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Ghajini grosses Rs 900 million

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MUMBAI: Aamir Khan

seems to be scoring over Shah Rukh Khan at the box office, if early indications of their latest films are to be believed. While the Aamir Khan-starrer Ghajini has raked in close to Rs 900 million over the four-day weekend (25 December to 28 December), SRK‘s Rab Ne Bana Di Jodi mopped up the same amount after its first week of release.

Ghajini has collected Rs 700 million from the Indian theatres while in overseas market it has pocketed close to Rs 200 million.


Distributed by The Indian Film Company in India, Ghajini was released across 1400 screens with 1200 prints.


Ghajini was released by Reliance Big Pictures, the motion pictures brand of Reliance Big Entertainment, in 22 countries internationally with 250 prints. The key markets included the UAE with 36 prints, the US and Canada with 112 prints, and the UK with 65 prints.








According to the data provided by Big Pictures, the film opened with $1.4 million in North America and with $0.92 million in the Middle East. The other countries across which Ghajini saw a simultaneous release are Ireland, Norway, Germany, Denmark, Holland, Netherlands, Belgium, South Africa, New Zealand, Fiji, Mauritius, Hong Kong, Singapore and Australia.



Big Pictures is planning to release in four additional countries – Myanmar, Uganda, Malaysia and Morocco – in the coming weeks.



Ghajini’s performance demonstrates that the overseas audiences are equally accepting quality action films, which are still a rarity, coming out of India. We are extremely pleased with the films opening, which has created bench marks in various International markets like North America, Australia and the Middle East,” says Big Pictures COO – International Film Business Jawahar Sharma.



A Geetha Arts production, Ghajini is a remake of the critically acclaimed Tamil language film with the same title, also directed by AR Murugadoss. The film stars Aamir Khan, Asin Thottumkal, Jiah Khan, Mohit Ahlawat, Pradeep Rawat and Riyaz Khan. Ravi K Chandran is the cinematographer.

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Hindi

Marico founder Harsh Mariwala’s book Harsh Realities set for film adaptation

Almighty Motion Picture taps Karan Vyas to script Marico story

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MUMBAI: Almighty Motion Picture is turning its lens on India Inc., with plans to adapt Harsh Realities: The Making of Marico into a screen project. The story charts the rise of Harsh Mariwala, the chairman and founder of Marico, and is currently in early development, according to a report by Variety.

Writer Karan Vyas, known for his work on Scam 1992, Scoop and Made in India – A Titan Story, is attached to pen the screenplay. The project continues the studio’s growing interest in real-life Indian narratives that blend business with human drama.

At the heart of the story lies a defining moment in 1987, when Mariwala chose to step away from the family-run Bombay Oil Industries and strike out on his own. What followed was not just the creation of a company, but the reinvention of a legacy. Marico would go on to become a global FMCG player, with brands like Parachute, Saffola, Set Wet and Livon becoming household names, reaching nearly one in three Indians.

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The source material, co-authored by Mariwala and renowned business strategist Ram Charan, offers more than a boardroom chronicle. It captures the grit behind the growth, the risks behind the rewards and the leadership lessons forged along the way.

The adaptation aims to move beyond balance sheets and brand milestones, focusing instead on the person behind the enterprise. Expect a narrative that leans into the emotional stakes of entrepreneurship, where decisions are as personal as they are professional.

Today, Marico draws about a quarter of its revenue from international markets across Asia and Africa, reflecting its steady transformation from a domestic player into a multinational force. Yet, if the makers have their way, the screen version will remind audiences that every global success story begins with a leap of faith.

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With development set to begin soon, this is one business story that may just trade spreadsheets for storytelling, and profit margins for moments that linger

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