Hindi
FWICE has no authority to pass non-cooperation directive: Galani
MUMBAI: Not wanting to be cowed down by the Federation of Western India Cine Employees (FWICE) slapping a non-cooperation directive against him until he settles his dispute with Salman Khan over remuneration for the 2010 film Veer, producer Vijay Galani has broken his silence on the subject.
“FWICE is not authorised to pass any non-cooperation directive against anybody, unless they are associated with Association of Motion Pictures Producers‘ Association (AMTPP). In my case, I am not a member of the AMTPP,” Galani observed.
Talking about him not paying up Khan for his services in his period film, Galani explained, “I do not owe Salman any money at all. I am clean. I know what I am saying. I have kept quiet for too long. Not anymore, though.”
According to Galani, he met Khan at least seven to eight times since the film‘s release, but the actor never talked the subject. “I know he has lodged a complaint against me in FWICE. But he doesn‘t have the papers to prove that I have to give him any money,” Galani averred.
Galani was reportedly accused of not paying Khan Rs 150 million for the actor‘s role in his 2010 production. Following Khan’s plaint with the FWICE, it passed a non-cooperation directive against Galani, which implies that he cannot make another film in Bollywood until he resolves the dispute with Salman.
Hindi
Shekhar Suman opens acting academy in Mumbai
The veteran actor-presenter launches SSFA, promising immersive, mentorship-led training for aspiring actors and storytellers
Mumbai: Forty years in front of the camera, and Shekhar Suman still isn’t done. The actor, host, writer and director, one of Indian entertainment’s most restless polymaths, is now training his sights on the next generation, launching the Shekhar Suman Film Academy (SSFA) in Mumbai on 22nd April 2026. Registrations for the inaugural batch are already open.
SSFA pitches itself squarely against formula-driven acting schools, leading with an intensive three-month programme that Suman says he personally designed and will largely conduct himself. The curriculum blends voice and speech work, emotional access, body awareness and camera technique with the Linklater Voice Method, film language and on-set discipline, and rounds off with a student film, giving trainees their first taste of a real set.
Masterclasses with actors, casting directors and filmmakers sit alongside the core course. The academy is conceived as a platform that will eventually sprawl into screenwriting, direction, cinematography, music production and post-production: a full creative ecosystem rather than a single acting school.
“For me, this academy is not just an institution. It is a very personal way of giving back to the craft that has given me everything,” said Suman. “Over the years, acting has taught me discipline, imagination, resilience, and the importance of truth in performance. Through this academy, I hope to create something that goes beyond training and becomes a true creative journey for every student who walks in.”
Behind the scenes, the academy is backed by GBM Studios. Dharmesh Sangani, founder and visionary, is the driving force, bringing what the academy describes as “a focused approach to creating meaningful opportunities within the industry.” Adhyayan Suman, founder and director and Shekhar’s son, adds a performer’s perspective honed across acting, music and direction. Ekant Babani, partner and chief operating officer, handles strategy and operations.
Entry is deliberately low-barrier. No prior training is needed: applicants sit a basic self-audition test, shifting the focus firmly to potential rather than polish. The academy says it aims to stay accessible while delivering a premium, hands-on experience.
In a country where acting schools multiply almost as fast as OTT platforms, Suman’s personal stamp and his willingness to stand in the room and teach may be the sharpest edge SSFA has. For those ready to test that promise, the curtain is already up. Apply at shekharsumanfilmacademy.com
