International
Ice Age: Continental drift is No. 1 at overseas box office
MUMBAI: After logging its biggest overseas weekend to date grossing $95.2 million from 14,131 venues in 64 markets, 20th Century Fox‘s Ice Age: Continental Drift reclaimed the No. 1 foreign box office position as it out-did The Amazing Spider-Man.
The Blue Sky Studio‘s sequel is the fourth title in the increasingly remunerative computer animation franchise that has grossed $1.918 billion worldwide over the last 10 years.
Continental Drift‘s weekend was the third best ever for the franchise and the film‘s foreign gross total stands at $339.2 million accumulated since 25 June exceeding the figure of $270.1 millionof Madagascar 3: Europe‘s Most Wanted.
Driving its weekend box office action were openings in 18 markets including a powerful No. 1 debut in Russia where the film generated an astounding $16.4 million at 2,090 sites, the biggest market opening weekend of the year. The UK came up with $9.1 million from 1,246 spots for a market total of of $20.8 million.
The film took the top spot in its second Germany with $12.4 million at 1,214 play dates for a total of $33.6 million. In France, it remained No. 1 with $7 million generated at 1,019 spots for a market cume of $34.3 million. In all, the animation title ranked No. 1 in at least 30 territories.
The weekend‘s No. 2, Sony‘s The Amazing Spider-Man — fourth in the blockbuster series, that has racked up $2.5 billion at the worldwide box office generated $66.6 million at 16,575 venues in 87 markets, for a foreign gross total accumulated since June 27 of $320.4 million.
Unlike Continental Drift, the film premiered in several medium-to-small markets including Norway, South Africa, Greece, Hungary, Czech Republic and Romania. Spider-Man retained No. 1 holds in such larger territories as Mexico (cume $19.6 million), Brazil ($17.5 million) and India ($13.3 million). Top territory was the U.K. where it took the weekend‘s No. 2 spot with $6 million drawn from 911 situations for market cume of $29.5 million.
The overseas numbers posted by The Amazing Spider-Man and Ice Age: Continental Drift strengthen the odds that the “big six” Hollywood majors will set another foreign box office record in calendar year 2012. The current yearly high-water mark was set last year when the companies collectively drew $13.6 billion from the offshore theatrical circuit.
International
Utopai Studios unveils 4K three-minute video generation for PAI platform
New Story Agent and editing tools aim to streamline AI-led filmmaking workflows
MUMBAI: Utopai Studios has announced a major upgrade to its PAI storytelling AI platform, introducing what it claims is an industry-first capability to generate three-minute videos in 4K resolution, alongside enhancements to its Story Agent feature.
The update, rolling out from April 15, expands the platform’s capabilities across the filmmaking process, from early concept development to post-production. The company said the new features are designed to help filmmakers maintain continuity across characters, scenes and visual styles, a key challenge in AI-driven storytelling.
At the heart of the release is a next-generation model that enables more structured narrative development, allowing creators to move more seamlessly from idea to execution. With tools such as multi-shot sequencing and multi-turn editing, the platform aims to give both studios and independent creators greater control over complex storytelling workflows.
Commenting on the launch, Utopai Studios co-founder and CTO Jie Yang said, “The next phase of AI in media will not be defined by isolated tools, but by systems that can carry story, continuity and collaboration across the full creative process.” He added that the update is a step towards enabling more practical, end-to-end narrative development at a professional level.
Echoing this, Utopai Studios co-founder and chief scientific officer Zijian He said, “Generative video is opening the door to a new production model, where creative ambition is less constrained by traditional cost and complexity.” He noted that the platform combines multimodal models with iterative editing to give creators more speed, control and consistency.
The company said PAI is already being used in professional film and television productions, particularly in Hollywood, for tasks such as pre-visualisation, scene design and post-production refinements. The latest update adds features including improved voice options, character consistency, unlimited editing and more flexible asset management.
Utopai also emphasised that its models are not trained on copyrighted material, positioning the platform as a cleaner alternative for creators and rights holders navigating the evolving AI landscape.
As AI continues to reshape content creation, Utopai’s latest push signals a shift from standalone tools to integrated systems, aiming to make high-quality filmmaking faster, more flexible and increasingly accessible.
