Hindi
Tips to release Jayantabhai Ki Luv Story on 15 February
MUMBAI: Tips Industries has announced that its next comic caper Jayantabhai Ki Luv Story, starring Vivek Oberoi and Neha Sharma will release in the Valentine week on 15 February.
Confirming the same, producer Kumar Taurani said, “We are happy to announce our next venture Jayantabhai Ki Luv Story, which will be a valentine week release. The shoots have been on schedule and we are very excited with the way things are shaping up. We can‘t wait for the film to hit theatres.”
Talking about the film debut director Vinnil Markan said, “Jayantabhai Ki Luv Story is a film about how we fall in love unknowingly with people we least expect to. It‘s a true Indian rom-com that‘s light hearted, sensitive and entertaining with touch of bhaigiri, for which Vivek is famous.”
He added, “We finished our first location. Kotachiwadi was a beautiful setting and lent itself so perfectly to the scenes. Both Vivek Oberoi and Neha Sharma were extremely supportive of the grueling schedule.”
The light-hearted comedy follows a gangster‘s love story.
Hindi
Remembering Gyan Sahay, the lens behind film, television and advertising
From a puppet rabbit selling poppadums to Hindi cinema, he framed it all.
MUMBAI: There are careers, and then there are canvases. Gyan Sahay, the veteran cinematographer, director, and producer who passed away on 10 March 2026 in Mumbai, had one of the latter. Over several decades in the Indian film and television industry, he turned lenses, lights, and the occasional puppet rabbit into something approaching art.
A graduate of the Film and Television Institute of India (FTII) in Pune, Sahay built his reputation as a director of photography across a career that stretched from the early 1970s all the way to the digital age. He was the kind of craftsman who understood that a well-composed shot is not merely a technical achievement but a quiet act of storytelling.
For most Indians of a certain age, however, Sahay will forever be the man behind the rabbit. His direction of the iconic long-running television commercial for Lijjat Papad, featuring its now-legendary puppet bunny, gave the country one of its most cheerfully persistent advertising images. It was the sort of work that sneaks into the national subconscious and takes up permanent residence.
His big-screen credits as cinematographer include Anokhi Pehchan (1972), Pagli (1974), Pas de Deux (1981), and Hum Farishte Nahin (1988). In 1999, he stepped behind a different kind of camera altogether, making his directorial debut with Sar Ankhon Par, a drama that featured Vikas Bhalla and Shruti Ulfat, with a cameo by Shah Rukh Khan for good measure.
On television, Sahay was particularly prized for his command of multi-camera production setups, a skill that made him a go-to technician for large-scale shows and reality programmes. In an industry that has never been especially patient with complexity, he was the calm hand on the rig.
In later life, Sahay turned teacher. He participated regularly in masterclasses and Digi-Talks, often hosted by organisations such as Bharatiya Chitra Sadhna, sharing hard-won wisdom on cinematography, the comedy of timing in a shot, and the sweeping changes brought by the shift from celluloid to digital. He was also said to have been involved in a project concerning a biographical film on Infosys co-founder N.R. Narayana Murthy.
Tributes from the film industry poured in following the news of his passing, with colleagues remembering him as a senior cameraman who served as a rare bridge between two entirely different eras of Indian cinema. That is, perhaps, the finest thing one can say of any craftsman: he kept up, and he brought others along with him.
