International
Swedish film set to ankle out Russian film in terms of single take film
MUMBAI: Swedish film 7333 Seconds of Johanna is all set to replace Aleksandr Sokurov‘s Russian Ark as the longest single take film in the Guinness Book of World Records.
Swedish director Anette Skahlberg, working with a team of 65 cast and crew members, achieved the feat on her fourth attempt in the presence of Guinness World Records officials.
The film narrates the chaotic situation in the life of Johanna: her jealous husband wants the custody of their only child after divorce while her new lover has just proposed to her.
Skahlberg‘s 2 hour – 2 minute – 3 second production beat Aleksandr Sokurov‘s 2001 made Russian Ark that was 1 hour 30 minutes long.
Skahlberg has also written the script and acted in the film.
International
Council of Europe to unveil new TV and streaming co-production convention
Series Mania Forum to host landmark signing to boost global TV collaboration
LILLE: The small screen is getting a big policy push. At this year’s Series Mania Forum in Lille, Alain Berset will take centre stage to chair the opening ceremony for a new international convention aimed at reshaping how television and streaming series are co-produced across borders.
Set for March 26 at the Théâtre Marie Curie in Lille Grand Palais, the signing marks the debut of the first legal framework dedicated specifically to the independent co-production of series. In an industry where stories travel faster than ever, the move aims to make collaboration smoother, fairer and more transparent.
Backed by the Council of Europe, the convention is designed to strengthen cultural ties, give independent producers a firmer footing, and bring greater clarity to deals in a rapidly evolving content landscape. With streaming platforms fuelling a surge in global storytelling, the timing feels deliberate.
Council of Europe secretary general Alain Berset, underscored the cultural heft of series today, noting how they carry voices and viewpoints across borders. He called on member states and countries beyond Europe to sign on, framing the initiative as a way to turn culture into a tool for cooperation and democratic exchange.
For Series Mania founder and general director Laurence Herszberg, hosting the signing is both symbolic and strategic. She described the convention as a step that could widen the range of stories reaching audiences, staying true to the forum’s long-standing mission of championing diverse storytelling.
The ceremony will unfold alongside the Lille Dialogues, a high-level summit that gathers policymakers and industry leaders to debate the future of Europe’s audiovisual sector. Berset is also set to deliver the opening address there, adding political weight to a week already rich in creative ambition.
In short, as screens multiply and borders blur, Europe is putting a framework in place to ensure that storytelling keeps pace, collaboratively and coherently.
