at Ampere Analysis, added hard numbers to the picture. India produced over 24,000 titles in January 2026 alone, with 19,000 available internationally. The country now accounts for 12 per cent of Asia-Pacific content spend, up from 8 per cent in 2021, outpacing both Japan and China. Key exporters include JioStar, Zee Entertainment, Sony India, Amazon and Netflix, delivering over 7,500 Indian-produced titles abroad each year. The top importing markets are Saudi Arabia, the UAE, Egypt, the United States and the Philippines. Scripted content dominates globally at 88 per cent, with crime dramas and children’s and family titles performing particularly strongly.
Manoj Dobhal, chief executive and executive director of Dish TV India, framed the summit’s ambition squarely. “Stories don’t need translation. They need a platform, discovery, and reach, local or global,” he said. “India produces more movies than any country, our streaming platforms compete globally, and our tech and creators win international awards. Yet fragmentation slows growth. Producers, platforms, and tech move in different lanes. We need shared spaces, collaboration, and an ecosystem where ideas, technology, and people meet. That is why we built Content India.”
The data, the pitches and the prize money all pointed to the same conclusion: India is not waiting for the world to discover its stories. It is building the infrastructure to sell them.
