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IM Global to launch Justin Bieber doc Believe from Never Say Never helmer

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MUMBAI: Gearing up for Toronto, IM Global chief Stuart Ford says the company is “engineering its usual full-on assault on the marketplace.” Ford is currently in Venice in support of Ti West’s The Sacrament and Steven Knight’s Tom Hardy-starrer Locke.

 

Both of those films are part of an abundant Toronto slate that’s spread across the outfit’s different labels. Among the brand new movies on the lineup are Justin Bieber’s Believe, which will screen for select buyers in Toronto. Jon M. Chu, who helmed hit concert film Justin Bieber’s Never Say Never, directed Believe in what was an under the radar operation.

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IM Global’s wide release label Opus is handling worldwide sales and Open Road is releasing domestically. The documentary mixes in concert footage to trace Bieber’s path to becoming a worldwide phenomenon.

Also new is Bachelorette director Leslye Headland’s Sleeping With Other People. Kirsten Dunst, who starred in Bachelorette, will topline the follow-up, joined by Jason Sudeikis. The movie is in pre-production. IM Global genre label Octane is handling.

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Hollywood

Disney sells out ad slots for 98th Oscars broadcast

Strong demand for live events turns the Academy Awards into a global, multi-platform marketing moment

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NEW YORK: Hollywood’s biggest night has also become one of advertising’s hottest tickets. Disney has sold out all advertising inventory for the 98th Oscars, underscoring the growing demand from brands eager to ride the cultural wave of major live events.

The sell-out marks the sixth consecutive live tentpole success for Disney Advertising. The streak includes last year’s 97th Oscars, the 59th Annual CMA Awards, and Dick Clark’s New Year’s Rockin’ Eve with Ryan Seacrest, signalling strong appetite among marketers for moments that bring audiences together in real time.

For advertisers, the Oscars are no longer just a single night of glitz and gold statues. Disney’s “Content Everywhere” strategy has expanded the awards show into a sprawling, multi-platform brand playground spanning linear television, streaming, social media and digital content.

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“Live continues to be one of the most powerful ways for brands to connect with engaged audiences at scale, and the Oscars represent the very best of culture, creativity and community,” said Disney Advertising SVP, entertainment and streaming solutions John Campbell. He added that the company has reshaped the show’s commercial potential into a connected experience that stretches well beyond the broadcast.

Brands such as Mazda, Pfizer and Volkswagen of America are tapping into Disney’s wider ecosystem, appearing across original content segments including Know Your Movies on Hulu and Critically Acclaimed on Disney+. Partnerships also extend to social media through TikTok Pulse Premiere and to custom brand storytelling created by Disney CreativeWorks.

The result is what Disney calls the “Oscars Everywhere” approach. Rather than a few high-profile ad breaks, advertisers now find themselves woven through a series of moments before, during and after the ceremony.

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These include On The Red Carpet at The Oscars, a live pre-show syndicated across major local markets and streamed nationwide, and the After the Oscars Show, which keeps the conversation going once the final award has been handed out.

This year’s sponsors include Rolex, returning for its ninth year, and Burger King, which joins the Oscars advertiser roster for the first time. Other brands in the mix include Disney Cruise Line, Dunkin’, Eli Lilly and Company, Eucerin, Intuit TurboTax, L’Oréal, McDonald’s, Microsoft, Miebo, Paris Baguette, Peacock, Starbucks, State Farm, Toyota and Verizon.

The 98th Oscars will take place on March 15, 2026, at the Dolby Theatre at Ovation Hollywood. The ceremony will be broadcast live on ABC and streamed on Hulu, reaching audiences in more than 200 territories worldwide.

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