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MPDA to screen Hollywood films in US Embassy at Delhi

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MUMBAI: The US Embassy and the Motion Picture Dist. Association (India) Pvt. Ltd, the Indian arm of the Motion Picture Association of America (MPAA), have decided to screen between 6-12 new Hollywood films every year at the American Center, Delhi.

The announcement was made at a reception hosted by US Ambassador to India Timothy J. Roemer of MPAA CEO and chairman Dan Glickman on 8 September.


MPAA‘s studio members will provide the films in digital format to the American Center, New Delhi. Members of the MPAA include Paramount Pictures, Sony Pictures Entertainment Inc., Twentieth Century Fox Film Corporation, NBC Universal, Walt Disney Studios Motion Picture and Warner Bros Entertainment Inc.


“The United States and India are two nations having a growing and shared stake in encouraging a healthy, legitimate marketplace for film and other creative works,” remarked Glickman.


Noted Ambassador Roemer, “The US and India have the largest motion picture industries in the world, reflecting the appreciation of film that both Indians and Americans share. This partnership between the American Center and motion picture industry leaders will allow us to share American culture with India in new and exciting ways.”

The American Center is undergoing a complete renovation of its theatre. The new theatre will be digitally compliant to MPAA standards and will include a new screen, new projection equipment and new sound system.



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Hindi

Dhurandhar the revenge storms past Rs 1,000 crore in a week, rewrites box office records

Aditya Dhar’s spy thriller sets fastest run to Rs 1,000 crore with record-breaking weekday hold

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MUMBAI: The box office has a new juggernaut—and it is moving at breakneck speed. Dhurandhar the revenge has smashed past the Rs 1,000 crore mark worldwide in just a week, clocking a staggering Rs 1,088 crore and resetting the rules of the blockbuster game.

Backed by Jio Studios and B62 Studios, and directed by Aditya Dhar, the spy action sequel opened to the biggest weekend ever for an Indian film globally—and then refused to slow down. Unlike typical tentpole releases that taper off after Sunday, this one powered through the weekdays with rare muscle, posting Rs 64 crore on Monday, Rs 58 crore on Tuesday, Rs 49 crore on Wednesday and Rs 53 crore on Thursday.

The numbers stack up to a formidable first-week haul. India collections stand at Rs 690 crore nett and Rs 814 crore gross, while overseas markets have chipped in Rs 274 crore, taking the worldwide total to Rs 1,088 crore in just eight days.

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The film’s opening weekend alone delivered Rs 466 crore, laying the foundation for what is now being billed as the fastest climb to the Rs 1,000 crore club in Indian cinema. Every single day of its first week has set fresh benchmarks, from the highest opening weekend to the strongest weekday hold—metrics that typically separate hits from phenomena.

A sequel to the earlier hit Dhurandhar, the film has not just built on its predecessor’s momentum but obliterated previous records, emerging as the biggest global blockbuster run by an Indian film to date.

At this pace, the film is not merely riding a wave—it is creating one.

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