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Five Faces of Corporate Image

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Every corporation has a face, captured by its name identity and its image, including the overall image delivery system to push that name in the marketplace. Whether you like it or not, your corporate image is out there and is fully exposed. Following are the Five Faces of Corporate Image. The question is not which one, rather which is the best suited for you and why. All images are good if they really ring the cash registers, otherwise these masks are sometimes the main reasons for the sinking of total marketing strategies and business plans.

Five Faces of Corporate Image

HIPPIES: When the image of a corporate identity is simply a spinning burst of soft colors like a freeze frame slice from a kaleidoscope and you can hear bee bop music from the sixties, then it’s about time for everyone to ride a painted microbus to a peace rally. It would project that everything is very cool and it moves very slow, sometimes to a rhythm. This type of image is very common in consumer-packaged goods. Colors are often very pale and very soft. The names are overly slip-n-slide. Today a very large number of companies have adopted this style to appease the consumer.

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MORTICIANS: The image is of dull and dark colors fading to black. Dark suits are a must. Artificial smiles, firm hand shakes and powerful scents. Some distant sound of an organ piped throughout the organization. It would appear all to be hypnotized. This kind of image is very common in professional or financial services and recently banks are dropping this altogether to adopt the earlier image on a fast track basis. This image has too much rigidity and often named after the founders, some great landmark or a city or country.

IVY LEAGUERS: Here is some distinct element of intellectual snobbery. Sometimes it really exists and most of the time it is just a show. In both cases, the image is driven with an elitist language and style, Times Roman fonts and formal lingo. Money and sense of security is the prime thrust. Dark green, dark burgundy and dark blue are the most sought after colors. Famous and literary types of names are used as the corporate monikers. The Internet has made a big punch in style of corporate communications. Now everyone can appear smart and savvy.

CYBERNAUTS: Here, things are mouse driven, what you see is not what you get. It is here today and gone tomorrow. Ingenuity and stupidity are both displayed in a simultaneous interaction. Just don’t blink too fast. Great ideas, packaged as silly brands and named in the most ridiculous fashion is the standard. Colors are mostly transparent, total imagery and business model is translucent and corporate name identity is transient. As the technology changes, so do the names. There is a constant surgery to an existing name, primarily for trademark conflicts and secondly the names do not match the business.

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DINOSAURS: Here the long corridors and the stale smell of the office will lead you to the graveyards. Grey and dull color schemes and overuse of florescent lights of the squarely placed HQ speak loud and clear of the glories of the past. The corporate names are several feet long. Some get telescoped or initialized to some weird and strange acronym and initials. Sometimes one can trace the bloody battles of mergers and acquisitions of the past in their lineage as each has left a distinct mark on the corporate name, sometimes a word or others a letter or two.

Then there are also images of No Bodies. Here nothing makes a difference and nothing is so important. What name? What image? What identity? The corporation is like a humongous school project. Run by the seat of the pants without a blueprint. Chasing opportunities in a panic and in the dark. Welcome to the largest group on companies gathered on this planet today. These groups of corporations with images of No-bodies are derived from two main sources; those that have no appreciation for building a proper image and do not care and those who see this as a direct threat to their other priorities and keep pushing aside their desires to do this professionally one day. Sometimes the day comes and often it never comes.

Makeover-Techniques

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No matter what, keep an open mind and study the subject and the best way is to measure the cost of your current advertising and branding budgets over the existing name identity and it’s personae. You can bring in brand new knowledge in your organization on how to make a brand new makeover. First it is very easy, very inexpensive almost a small percentage of what you are spending now and once you project you name and image correctly you will boost your market positioning very fast. It is a sophisticated system and not to be confused with the traditional branding circus. Makeovers are easy things. Best we look in the mirror.

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MAM

Ad:tech honours 2026: Full list of winners announced

Expanded awards spotlight winners across 22 categories as industry doubles down on intelligent automation

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NEW DELHI: Marketing’s tech elite took the spotlight as the ad:tech honours 2026 returned with a sharper focus on AI, data and immersive media, signalling how deeply technology now underpins brand strategy. Held at Yashobhoomi on March 17, the second edition drew industry leaders to celebrate innovation that is reshaping engagement and performance.

Presented with the International Advertising Association India chapter and new partner Huella, the awards expanded from 8 to 22 categories, tracking the rapid convergence of creativity, automation and analytics.

The winners’ list reads like a snapshot of marketing’s future. In affiliate and partner marketing, Lyxel & Flamingo – Boat and Paytm Ads – Giva took silver. Mobavenue Media Private Limited struck gold in AI-driven dynamic creative optimisation, alongside a silver for Laqshya Media Limited.

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Creative AI collaboration saw Rediffusion Brand Solutions Private Limited win gold, with Saltinc Consulting Private Limited securing silver. Laqshya Media Limited continued its strong run, taking gold in AI conversation agents and adding multiple wins across categories, including silver in GenAI-led creative and both gold and silver in interactive DOOH campaigns for Tanishq and Tata Coffee.

Predictive AI honours went to Strong Metrics and Tyroo, both silver, while Orient Bell Limited picked up silver in immersive retail tech. In GenAI-led creative, Laqshya Media Limited, Salt – Kotak and Sumimoto each secured silver, reflecting the crowded race in generative creativity.

Publicis bagged silver in influencer management and gold in performance marketing, where it shared the stage with Arm Worldwide and The Trade Desk, both silver. Glad U Came Private Limited stood out with gold in influencer measurement and analytics.

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Marketing automation saw CereOne Media Pvt. Ltd. and Globale Media win silver, while ADMOTT Private Limited claimed silver in OTT innovation.

Programmatic media categories highlighted the shift to advanced targeting and connected screens. Mobavenue Media Private Limited clinched gold in connected TV advertising, with Animmoov Digital Media Pvt Ltd – Asus and Lyxel and Flamingo taking silver. Cheggout Services Private Limited won silver in retail media advertising, while Paytm Ads – Versuni secured gold.

On social platforms, Vayner Media India took gold in community and UGC engagement, with Under 25 – Oppo winning silver. Segumento rounded off the list with silver in the innovation category.

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Jaswant Singh, country managing director at ad:tech India, underscored the momentum, saying generative AI and data-driven decision-making are now central to marketing impact. Neena Dasgupta, IAA mancom member and chief executive and founder at The Salt Inc Consulting, added that the awards celebrate not just technology, but “the people, the creativity, and the relentless effort behind it.”

Backed by Comexposium Group, ad:tech New Delhi has long tracked digital disruption. Now, with the honours, it is rewarding those who are not just adapting to change but engineering it.

In an industry racing towards automation, the message from 2026 is unmistakable. The future of marketing will be written not just in ideas, but in algorithms.

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