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Steven Spielberg, Jury President of the 66th Festival de Cannes

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“My admiration for the steadfast mission of the Festival to champion the international language of movies is second to none. The most prestigious of its kind, the festival has always established the motion picture as a cross cultural and generational medium.”

Taking over the reins from the Italian Nanni Moretti, American director and producer Steven Spielberg agrees to head up the jury of the 66th Cannes Film Festival taking place May 15-26 this year.

“As they say across the Atlantic”, said Gilles Jacob, President of the Festival de Cannes, “Steven Spielberg is a Cannes ‘regular’: Sugarland Express, Color Purple. But it was with E.T. that I screened as a world premiere in ‘82 that ties were made of the type you never forget. Ever since, I’ve often asked Steven to be Jury President, but he’s always been shooting a film. So when this year I was told “E.T., phone home”, I understood and immediately replied: “At last!”

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“Steven Spielberg accepted in principle two years ago”, declared Thierry Frémaux, General Delegate of the Festival. “He was able to make himself available this year to be the new Jury President and when meeting him these last few weeks it has been obvious he’s excited about the job. Because of his films, and the many causes he holds dear, he’s year-in year-out the equal of the very greatest Hollywood filmmakers. We are very proud to count him among us.”

“The memory of my first Cannes Film Festival, nearly 31 years ago with the debut of E.T., is still one of the most vibrant memories of my career, Spielberg goes on. For over six decades, Cannes has served as a platform for extraordinary films to be discovered and introduced to the world for the first time. It is an honor and a privilege to preside over the jury of a festival that proves, again and again, that cinema is the language of the world.”

Steven Spielberg was born in Ohio in 1946. A film enthusiast from a very young age, one of his first shorts, Amblin – got him through the doors of Universal Television which produced his first films. Success came very quickly: Duel (1971), originally made for television, was so well received that a feature length version was released in theatres.

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The first film he made for cinema, Sugarland Express, was selected for the Festival de Cannes in 1974 and won Best Screenplay.

Following these promising auteur debuts, he had a series of international successes: Jaws (1975); Raiders of the Lost Ark (1981) and E.T. (1982) which was presented as the closing film of the Festival de Cannes and was the very last Festival screening shown in the former Palais Croisette theatre.

In 1993, Steven Spielberg’s Jurassic Park, like many of his films, beat all records for box-office takings in the United States: his big budget entertainment movies, of great and varied inspiration, brought about a renewal of the Hollywood entertainment genre, creating new ties with the themes of adventure and sci-fi, and are hugely popular with an extremely wide audience of all ages.

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The abundant imagination that characterises Steven Spielberg and has him say of himself “I dream for a living”, is combined with boundless curiosity, a delight in innovation and a virtuoso talent for directing.

Famous for his commercial successes, he also astonishes with his more intimate and socially engaged works which confront audiences head-on: The Color Purple (1986), Empire of the Sun (1987) and Schindler’s List (1993), which brought him the highest accolades as well as a clutch of Oscars, including Best Director.

His filmography is a constant to and fro between dream and reality, switching from entertainment films to serious reflections on history, racism or the human condition, testimony to his hope for a peaceful, reconciled world.

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In his 40-year career, he has made 27 films, most of which are important moments in the history of world cinema: everyone has seen, or will one day see Saving Private Ryan (1998), Minority Report (2002), Catch Me If You Can (2002), War of the Worlds (2005), or the recent The Adventures of Tintin: Secret of the Unicorn (2011), his first film in 3D.

His Lincoln, a captivating portrait of the man who abolished slavery in the United States, is currently a huge success in his own country as well as in France where it has already been seen by over a million people. The film enabled Spielberg to set Daniel Day-Lewis up for his third Oscar as Best Actor (no other actor before having accomplished this feat).

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News Broadcasting

News18 India launches Command Centre war explainer with Arya

New show shifts from debates to decoding global conflicts and impacts

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MUMBAI: News18 India has rolled out a new war-focused programme, Command Centre, featuring Gaurav Arya, as it looks to offer viewers a sharper, more grounded take on global conflicts amid rising tensions in West Asia.

Positioned as an “insider war room”, the show moves away from conventional panel debates and instead focuses on explaining military developments, decoding strategy and connecting global events to their everyday impact, from fuel prices to economic shifts.

The format leans heavily on visuals and data. The studio has been designed like a command hub, complete with large LED war maps, real-time graphics and an alert system to track developments as they unfold.

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At the centre of it all is Arya, who brings his military background to simplify complex war strategies for viewers. His signature line, “Seedhi baat samjhiye”, anchors the show’s promise of clarity over noise.

News18 India managing editor Jyoti Kamal said, “Command Centre, featuring Major Gaurav Arya is designed to deliver accurate insights and a clear perspective on how evolving conflicts impact everyday life, from household budgets to national security. With expert voices analysing every development in real time, the show goes beyond headlines to decode what’s happening now, what it means, and what could come next.”

Echoing the intent, Gaurav Arya added, “In times of war, confusion is the biggest threat. With News18 India’s Command Centre, we are bringing viewers inside the war room, decoding strategies, tracking every escalation, and explaining, in the simplest terms, what it means for India and for every household. Seedhi baat samjhiye, this is where you understand not just what is happening, but what happens next.”

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The weekday show will air in the afternoon slot and will also feature Gaurav Shukla, adding to its editorial depth.

With its mix of analysis, visuals and a clear focus on impact, the show reflects a broader shift in news consumption. Viewers are no longer just watching events unfold, they are looking to understand what those events mean for them.

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