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Madhavan expounds on the wisdom of CO-producing
AK Madhavan,the genial and smiling CEO of Crest Communications spoke on ‘International CO-production in animation’.
Asking the audience, “How many of you here want to be entrepreneurs owning animation studios?” Madhavan began the session by sampling the aspirational quotient amongst India’s future animators.
“I see that I have severe competition” remarked the successful CEO, on seeing many hands arise.
Madhavan then introduced the students to the different business models on which studios work.
“There are various types of business models on which studios work. One of them is doing work for hire, purely work for hire, and why we do it is cost of production is cheaper. Traditionally studios from Europe, US and Canada send work overseas to reduce costs. The other model is CO production. It denotes you have 2 or more than 2 partners.” explained Madhavan.
Further commenting on the benefits of co-prouction and the complexities involved therein, Madhavan stated that CO-productions minimize risks, and the upside could be plenty.
Regarding complexities he stated that CO productions could have various ways in which monies were regrouped, there were several instances when deals were done for a particular platform. “Agreements” said Madhavan, ” also vary from territory to territory and geography to geography.”
Commenting on the long shelf life that animated content has and therefore the potential of perennial revenue inflows, Madhavan cited the example of Mickey Mouse, which he had seen as a child, which his children had also seen and his grandchildren would see too.
He also drew light upon the CO production treaties that existed between countries like ‘Canada and France’ , ‘Canada and Germany’ etc. where each studio that produces content in the 2 countries has to input talent from the partner country.
“Jakers is running in 17 countries across the globe, including PBS in the US, BBC in the UK, TF1 in France, and ABC in Australia” said Madhavan,talking about the high levels of appreciation and acceptance that content produced in Crest had received internationally.
He concluded by saying that “One has to build a mix, in the business model (CO-productions and work for hire) also it has to be remembered that there can be no compromise on deliveries and the quality. I think we are getting there.
This was followed by an interactive session with the audience, some of which is described below….
Madhavan’s reply on … distribution models “So far what we have been doing is we’ve been working with different producers. India doesn’t have the skills to distribute or market content worldwide. What we do is we either go to distribution companies, obviously there is a fee for it. Also there are agents who do it.”
Madhavan’s reply on … government involvement and human talent “I don’t think that the government is not interested. Government of India has not seen the potential yet. Industry associations are trying to get the government involved to encourage and fund projects. I am sure over the years, in the near future there will be participation.”
“All of the Indian animation studios and there are 60-70 of us, are focussing on enhancing talent, we are hiring from overseas, conducting workshops and retraining our people.”
Madhavan’s reply on … why only Tenali Ramas and Hanumans “If you have something interesting I’ll do it for you. The real reason is something called as copyright. Public domain stories don’t cost a copyright, this cuts on costs. They also have more immediate acceptance.”
News Broadcasting
Kamlesh Singh receives Haldi Ghati Award from MMCF
India Today Group editor honoured for three decades of journalism at Udaipur ceremony.
MUMBAI- Kamlesh Singh just turned a lifetime of sharp words into a shiny shield because when journalism wakes up a society, even the Maharana of Mewar wants to pin a medal on it.
The Maharana of Mewar Charitable Foundation (MMCF) conferred its prestigious Haldi Ghati Award on Kamlesh Singh, a senior editor at the India Today Group, during a ceremony in Udaipur on 15 March 2026. The national award, instituted in 1981-82, recognises “work of permanent value that initiates an awakening in society through the medium of journalism.”
Singh, who leads several editorial initiatives including Aaj Tak Radio, the Teen Taal community and The Lallantop, was presented the honour by Lakshyaraj Singh Mewar, Managing Trustee of MMCF. The citation highlighted his three decades of contributions to Indian media, innovations in digital journalism, mentoring young reporters, and his popular podcast persona “Tau” on Teen Taal, which fosters thoughtful public discourse.
The Haldi Ghati Award, named after the historic Battle of Haldighati symbolising valour and resilience, is one of four national awards given annually by MMCF. Past recipients include Tavleen Singh, Piyush Pandey and Raj Chengappa.
Other honourees this year included Padma Vibhushan Pt Hari Prasad Chaurasia, Vedamurti Devvrat Rekhe, Treeman of India Marimuthu Yoganathan, Vir Chakra Capt Rizwan Malik, and US-based researcher Molly Emma Aitken, who received the Colonel James Tod Award for contributions to understanding Mewar’s spirit and values.
In an era where headlines often shout louder than substance, the MMCF quietly reminded everyone that real journalism isn’t about noise, it’s about the quiet, persistent work that stirs society awake, one thoughtful story at a time.
