Hindi
Zee Cinema lines up Boney Kapoor festival from 14 September
MUMBAI: Coinciding with the release of Wanted, Zee Cinema has announced a week-long festival of Boney Kapoor blockbusters called ‘Most Wanted Afternoons‘.
Starting 14 September, the festival will telecast films like Pukar, Mr. India, No Entry, Humara Dil Aapke Paas Hain and Roop Ki Rani Choron Ka Raja daily at 12 noon. Besides, Zee Cinema would also engage viewers with special insights of these films.
Exclusive interviews with Salman Khan, Anil Kapoor, Sridevi, Satish Kaushik and Boney Kapoor have been lined up during the telecast of the films.
Said Zee Cinema Business Head Mohan Gopinath, “Most Wanted Afternoons is a special dedication to Boney Kapoor and his films. Since Zee Cinema enjoys the highest channel share during afternoons, we decided to make the most of it with the festival. It gives us immense pleasure to be associated with films that Boney Kapoor has produced.”
Hindi
Dhurandhar the revenge storms past Rs 1,000 crore in a week, rewrites box office records
Aditya Dhar’s spy thriller sets fastest run to Rs 1,000 crore with record-breaking weekday hold
MUMBAI: The box office has a new juggernaut—and it is moving at breakneck speed. Dhurandhar the revenge has smashed past the Rs 1,000 crore mark worldwide in just a week, clocking a staggering Rs 1,088 crore and resetting the rules of the blockbuster game.
Backed by Jio Studios and B62 Studios, and directed by Aditya Dhar, the spy action sequel opened to the biggest weekend ever for an Indian film globally—and then refused to slow down. Unlike typical tentpole releases that taper off after Sunday, this one powered through the weekdays with rare muscle, posting Rs 64 crore on Monday, Rs 58 crore on Tuesday, Rs 49 crore on Wednesday and Rs 53 crore on Thursday.
The numbers stack up to a formidable first-week haul. India collections stand at Rs 690 crore nett and Rs 814 crore gross, while overseas markets have chipped in Rs 274 crore, taking the worldwide total to Rs 1,088 crore in just eight days.
The film’s opening weekend alone delivered Rs 466 crore, laying the foundation for what is now being billed as the fastest climb to the Rs 1,000 crore club in Indian cinema. Every single day of its first week has set fresh benchmarks, from the highest opening weekend to the strongest weekday hold—metrics that typically separate hits from phenomena.
A sequel to the earlier hit Dhurandhar, the film has not just built on its predecessor’s momentum but obliterated previous records, emerging as the biggest global blockbuster run by an Indian film to date.
At this pace, the film is not merely riding a wave—it is creating one.
