Event Coverage
Mandate digitisation: Aroon Purie
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MUMBAI: Spreadsheet capitalism is over and no more is it viable for media companies to chase valuations but to build models that are profitable.
The broadcasting industry has sunk into losses as it gets Rs 40 billion of pay revenues while the payout towards carriage fees is Rs 180 billion.
“It is a lopsided equation,” said India Today Group chairman and Editor-in-Chief Aroon Purie. “The media and entertainment industry reaps a revenue of Rs 320 billion, out of which Rs 120 billion is advertising income. While the cable subscription revenue is Rs 200 billion, the broadcasters get a meagre 20 per cent share. This is destroying the whole economics of the broadcasting industry.”
The medicine to this ailing industry is digitisation. “The government should mandate digitisation. There is no other way that the industry can turn profitable,” said Purie, while delivering the keynote at the 12th edition of Ficci-Frames, the annual convention on the business of entertainment.
Purie backs his logic with pure statistics. “The average cable bill in the US is $100 per month. Even if you take the purchasing parity into account, India‘s cable bill is one-third that of the US. It is the cheapest in the world,” said Purie.
Stating that so far government has been “deaf, dumb and blind,” Poorie demanded that it should at least now make digitisation mandatory.
“Digitisation will bring addressability and it will become viable for all to do business. It will make the content king again. Advertisers also undervalue the medium. On top of that, we have a perverse business model,” Purie said.
Purie, in his strongly worded address, said that the broadcasters have created a mess in broadcasting and sadly, the fundamental of the “mess” has not been changed.
With valuations evaporating, the need of the hour is to look at profitability. “There are only a handful of channels in every genre that are profitable. On the whole, the industry is losing money,” Purie said.
He said that before talking about unlocking profitability, it is important to look at what is locking profitability. There are four locks that affect profitability.
These are:
Cable Clogging: The distribution scenario in India is similar to that of traffic jams in metros.
There are over 550 channels, out of which 400 are active. Analogue cable can support only 106 channels. After a must carry clause for the Doordarshan channels, there are 400 channels fighting for space on cable networks which can accommodate 100 channels.
“It is a skewed demand-supply equation. There are four channels fighting for one bandwidth. Worse, there are 300 more channels waiting for licence,” said Purie.
Cheating broadcasters: The business model for broadcasters is distorted, said purie. “The industry pays around Rs 180 billion as carriage fee. The broadcasters, however, capture only 20 per cent of the total cable TV subscription pie.”
Broadcasters need to rely heavily on advertising revenue, but the value is not increasing in proportion to the reach of homes.
“Fortunately, because of meltdown, the “foolish money which was coming in has dried up,” Purie said.
Government is deaf, dumb and blind: Purie was critical of the government, stating that piece meal solutions couldn‘t be the answer to the ails of the industry. The government has failed in its duty of being a facilitator and has, instead, acted as a stumbling block.
Government has no right to decide the price of the channel. Price fixing has killed niche channels. On the DTH front, the ‘must carry‘ clause has made every player a clone of the other,” he said.
Industry itself is the biggest enemy: Purie said that the first step is to unite and bring clarity to the business. He said that within the industry there is a lot of competition, rivalry and no unity.
“The government should do what is right for the industry and not bend down before lobbies. The answer is simple and the government can easily learn from the developed markets. Give the industry the profitability that it deserves,” said Purie.
Should there be an independent regulator to clear the mess that the broadcasting industry is in today? “A regulator like Ofcom can only look into issues such as monopolies. For digitisation, you don‘t need a regulator but a government mandate. Only that can salvage the industry from sinking into losses,” said Purie.
Event Coverage
Anime India announces Amazon MX Player as co-presenting partner for Anime India Kolkata 2026
MUMBAI: Riding high on the success of its blockbuster Mumbai debut, Anime India is accelerating its nationwide expansion with the announcement of Amazon MX Player as the co-presenting partner for Anime India Kolkata. The partnership marks a significant step forward in the festival’s mission to deliver large-scale, accessible, and fan-first anime experiences across the country.
Scheduled for 14 and 15 February 2026 at the iconic Biswa Bangla Mela Prangan, Anime India Kolkata will launch the first regional chapter of what is set to be a year-long, multi-city tour. As the curtain-raiser for the 2026 circuit, the Kolkata edition aims to fuse the energy of global Japanese pop culture with India’s fast-growing community of anime, manga, and pop-culture fans.
A household name in digital entertainment, Amazon MX Player brings unmatched reach and cultural relevance to the Anime India platform. With its expanding focus on anime and youth-driven content, Amazon MX Player’s involvement as co-presenting partner reinforces Anime India’s vision of making anime culture more inclusive breaking barriers of language, geography, and accessibility to connect with fans nationwide.
Anime India Kolkata 2026 will showcase cosplay competitions, interactive zones led by the Indian Gunpla Community, India-39 Vocaloid Community, The Japan Curry, and Adda-o-Otaku by The Otaku Guild. Fans can join tournaments across fighting games, Pokémon VGC, and more. Acclaimed Japanese director Susumu Mitsunaka (Haikyu!!) will attend as guest of honour, appearing in panels and live sessions. Positioned as an immersive celebration of fan culture and industry collaboration, the Kolkata edition marks the beginning of Anime India’s nationwide expansion.
Sharing their perspective on the partnership, Amazon MX Player director Aruna Daryanani expressed, “Anime in India has evolved from a niche interest into a mainstream cultural movement, driven by an increasingly engaged and passionate fanbase. At Amazon MX Player, our focus is on expanding access by bringing anime to audiences across the country for free and in multiple local languages. Our association with Anime India reflects our commitment to supporting the growth of anime in India and deepening connections with fans, while continuing to build Amazon MX Player as a trusted destination for free, high-quality entertainment.”
“Anime India Kolkata is a celebration of how anime has grown beyond entertainment into a powerful cultural and creative force. By bringing fans, creators, and industry leaders onto one shared platform, the festival is helping define the future of pop culture in India,” said Anime India co-founder and director Neha Mehta.
The debut edition of Anime India 2025 in Mumbai attracted over 29,000 fans, quickly cementing its status as a landmark celebration of anime and Japanese pop culture. Riding on this overwhelming response, the Kolkata chapter is projected to draw more than 40,000 visitors across two days, positioning it as one of the biggest anime conventions ever held in eastern India.
Anime India is focused on bringing together fans from across the country to create a truly pan-India celebration of anime, manga, cosplay, gaming, and Japanese culture. With plans to expand into four key metropolitan hubs in 2026—east (Kolkata), north (Delhi), west (Mumbai), and south (Hyderabad)—the festival seeks to deliver globally benchmarked experiences while supporting and uplifting creators, artists, and fan communities throughout India.










