Hollywood
US-China resolve dispute relating to payment of two per cent rise in taxation
NEW DELHI: The dispute between the American film studios and China Film Group Corporation has been resolved with the Chinese side agreeing to pay the money due in full.
According to Motion Picture Association of America (MPAA) Christopher J Dodd, a controversial two per cent rise in taxation on luxury goods that came into nationwide effect on 1 August was the cause of the dispute.
Previously there was a 3.3 per cent tax on ticket sales, in addition to the controversial five per cent paid to the opaque government film fund. The internal dispute between CFG which is China distribution partner for American studios and the US studios has been over who will pay the newly introduced two per cent that the film industry has suddenly been burdened with.
According to the trade agreement signed between the (then) vice president’s Xi Jinping and Joe Biden in February 2012 – US studios was guaranteed 25 per cent of revenue on imported films after all taxes had been paid by China Film Group.
According to Film Business Asia, unverified reports state that the state-owned CFG receives about 14.5 per cent of revenue on imported films, compared to the 25 per cent that goes to the US studios on non-flat fee deals. Cinema owners take a fixed 57 per cent of box office revenue. But the 25 per cent deal was made at the highest level of government and was never at risk.
It has not yet been determined how the two per cent will be accounted for outside of the US studios 25 per cent. There could be a reduction in the film fund to three per cent. Any decision may need to be approved at the next meeting of the State Council. What has been made clear is that under the agreement signed by Xi and Biden – the US studios’ post-taxation 25 per cent take will still be honoured.
Hollywood
Iger’s final act: Disney boss wraps up epic saga with a new captain at the helm
After 15 turbulent years, two stints in the c-suite, and billions spent on blockbuster acquisitions, Bob Iger is stepping away from the Magic Kingdom.
CALIFORNIA: The 75-year-old chief, hailed as one of the most transformative leaders in modern media, officially hands over to former parks chief Josh D’Amaro on 18 March. And this time, he’s getting the succession right.
Iger’s legacy glitters with big bets and epic wins: the $7.4bn Pixar buy, $4bn Marvel swoop, and the colossal $71bn 21st Century Fox deal. He dragged Disney into the streaming age, fought off activist investor Nelson Peltz, and saw off a political scrap with Florida governor Ron DeSantis.
But it hasn’t all been pixie dust. The forced return of Iger in 2022—after the short, shaky reign of successor Bob Chapek—tarnished an otherwise stellar run.
Now, D’Amaro takes the wheel with a streamlined leadership team and Disney firing on all cylinders. The firm’s streaming business is in the black, theme-park attendance is soaring, and five global films have hit $1billion at the box office in the past two years. Not bad for a firm that was on the ropes just months ago.
D’Amaro’s first move? A slick reorg under new president and chief creative officer Dana Walden, folding film, tv, streaming and gaming into one punchy unit. Sean Shoptaw, heading up the gaming division, now reports directly to Walden—bringing Fortnite and Epic Games collaborations closer to Disney’s creative heart.
Iger isn’t sailing off into the sunset just yet. He’ll keep busy with Angel City FC, the women’s football club he owns with his wife. And as Ann Mooney Murphy of Stevens Institute predicts: “A guy like that never truly retires.”
One era ends. Another begins. And the House of Mouse bets big on a future beyond the king.
