International
SEC sends letters of inquiry to film studios about China deals
MUMBAI: The Securities and Exchange Commission (SEC) has sent letters of inquiry to at least five movie studios in the past two months, including News Corp’s 20th Century Fox, Disney, and DreamWorks Animation seeking information about potentially inappropriate payments to government officials in China.
The letters ask for information about potential inappropriate payments and how the companies dealt with certain government officials in China. The SEC is said to be investigating whether the American entertainment companies have paid bribes or had any illegal dealings with Chin se officials.
China has become a top priority for American entertainment companies looking to take advantage of its booming population and love of entertainment. The state-owned China Film Group tightly limits the number of foreign releases allowed in the country to about 20 per year, though in February a deal was cut to allow more American films to screen in the country.
If true, an investigation could lead to prosecution for violations of the Foreign Corrupt Practices Act, which makes it illegal for Americans to pay bribes to foreign government officials in order to facilitate their business dealings.
While the law has been on the books in the US since the ‘70s, it has not been properly put to use yet.
The total Chinese box office has soared in recent years with multiplexes coming up by the dozens. In 2009-10, James Cameron’s Avatar grossed more than $193 million in China, helping the film to become the highest-grossing film of all time.
International
Utopai Studios unveils 4K three-minute video generation for PAI platform
New Story Agent and editing tools aim to streamline AI-led filmmaking workflows
MUMBAI: Utopai Studios has announced a major upgrade to its PAI storytelling AI platform, introducing what it claims is an industry-first capability to generate three-minute videos in 4K resolution, alongside enhancements to its Story Agent feature.
The update, rolling out from April 15, expands the platform’s capabilities across the filmmaking process, from early concept development to post-production. The company said the new features are designed to help filmmakers maintain continuity across characters, scenes and visual styles, a key challenge in AI-driven storytelling.
At the heart of the release is a next-generation model that enables more structured narrative development, allowing creators to move more seamlessly from idea to execution. With tools such as multi-shot sequencing and multi-turn editing, the platform aims to give both studios and independent creators greater control over complex storytelling workflows.
Commenting on the launch, Utopai Studios co-founder and CTO Jie Yang said, “The next phase of AI in media will not be defined by isolated tools, but by systems that can carry story, continuity and collaboration across the full creative process.” He added that the update is a step towards enabling more practical, end-to-end narrative development at a professional level.
Echoing this, Utopai Studios co-founder and chief scientific officer Zijian He said, “Generative video is opening the door to a new production model, where creative ambition is less constrained by traditional cost and complexity.” He noted that the platform combines multimodal models with iterative editing to give creators more speed, control and consistency.
The company said PAI is already being used in professional film and television productions, particularly in Hollywood, for tasks such as pre-visualisation, scene design and post-production refinements. The latest update adds features including improved voice options, character consistency, unlimited editing and more flexible asset management.
Utopai also emphasised that its models are not trained on copyrighted material, positioning the platform as a cleaner alternative for creators and rights holders navigating the evolving AI landscape.
As AI continues to reshape content creation, Utopai’s latest push signals a shift from standalone tools to integrated systems, aiming to make high-quality filmmaking faster, more flexible and increasingly accessible.
