Hollywood
Kaspersky warns of Avatar 3 cyber scams targeting global fans
MUMBAI: The release of Avatar 3 has not only stirred excitement at the box office but also sparked a surge in online scams, according to cybersecurity firm Kaspersky. As fans flock to watch the latest chapter of the blockbuster franchise, cybercriminals are cashing in on the hype with fraudulent websites promising online access to the film.
Kaspersky reports that these scam sites are targeting users globally, often localising pages in multiple languages. However, the translations are frequently clumsy, riddled with grammatical errors, and can serve as a red flag for suspicious activity. Once users click to watch the movie, they are confronted with fake media players and urged to “register” to unlock full access, handing over personal details such as email addresses and phone numbers.
In later stages, attackers may request payment details under the guise of a “free trial,” putting users at risk of identity theft and financial loss. The scam is particularly dangerous for those who reuse passwords across different accounts.
“Cybercriminals consistently exploit blockbuster releases to grab attention and maximise their schemes,” said Kaspersky senior web content analyst Olga Altukhova. “We strongly advise using official platforms and reliable security tools, and to be cautious whenever personal or payment information is requested online.”
Kaspersky recommends verifying site authenticity, sticking to reputable streaming services, enabling multi-factor authentication on financial and entertainment accounts, and using trusted security solutions to block phishing attempts. In independent tests, Kaspersky Premium achieved a 93% detection rate with zero false positives, earning an “Approved” certificate from AV-Comparatives for anti-phishing protection.
The lesson is clear: the only thing fans should risk with Avatar 3 is their popcorn.
Hollywood
Disney unifies streaming, film, TV and games under Dana Walden
Debra O’Connell to chair Disney Entertainment Television in new setup
LOS ANGELES: The Walt Disney Company is pressing play on a more tightly woven future. As audiences hop between cinema screens, streaming apps and game worlds, the media giant is stitching its storytelling arms into one coordinated machine under Dana Walden.
Set to take charge as president and chief creative officer on March 18, Walden will oversee a newly unified Disney Entertainment structure that brings together streaming, film, television and the company’s fast-expanding games and digital business. She will report directly to incoming chief executive officer Josh D’Amaro.
The thinking is simple. Whether viewers are watching on Disney+, heading to the cinema or diving into a game, Disney wants the experience to feel like chapters of the same story. Walden summed it up as strengthening the emotional thread between Disney’s characters and its audiences, wherever they choose to engage.
The leadership reshuffle reads like a carefully cast ensemble. Alan Bergman continues as chairman of Disney Entertainment, studios, steering film production, marketing and distribution while sharing oversight of direct to consumer.
Streaming gets a dual command. Joe Earley and Adam Smith step in as co-presidents of direct to consumer, jointly handling strategy and financial performance across Disney+ and Hulu. Earley will also guide content strategy, while Smith retains his role as chief product and technology officer across Disney Entertainment and ESPN.
A new chair enters the frame with Debra O’Connell taking on the role of chairman, Disney Entertainment Television. She will oversee an expansive slate that includes ABC Entertainment, National Geographic and Hulu Originals, while continuing to supervise ABC News and owned stations.
Gaming, once a side quest, is now a central storyline. Sean Shoptaw, executive vice president, games and digital entertainment, moves into the Disney Entertainment fold. His remit includes partnerships such as the collaboration with Epic Games, aimed at building a Disney universe linked to Fortnite.
Elsewhere, John Landgraf remains chairman of FX, reporting to Walden, while Asad Ayaz continues as chief marketing and brand officer, reporting to both D’Amaro and Walden.
The message behind the reshuffle is clear. Disney is no longer thinking in silos of screens but in stories that travel. And with Walden at the creative helm, the company is betting that a single, seamless narrative can keep audiences hooked, whether they are watching, scrolling or playing.
