English Entertainment
Nat Geo Intl, Singapore EDB invite entries for documentary fund
MUMBAI: Asian stories for a global audience! National Geographic Channels International (NGCI) together with the Singapore Economic Development Board (EDB) invite Asia’s filmmakers to submit programme proposals for the fifth season of the NGCI-EDB Documentary Fund 2006.
The objective of the NGCI-EDB Documentary Fund is to seek out and groom production talent the region has to offer, as well as facilitate the production of global quality documentaries made in Asia.
NGCI is primarily looking for one-hour, one-off documentaries but will consider short series of up to three episodes. This documentary fund is open to Asia-based companies and filmmakers and proposal submissions guidelines are available on www.ngcasia.com/asiafilmmaker.
Previous seasons have received entries from countries like India and Bhutan. It has also inspired Asian films such as Body Snatchers of Thailand. This film won Best Documentary at the Asian Television Awards 2004. In that same year, Kung Fu Dragons of Wudang won World Bronze Medal at the New York Film Festivals. More recently, Hiss of Death was a finalist at the prestigious Jackson Hole Wildlife Film Festival.
This year, NGCI will commission 11 hours of programming. Filmmakers intending to participate and receive support from the NGCI-EDB Documentary Fund are required to submit programme proposal ideas that challenge, surprise as well as compel viewers to re-think the way we view the modern world. These works have to be dramatic stories with strong central characters and portrayed through innovative storytelling.
NGCI executive VP, poduction Bryan Smith, said, “We have definitely noticed a flourishing of productions dealing with Asian themes and topics since we embarked on this project four years ago. With greater proficiency in filmmaking, we see more sophisticated storytelling and well-crafted documentaries.
“We are confident that the NGCI-EDB Documentary Fund, showcased as ShowReal Asia has aided in boosting the region’s filmmaking industry and we certainly hope that its continued success will pave the way for more filmmakers in Asia to showcase their talents on a global platform in the years to come.”
Economic Development Board director, Infocomms and Media, Quek Swee Kuan says, “Over the past four seasons, we have seen Asia’s best filmmakers produce award-winning documentaries that captured the global audience. EDB is proud to be part of this partnership with NGCI that has helped cultivate and grow the creative talent base in Singapore. This initiative will continue to push the standards of documentary filmmaking here, and bring us closer to our strategic intent of developing Singapore into a media hub.”
Submissions have to reach NGCI by 4 September. Following the announcement of the shortlisted candidates on 20 September, a producer’s master workshop will be organised from 4 to 6 October. NGCI and EDB will announce the winning commissioned projects on 6 October.
Selected grantees can showcase their works through National Geographic Channel’s global reach of up to 290 million viewers in 164 countries as well as of a long-term creative opportunity with the Channel.
As with previous years, this year’s selected talents from ShowReal Asia will be mentored by National Geographic Channel’s producers.
UK: The aerial is losing its grip. As broadband becomes the default way Britons watch television, the UK is edging towards a decisive, and divisive, question: should Freeview be switched off by 2034? The issue, highlighted in reporting by The Guardian, has exposed deep fault lines over access, affordability and the future of public service broadcasting.
For nearly 25 years, Freeview has delivered free-to-air television from the BBC, ITV, Channel 4 and Channel 5 to almost every corner of the country. Even now, it remains the UK’s largest TV platform, used in more than 16m homes and on around 10m main household sets. Yet the same broadcasters that built it are now pressing for its closure within eight years.
Their case rests on a structural shift in viewing. Smart TVs, superfast broadband and the Netflix-led streaming boom have pulled audiences online. Advertising economics have followed. By 2034, the number of homes using Freeview as their main TV set is forecast to fall from a peak of almost 12m in 2012 to fewer than 2m, making digital terrestrial television, or DTT, increasingly costly to sustain.
But critics say the rush to switch off risks abandoning those least able, or least willing, to move online.
