Executive Dossier
“I intend doing different kinds of shows for varied channels” : Deepti Bhatnagar
Deepti Bhatnagar’s career started with modeling, one that became an instant success. Her subsequent venture into acting however did not yield the same fruit.
It was in 2001 that Bhatnagar emerged in a new avatar as television producer. Musafir Hoon Yaaron, which she produced along with hubby Randeep Arya for Star Plus was soon followed by the religious travel show, Yatra. Deepti incidentally also anchors both these shows.
Buoyed by the success of her two serials, Bhatnagar is now set to embark on soapy terrain with a series called Kabhi Aaye Na Judai, a daily on Star Plus that premieres on January 27 next.
For a fledgling producer, Bhatnagar’s performance is quite outstanding. Giving her company is Arya, who also directs both her travel shows. In the midst of her busy schedule, the charming Deepti Bhatnagar took time off for a tete-a tete with indiantelevision.com. Excerpts –
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From model and actress to TV producer, how did this transition happen? So, I took the initiative and met Sameer Nair (Star India COO) with a concept for a travel show. A few months later, when Star wanted an existing travel show to be reformatted and given a new look, I took over as producer of the show eventually christened Musafir Hoon Yaaron. Where did you fail as an actress? |
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Does being an actress help? Are channels more receptive to you? How was ‘Yatra’ conceived? What is your production set-up like? What are your sources of funding? Is there any specific reason why all your shows are on Star? |
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Do you find channel intervention an impediment while working on your shows? How do you divide responsibilities with Randeep? How do you intend to balance your careers as actor and producer? Having a good team really helps as today I don’t have to be around every moment in my office. My travel show in any case requires me to spend a lot of time away from Mumbai but in my absence, my team is competent enough to handle other shows proficiently. Of course I’m in touch with my team all the time, even when I’m away from Mumbai. How do you see Deepti Bhatnagar Productions shaping up in the next few years? Are you satisfied with the way Deepti Bhatnagar Productions has done in the last one and half years? So, that means no more movies with Mithun Chakravarty? |
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Executive Dossier
Game on, fame on as Good Game hunts India’s first global gaming star
MUMBAI: Game faces on, pressure high India’s gaming ambitions are levelling up. Good Game, billed as the world’s first as-live global gaming reality show, has officially launched in India with a bold mission: to crown the country’s first Global Gaming Superstar.
Blending esports with mainstream entertainment, the show brings together competitive gaming, creativity and on-camera performance in a format that tests more than just joystick skills. Contestants will be judged on gameplay, screen presence and their ability to perform under pressure, reflecting how gaming has evolved from pastime to profession and pop culture currency.
Fronting the show are three high-profile ambassadors: actor and entrepreneur Samantha Ruth Prabhu, Indian cricket star Rishabh Pant, and gaming creator Ujjwal Chaurasia. The winner will take home Rs 1 crore ($100,000) among the largest prize pools for any Indian reality show along with the chance to represent India on a global stage.
Backed by a planned annual investment of up to Rs 100 crore, Good Game is also courting brand partners, promising a minimum reach of 500 million among India’s core youth audience. The creators position the show as a bridge between entertainment and interactive culture, offering long-format content, community engagement and commercial scale.
Auditions are now open to Indian citizens aged 18 and above, inviting amateur and professional gamers, creators and performers alike. Shortlisted candidates will be called for in-person auditions in Mumbai on 14 and 15 February, and in Delhi on 28 February and 1 March 2026.
With big money, big names and even bigger ambition, Good Game signals a shift in how India views gaming not just as play, but as performance, profession and prime-time spectacle.









