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Fox embraces digitization, to stop distributing 35mm films within two years

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MUMBAI: Bringing an end to 35mm film prints, 20th Century Fox has become the first major Hollywood studio to officially announce that it will distribute all of its films domestically in a digital format within the next year or two. bringing an end to 35mm film prints, according to National Association of Theatre Owners president-CEO John Fithian.

“Last year, I stood on this stage and predicted that domestic distribution of movies in the format of celluloid film could cease by the end of 2013. That prediction is becoming a reality,” Fithian has reportedly said. “As a letter from our friends at Fox confirms, no one should rely on the distribution of film prints much longer.And we know that most other distributors share that belief,” he added.
 
The CEO said that 27,000 US screens have been converted to digital, more than two-thirds of the total. He also promised that efforts to help smaller cinema operators convert to digital continue in earnest. The movement to digital is designed to cut down dramatically on print fees and projection costs.

Fithian and Motion Picture Association of America chairman and CEO Chris Dodd were speaking at a press briefing. Dodd suggested that the rift between Hollywood and Silicon Valley over recent online piracy legislation could solve itself without congressional input if the sides can come to an nderstanding.

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He said that entertainment companies and technology firms could sign a memo of understanding whereby piracy sites are identified by certain means, but he didn‘t rule out another round of legislation that could be supported by both sides. He also conceded the consumer was left out of the discussion by the MPAA during the SOPA battle.

On the subject of premium VOD, both speakers said studios and exhibitors no longer are feuding over the topic and are working to find an acceptable compromise.

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International

Utopai Studios unveils 4K three-minute video generation for PAI platform

New Story Agent and editing tools aim to streamline AI-led filmmaking workflows

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MUMBAI: Utopai Studios has announced a major upgrade to its PAI storytelling AI platform, introducing what it claims is an industry-first capability to generate three-minute videos in 4K resolution, alongside enhancements to its Story Agent feature.

The update, rolling out from April 15, expands the platform’s capabilities across the filmmaking process, from early concept development to post-production. The company said the new features are designed to help filmmakers maintain continuity across characters, scenes and visual styles, a key challenge in AI-driven storytelling.

At the heart of the release is a next-generation model that enables more structured narrative development, allowing creators to move more seamlessly from idea to execution. With tools such as multi-shot sequencing and multi-turn editing, the platform aims to give both studios and independent creators greater control over complex storytelling workflows.

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Commenting on the launch, Utopai Studios co-founder and CTO Jie Yang said, “The next phase of AI in media will not be defined by isolated tools, but by systems that can carry story, continuity and collaboration across the full creative process.” He added that the update is a step towards enabling more practical, end-to-end narrative development at a professional level.

Echoing this, Utopai Studios co-founder and chief scientific officer Zijian He said, “Generative video is opening the door to a new production model, where creative ambition is less constrained by traditional cost and complexity.” He noted that the platform combines multimodal models with iterative editing to give creators more speed, control and consistency.

The company said PAI is already being used in professional film and television productions, particularly in Hollywood, for tasks such as pre-visualisation, scene design and post-production refinements. The latest update adds features including improved voice options, character consistency, unlimited editing and more flexible asset management.

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Utopai also emphasised that its models are not trained on copyrighted material, positioning the platform as a cleaner alternative for creators and rights holders navigating the evolving AI landscape.

As AI continues to reshape content creation, Utopai’s latest push signals a shift from standalone tools to integrated systems, aiming to make high-quality filmmaking faster, more flexible and increasingly accessible.

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