Hindi
NFDC shortlists 6 for Screenwriters’ Lab 2012
Mumbai: The National Film Development Corporation (NFDC) has announced the names of six participants who will travel to the Venice International Film Festival to take part in the Screenwriters‘ Lab 2012.
They are Kanu Behl of Titli, Umesh Kulkarni of Antaraal, Ruchika Oberoi of Island City, Siddharth Sinha of Behind the Camera, Alankrita Shrivastava of Lipstick under My Burkha and Anupam Barve of The Shadow Lines.
These screenwriters will attend the first working session of the Lab with mentors like Marten Rabarts, Olivia Stewart, Urmi Juvekar and Bianca Taal.
The 2nd session will be held at Film Bazaar, Goa during the International Film Festival of India (IFFI) in November next where participants will apply their training and pitch their revised screenplays to participants at the film market.
Conducted by NFDC, in association with Binger FilmLab, Netherlands and Venice International Film Festival; Screenwriters‘ Lab is a 2-part workshop designed to prepare screenwriters with original Indian stories for working with the international filmmaking community.
Hindi
Rajesh Ramaswamy exits The Script Room to focus on filmmaking journey
Ad filmmaker steps away from own venture to pursue direction and storytelling
MUMBAI: In a move that has caught the attention of the advertising and creative community, Rajesh Ramaswamy has announced his exit from The Script Room, the company he co-founded, marking the end of a seven-year stint at the helm.
The decision, which came into effect earlier this month, signals a shift in focus for Ramaswamy, who is now looking to immerse himself fully in filmmaking and direction as an independent creative.
Known for blending sharp advertising insight with storytelling craft, Ramaswamy has been instrumental in shaping The Script Room into a creative hub that delivered campaigns, branded content, and original storytelling formats. Over the years, the company collaborated with agencies, directors, and a wide network of writers, while also experimenting with formats such as short films and web series.
Sharing his thoughts on the transition, Ramaswamy indicated that the move is driven by a desire to focus and explore stories he has been developing over time. While he acknowledged the unconventional nature of stepping away from one’s own venture, he also framed it as a necessary leap toward clarity and creative pursuit.
Importantly, The Script Room will continue its operations with its current team and leadership, with Ramaswamy expressing confidence in the group that helped build the company’s identity. The studio, he noted, remains well-positioned to evolve further with fresh talent and ideas.
His exit also reflects a wider industry trend, where experienced advertising professionals are increasingly transitioning into independent filmmaking, tapping into the growing opportunities across digital and long-form content platforms.
As Ramaswamy steps into this new phase, the move underscores a familiar creative instinct, sometimes, the boldest ideas begin with a clean break.
