Hindi
Pain’s Chittagong is first film to have been shot in cellular (Kaala Pani) jail
MUMBAI: Bedabrata Pain‘s upcoming project Chittagong has become the only film ever to be shot inside the iconic Cellular Jail (Kaala Pani).
While some filmmakers in the past have managed to shoot in the compound and outside the jail, none of them ever managed to shoot inside the jail premises.
Since it‘s not officially allowed to shoot inside the cellular jail, the director and his team went inside with basic permission, where they were allowed to take only one camera inside with minimum crew and for just 15 minutes to shoot.
It may be remembered that several famous freedom fighters were jailed at the iconic location during India‘s struggle for Independence. It is said that a very crucial part of the film has been shot inside the same cell where Subhash Chandra Bose was kept.
Apparently Pain was accompanied by only four crew members during the shoot.
Hindi
Dhurandhar the revenge storms past Rs 1,000 crore in a week, rewrites box office records
Aditya Dhar’s spy thriller sets fastest run to Rs 1,000 crore with record-breaking weekday hold
MUMBAI: The box office has a new juggernaut—and it is moving at breakneck speed. Dhurandhar the revenge has smashed past the Rs 1,000 crore mark worldwide in just a week, clocking a staggering Rs 1,088 crore and resetting the rules of the blockbuster game.
Backed by Jio Studios and B62 Studios, and directed by Aditya Dhar, the spy action sequel opened to the biggest weekend ever for an Indian film globally—and then refused to slow down. Unlike typical tentpole releases that taper off after Sunday, this one powered through the weekdays with rare muscle, posting Rs 64 crore on Monday, Rs 58 crore on Tuesday, Rs 49 crore on Wednesday and Rs 53 crore on Thursday.
The numbers stack up to a formidable first-week haul. India collections stand at Rs 690 crore nett and Rs 814 crore gross, while overseas markets have chipped in Rs 274 crore, taking the worldwide total to Rs 1,088 crore in just eight days.
The film’s opening weekend alone delivered Rs 466 crore, laying the foundation for what is now being billed as the fastest climb to the Rs 1,000 crore club in Indian cinema. Every single day of its first week has set fresh benchmarks, from the highest opening weekend to the strongest weekday hold—metrics that typically separate hits from phenomena.
A sequel to the earlier hit Dhurandhar, the film has not just built on its predecessor’s momentum but obliterated previous records, emerging as the biggest global blockbuster run by an Indian film to date.
At this pace, the film is not merely riding a wave—it is creating one.