“I don’t want to be choosing apps and making new accounts,” says Lynette, 80, from Kent. “It is time-consuming and irritating trying to work out where I want to be, to remember the sequence of clicks, with hieroglyphics instead of words. If I make a mistake I have to start again.”
Lynette is among nearly 100,000 people who have signed a “save Freeview” petition launched by campaign group Silver Voices. She fears the government is about to “take [Freeview] away from me and others who either don’t like, can’t afford, or can’t use online versions”.
Official figures underline the fault lines. A report commissioned by the Department for Culture, Media and Sport estimates that by 2035, 1.8m homes will still depend on Freeview. Ofcom’s analysis shows those households are more likely to be disabled, older, living alone, female, and based in the north of England, Wales, Scotland and Northern Ireland.
Freeview is owned by the public service broadcasters through Everyone TV, which also operates Freesat and the newer streaming platform Freely. After two years of review, DCMS is expected to set out its position soon, drawing on three options proposed by Ofcom: a costly upgrade of Freeview’s ageing technology; maintaining a bare-bones service with only core PSB channels; or a full switch-off during the 2030s.
The broadcasters have rallied behind the third option. They argue that 2034 is the logical cut-off, when transmission contracts with network operator Arqiva expire. By then, they say, the cost of broadcasting to a dwindling audience will far outweigh the returns from TV advertising.
Ofcom agrees a crunch point is approaching. In July, the regulator warned of a “tipping point” within the next few years, after which it will no longer be commercially viable for broadcasters to carry the costs of DTT.
Others see risks beyond economics. Questions remain over whether internet TV can reliably deliver emergency broadcasts, such as the daily Covid updates, in the way that universally available DTT can. The UK radio industry has also warned that an internet-only future for TV could push up distribution costs and force some radio stations off air if PSBs no longer share Arqiva’s mast network.
“It is a political hot potato,” says Dennis Reed, founder of Silver Voices, who says he has “dissociated” his organisation from the government’s stakeholder forum, which he believes is “heavily biased” towards streaming.
The Future TV Taskforce, representing the PSBs, counters that moving online could “close the digital divide once and for all”. “We want to be able to plan to ensure that no one is left behind,” a spokesperson says, adding that rising DTT costs could otherwise mean cuts to programme budgets.
The numbers show the scale of the challenge. Of the 1.8m Freeview-dependent homes projected for 2035, around 1.1m are expected to have broadband but not use it for TV. The remaining 700,000 are forecast to lack a broadband connection altogether.
Veterans of the analogue switch-off, completed in 2012 after 76 years, recall similar fears of “TV blackout chaos”. Around 6 per cent of households were labelled “digital refuseniks”, yet a targeted help scheme and a national campaign, fronted by a robot called Digit Al voiced by Matt Lucas, delivered a largely smooth transition.
This time, the BBC is less keen to foot the bill. Tim Davie, the outgoing director general, has said the corporation should not fund a comparable support programme for a Freeview switch-off.
Research for Sky by Oliver & Ohlbaum suggests that with early awareness campaigns and digital inclusion measures, only about 330,000 households would ultimately need hands-on help ahead of a 2034 shutdown.
Meanwhile, viewing habits continue to fragment. Audience body Barb says 7 per cent of UK households no longer own a TV set, choosing to watch on other devices. In December, YouTube overtook the BBC’s combined channels in total UK viewing across TVs, smartphones and tablets, albeit measured at a minimum of three minutes.
That shift may accelerate. YouTube has recently blocked Barb and its partner Kantar from accessing viewing session data, limiting transparency just as online platforms consolidate power.
“When the government chose British Satellite Broadcasting as the ‘winner’ in satellite TV it was Rupert Murdoch’s Sky instead that came out on top,” says a senior TV executive quoted by The Guardian. “There already is such an outsider ready to be the winner in the transition to internet TV; it is YouTube.”
Freeview’s future now hangs on a familiar British dilemma: modernise fast and risk exclusion, or protect universality and pay the price. Either way, the aerial’s days as king of the living room look numbered.
