Hindi
Salman Khan to make low-budget films
MUMBAI: Ever since he co-produced the edutainer Chillar Party under his banner Salman Khan Being Human Productions (SKBHP) with UTV Motion Pictures in 2011, the actor has been lying low on the production front since he was shooting for two of 2012‘s biggest entertainers Ek Tha Tiger and Dabangg.
Meanwhile, last year there were talks that Salman was keen to produce Hindi remakes of two of Mahesh Manjrekar‘s Marathi films: Shikshanachya Aaicha Gho (2010) and Mi Shivajiraje Bhosale Boltoy (2009). But nothing transpired.
But now, Salman has indicated that he would remake the two films. “I loved both his (Manjrekar‘s) films. We are working on them (script for the Hindi versions) right now,” he revealed.
But, the important aspect worth noticing is that the actor, who is known to be adept to big budget films, wants to make films on smaller budgets. “Technically, the money that goes into production isn‘t the foundation‘s money, since it goes from our pockets. Still, the idea is to make a good film with little money that brings in big business and helps our foundation grow,” he maintained.
Interestingly, the aim of SKBHP is to make films for kids, which are quintessentially feel-good in nature.
Hindi
Kridhan Infra enters film production with AI-led feature film
Infra firm debuts AI-powered film marking RSS centenary
MUMBAI: Kridhan Infra Limited is swapping hard hats for headsets. The infrastructure company has announced its entry into film production and media technology through its subsidiary, Kridhan Mediatech Private Limited, with the nationwide theatrical release of Shatak: Sangh Ke 100 Varsh, an AI-led feature film.
With Shatak, the company is not just stepping into cinema but staking a claim in what it describes as one of the world’s early full-length AI-driven feature films. Artificial Intelligence has been embedded across the creative and production process, from script visualisation and environment creation to modelling and production design.
The film commemorates 100 years of the Rashtriya Swayamsevak Sangh, tracing defining moments, personalities and historical phases that shaped its journey. By combining archival storytelling with algorithm-powered creativity, the project attempts to blend heritage with high technology.
For Kridhan Mediatech, this is only the opening scene. The subsidiary’s broader ambition spans AI, CGI, virtual production systems and scalable content models for both theatres and digital platforms. The move signals a strategic diversification for Kridhan Infra, traditionally rooted in engineering and construction.
The timing aligns with India’s growing push to become a global AI powerhouse. At the 2026 AI Impact Summit, prime minister Narendra Modi urged innovators to design in India and deliver to the world. Kridhan Mediatech’s initiative positions itself squarely within that narrative, aiming to export technology-enabled storytelling beyond domestic audiences.
India’s media and entertainment industry, valued at over Rs 2.5 lakh crore, alongside a rapidly expanding AI economy projected to cross Rs 1.4 lakh crore in the coming years, offers fertile ground at the intersection of cinema and code.
“With Shatak, we proudly present one of the world’s first AI-led full-length feature films while marking our strategic entry into film production and media technology through our subsidiary,” the company said in a statement. “Our vision is to combine India’s rich narrative heritage with forward-looking innovation. This is just the beginning of building globally competitive, technology-enabled cinematic experiences.”
From infrastructure to imagination, Kridhan’s latest venture suggests that in today’s India, even storytelling can be engineered.
