English Entertainment
ABC.com to stream recap specials of ‘Lost’, ‘Desperate Housewives’
MUMBAI: ABC.com will stream in their entirety recap specials of its hit shows Lost and Desperate Housewives which have aired on the US channel.
This will be the first time that ABC.com is streaming a primetime programme in its entirety. Desperate Housewives: Sorting Out the Dirty Laundry began streaming on ABC.com a couple of days ago. Lost: The Journey was made aavilable yesterday 28 April.
The specials will remain live in ABC.com’s video player until 22 May and 25 May the season finales of the respective series. In addition to the shows streaming in their entirety, ABC.com will also offer streams of each act so viewers can watch the stories of each individual character.
ABC Entertainment Television Group senior VP business development Bruce Gersh said, “Placing these two specials literally at the fingertips of internet users is a great ‘first’ for ABC.com, and an exciting way to introduce new viewers to two of the most talked about new series of the year while also feeding the appetite of current fans”.
Lost: The Journey invites new and avid Lost viewers to take a fresh look at one of this season’s most talked about shows. The special promises to explore the series in a way that will bring new viewers up to date — but which current viewers will also find illuminating.
Desperate Housewives: Sorting Out the Dirty Laundry will bring new viewers up to speed on the biggest moments of the season while giving die-hard fans of the hit series fresh insight into the many mysteries of TV’s most famous street.
The hour recaps the stories-to-date of Susan Mayer, Lynette Scavo, Bree Van De Kamp and Gabrielle Solis, and looks back at the central mysteries that have kept viewers guessing. Why did Mary Alice kill herself? Who’s buried in the toy chest that Paul Young dug up from the bottom of his pool? And who is Mike Delfino, and what is his real agenda in moving to Wisteria Lane?
Meanwhile ABC has announced that it will air a six episode reality show The Scholar in June. The opportunity of a lifetime is about to come true for one of America’s best and brightest high school students in the unscripted series that will send the winner to a top-rated American university, all expenses paid.
Filmed on location at the University of Southern California The Scholar will be the first show ever to celebrate higher education as the ultimate American prize. For the chance at a full ride to the college of their choice, 10 qualified high school seniors — who might not otherwise have an opportunity to attend one of America’s top universities — will compete for a full scholarship, a prize valued at $250,000. They will have to demonstrate excellence in the areas of academics, leadership, creativity and community service, while facing sudden-death oral exams defending themselves to an Ivy League scholarship committee.
UK: The aerial is losing its grip. As broadband becomes the default way Britons watch television, the UK is edging towards a decisive, and divisive, question: should Freeview be switched off by 2034? The issue, highlighted in reporting by The Guardian, has exposed deep fault lines over access, affordability and the future of public service broadcasting.
For nearly 25 years, Freeview has delivered free-to-air television from the BBC, ITV, Channel 4 and Channel 5 to almost every corner of the country. Even now, it remains the UK’s largest TV platform, used in more than 16m homes and on around 10m main household sets. Yet the same broadcasters that built it are now pressing for its closure within eight years.
Their case rests on a structural shift in viewing. Smart TVs, superfast broadband and the Netflix-led streaming boom have pulled audiences online. Advertising economics have followed. By 2034, the number of homes using Freeview as their main TV set is forecast to fall from a peak of almost 12m in 2012 to fewer than 2m, making digital terrestrial television, or DTT, increasingly costly to sustain.
But critics say the rush to switch off risks abandoning those least able, or least willing, to move online.
“I don’t want to be choosing apps and making new accounts,” says Lynette, 80, from Kent. “It is time-consuming and irritating trying to work out where I want to be, to remember the sequence of clicks, with hieroglyphics instead of words. If I make a mistake I have to start again.”
Lynette is among nearly 100,000 people who have signed a “save Freeview” petition launched by campaign group Silver Voices. She fears the government is about to “take [Freeview] away from me and others who either don’t like, can’t afford, or can’t use online versions”.
Official figures underline the fault lines. A report commissioned by the Department for Culture, Media and Sport estimates that by 2035, 1.8m homes will still depend on Freeview. Ofcom’s analysis shows those households are more likely to be disabled, older, living alone, female, and based in the north of England, Wales, Scotland and Northern Ireland.
Freeview is owned by the public service broadcasters through Everyone TV, which also operates Freesat and the newer streaming platform Freely. After two years of review, DCMS is expected to set out its position soon, drawing on three options proposed by Ofcom: a costly upgrade of Freeview’s ageing technology; maintaining a bare-bones service with only core PSB channels; or a full switch-off during the 2030s.
The broadcasters have rallied behind the third option. They argue that 2034 is the logical cut-off, when transmission contracts with network operator Arqiva expire. By then, they say, the cost of broadcasting to a dwindling audience will far outweigh the returns from TV advertising.
Ofcom agrees a crunch point is approaching. In July, the regulator warned of a “tipping point” within the next few years, after which it will no longer be commercially viable for broadcasters to carry the costs of DTT.
Others see risks beyond economics. Questions remain over whether internet TV can reliably deliver emergency broadcasts, such as the daily Covid updates, in the way that universally available DTT can. The UK radio industry has also warned that an internet-only future for TV could push up distribution costs and force some radio stations off air if PSBs no longer share Arqiva’s mast network.
“It is a political hot potato,” says Dennis Reed, founder of Silver Voices, who says he has “dissociated” his organisation from the government’s stakeholder forum, which he believes is “heavily biased” towards streaming.
The Future TV Taskforce, representing the PSBs, counters that moving online could “close the digital divide once and for all”. “We want to be able to plan to ensure that no one is left behind,” a spokesperson says, adding that rising DTT costs could otherwise mean cuts to programme budgets.
The numbers show the scale of the challenge. Of the 1.8m Freeview-dependent homes projected for 2035, around 1.1m are expected to have broadband but not use it for TV. The remaining 700,000 are forecast to lack a broadband connection altogether.
Veterans of the analogue switch-off, completed in 2012 after 76 years, recall similar fears of “TV blackout chaos”. Around 6 per cent of households were labelled “digital refuseniks”, yet a targeted help scheme and a national campaign, fronted by a robot called Digit Al voiced by Matt Lucas, delivered a largely smooth transition.
This time, the BBC is less keen to foot the bill. Tim Davie, the outgoing director general, has said the corporation should not fund a comparable support programme for a Freeview switch-off.
Research for Sky by Oliver & Ohlbaum suggests that with early awareness campaigns and digital inclusion measures, only about 330,000 households would ultimately need hands-on help ahead of a 2034 shutdown.
Meanwhile, viewing habits continue to fragment. Audience body Barb says 7 per cent of UK households no longer own a TV set, choosing to watch on other devices. In December, YouTube overtook the BBC’s combined channels in total UK viewing across TVs, smartphones and tablets, albeit measured at a minimum of three minutes.
That shift may accelerate. YouTube has recently blocked Barb and its partner Kantar from accessing viewing session data, limiting transparency just as online platforms consolidate power.
“When the government chose British Satellite Broadcasting as the ‘winner’ in satellite TV it was Rupert Murdoch’s Sky instead that came out on top,” says a senior TV executive quoted by The Guardian. “There already is such an outsider ready to be the winner in the transition to internet TV; it is YouTube.”
Freeview’s future now hangs on a familiar British dilemma: modernise fast and risk exclusion, or protect universality and pay the price. Either way, the aerial’s days as king of the living room look numbered.
