Hindi
Sag to mail strike authorisation ballots on 2 January
MUMBAI: The Screen Actors Guild (Sag) in the US has announced that strike authorisation ballots will be mailed to paid-up members on 2 January and will be tabulated on 23 January.
A yes vote by 75 per cent of members voting is required to pass the measure, which would authorise Sag‘s national board of directors to call a strike, if and when the board determines it is necessary.
Sag national president Alan Rosenberg said, ”Sag members understand that their futures as professional actors are at stake and I believe that Sag members will evaluate the AMPTP’s June 30 offer, and vote to send us back to the table with the threat of a strike. A yes vote sends a strong message that we are serious about fending off rollbacks and getting what is fair for actors in new media. I am encouraged by the response of the capacity crowd at our Los Angeles town hall meeting Monday night.”
Sag national executive director and chief negotiator, Doug Allen added, ”We want SAG members to have time to focus on this critical referendum, so we have decided to mail ballots the day after New Year‘s. We will continue our comprehensive education campaign and urge our members to vote yes on the strike authorization. I am confident that members around the country will empower our negotiating team with the leverage and strength of unified Screen Actors Guild members. Our objective remains to get a deal that Sag members will ratify- not to go on strike”.
Hindi
Remembering Gyan Sahay, the lens behind film, television and advertising
From a puppet rabbit selling poppadums to Hindi cinema, he framed it all.
MUMBAI: There are careers, and then there are canvases. Gyan Sahay, the veteran cinematographer, director, and producer who passed away on 10 March 2026 in Mumbai, had one of the latter. Over several decades in the Indian film and television industry, he turned lenses, lights, and the occasional puppet rabbit into something approaching art.
A graduate of the Film and Television Institute of India (FTII) in Pune, Sahay built his reputation as a director of photography across a career that stretched from the early 1970s all the way to the digital age. He was the kind of craftsman who understood that a well-composed shot is not merely a technical achievement but a quiet act of storytelling.
For most Indians of a certain age, however, Sahay will forever be the man behind the rabbit. His direction of the iconic long-running television commercial for Lijjat Papad, featuring its now-legendary puppet bunny, gave the country one of its most cheerfully persistent advertising images. It was the sort of work that sneaks into the national subconscious and takes up permanent residence.
His big-screen credits as cinematographer include Anokhi Pehchan (1972), Pagli (1974), Pas de Deux (1981), and Hum Farishte Nahin (1988). In 1999, he stepped behind a different kind of camera altogether, making his directorial debut with Sar Ankhon Par, a drama that featured Vikas Bhalla and Shruti Ulfat, with a cameo by Shah Rukh Khan for good measure.
On television, Sahay was particularly prized for his command of multi-camera production setups, a skill that made him a go-to technician for large-scale shows and reality programmes. In an industry that has never been especially patient with complexity, he was the calm hand on the rig.
In later life, Sahay turned teacher. He participated regularly in masterclasses and Digi-Talks, often hosted by organisations such as Bharatiya Chitra Sadhna, sharing hard-won wisdom on cinematography, the comedy of timing in a shot, and the sweeping changes brought by the shift from celluloid to digital. He was also said to have been involved in a project concerning a biographical film on Infosys co-founder N.R. Narayana Murthy.
Tributes from the film industry poured in following the news of his passing, with colleagues remembering him as a senior cameraman who served as a rare bridge between two entirely different eras of Indian cinema. That is, perhaps, the finest thing one can say of any craftsman: he kept up, and he brought others along with him.
