News Broadcasting
SPE crosses $1 billion in domestic box office receipts
MUMBAI: Sony Pictures Entertainment (SPE) has surpassed the $1 billion mark in box office receipts for calendar year 2006, making it the fifth year in a row the studio has reached that milestone at the box office.
The announcement was made by Columbia TriStar Motion Picture Group chairman of worldwide marketing and distribution and SPE vice chairman Jeff Blake.
Exceeding more than $1 billion for five consecutive years is a sustained record of box office strength matched by only one other studio, Warner Bros. During the past five years combined, no studio has performed better in North America than Sony Pictures Entertainment. Since January, 2002, the studio has released 37 top films. Sony was number one in market share in 2002 and 2004, was number two in 2003 and the studio is number one to date in 2006 controlling approximately 18 per cent of all North American ticket sales.
Additionally, Sony is the only studio to exceed the $6 billion mark in domestic box office sales between 2002 and 2006.
Contributing to the success of the 2006 slate are eight number one films: Columbia Pictures’ The DaVinci Code, Talladega Nights: The Ballad of Ricky Bobby, Click, RV, and Pink Panther, Screen Gems’ Underworld: Evolution and When a Stranger Calls, and TriStar Pictures’ Silent Hill. No studio has ever released more than nine top films in a single year. Other hits contributing to the studio’s success this year include Monster House, Benchwarmers and Little Man.
“With the exceptionally strong slate Sony has remaining in 2006, we believe we will have one of the biggest years in the history of the motion picture industry. A year like this doesn’t happen by chance. The production team worked with some of the best filmmakers in the business to deliver a great line up of films in 2006 and the marketing and distribution teams have made the most of it,” said Blake.
Sony Pictures expects to add significantly to the $1 billion figure during the remainder of the year with such highly anticipated upcoming releases as Screen Gems’ thriller The Covenant, Columbia’s dramas Gridiron Gang, All the King’s Men, Marie Antoinette and The Pursuit of Happyness, Sony Pictures Animation’s first feature-length family adventure comedy Open Season, Columbia’s horror thriller The Grudge 2, Stranger Than Fiction and Nancy Meyers’ romantic comedy The Holiday and Columbia and MGM’s James Bond action adventure Casino Royale.
News Broadcasting
News TV viewership jumps 33 per cent as West Asia war draws audiences
BARC Week 8 data shows news share rising to 8 per cent despite T20 World Cup
NEW DELHI:Â Even as individual television news channel ratings remain under a temporary pause, the genre itself is seeing a clear surge in audience attention.
According to the latest data from Broadcast Audience Research Council India, television news recorded a 33 per cent jump in genre share in Week 8 of 2026, covering February 28 to March 6.
The news genre accounted for 8 per cent of total television viewership during the week, up from 6 per cent the previous week. The spike in attention coincided with escalating geopolitical tensions involving the United States, Israel and Iran, which have kept global headlines firmly fixed on West Asia.
The rise is notable because it came at a time when cricket was dominating television screens. The high-stakes stages of the ICC Men’s T20 World Cup, including the Super 8 fixtures and semi-finals, were being broadcast during the same period.
Despite the cricket frenzy, viewers appeared to be toggling between sport and global affairs, boosting the overall share of news programming.
The surge in genre share comes even as the government has enforced a one-month pause on publishing ratings for individual news channels. The move followed regulatory scrutiny of the television ratings ecosystem.
While channel-level rankings remain temporarily out of sight, the genre-level data suggests that when global tensions escalate, audiences continue to turn to television news for real-time updates.
