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India, Poland sign audio visual co-production agreement

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NEW DELHI: India and Poland have signed an agreement that will make it easier for filmmakers from both the countries to collaborate in filmmaking and also lay down the extent of financial contributions (usually ranging between 20 – 80 per cent).

Besides, the agreement has provision for both co-producers to make effective contributions, modalities of sharing honours and prizes and exporting films.

The audio visual co-production agreement was signed by Information and Broadcasting Minister Ambika Soni and Polish Minister of Culture and National Heritage B Zdrojewski at Warsaw.

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The agreement establishes a legal framework for relations regarding audio visual co-production, especially films including animation and documentary films for the cinema and TV, as well as films intended solely for dissemination on analogue or digital data carriers. The agreement shall remain in force for a period of five years from the date of its entry into force.

The signing of the agreement ensures better partnership and collaboration between enterprises and institutions which produce, distribute, and disseminate films. The inter-governmental co-production agreements are umbrella agreements, under which private, quasi-government or governmental agencies enter into contracts to produce films together. The films so produced are treated as national films in both countries and such films cannot be treated differently from a domestically produced film in each of the co-producing countries.

One of the key highlights of the agreement is the coverage of filming and animation work, including the storyboard, layout, key animation and in between as well as sound recording. The purview of the agreement also covers laboratory processing activities and facilitates movement of film equipment and associated infrastructure required for co-production. The agreement would also facilitate producers, screenwriters, directors, technicians, actors and other specified personnel to enter and briefly stay in each other‘s country.

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Currently, as part of the initiative, the Government has signed co-production agreements with Italy, UK, Northern Ireland, Federal Republic of Germany, Brazil, France and New Zealand.

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Kridhan Infra enters film production with AI-led feature film

Infra firm debuts AI-powered film marking RSS centenary

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MUMBAI: Kridhan Infra Limited is swapping hard hats for headsets. The infrastructure company has announced its entry into film production and media technology through its subsidiary, Kridhan Mediatech Private Limited, with the nationwide theatrical release of Shatak: Sangh Ke 100 Varsh, an AI-led feature film.

With Shatak, the company is not just stepping into cinema but staking a claim in what it describes as one of the world’s early full-length AI-driven feature films. Artificial Intelligence has been embedded across the creative and production process, from script visualisation and environment creation to modelling and production design.

The film commemorates 100 years of the Rashtriya Swayamsevak Sangh, tracing defining moments, personalities and historical phases that shaped its journey. By combining archival storytelling with algorithm-powered creativity, the project attempts to blend heritage with high technology.

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For Kridhan Mediatech, this is only the opening scene. The subsidiary’s broader ambition spans AI, CGI, virtual production systems and scalable content models for both theatres and digital platforms. The move signals a strategic diversification for Kridhan Infra, traditionally rooted in engineering and construction.

The timing aligns with India’s growing push to become a global AI powerhouse. At the 2026 AI Impact Summit, prime minister Narendra Modi urged innovators to design in India and deliver to the world. Kridhan Mediatech’s initiative positions itself squarely within that narrative, aiming to export technology-enabled storytelling beyond domestic audiences.

India’s media and entertainment industry, valued at over Rs 2.5 lakh crore, alongside a rapidly expanding AI economy projected to cross Rs 1.4 lakh crore in the coming years, offers fertile ground at the intersection of cinema and code.

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“With Shatak, we proudly present one of the world’s first AI-led full-length feature films while marking our strategic entry into film production and media technology through our subsidiary,” the company said in a statement. “Our vision is to combine India’s rich narrative heritage with forward-looking innovation. This is just the beginning of building globally competitive, technology-enabled cinematic experiences.”

From infrastructure to imagination, Kridhan’s latest venture suggests that in today’s India, even storytelling can be engineered.

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