Hindi
Grazing goat pictures launch the trailer of ‘Bhaji In Problem’
MUMBAI: The wait for the official trailer release of one of the biggest Punjabi blockbuster of the year, Bhaji in Problem came to a halt with Grazing Goat Pictures launching the much awaited trailer amid great reception and laughter.
Bhaji in Problem is Grazing Goat Picture’s second regional film production after the poignant Marathi film 72 Miles Ek Pravas which was directed by National Award winning director, late Rajiv Patil of Jogwa fame. With Bhaji in Problem, Akshay Kumar and Ashvini Yardi are all set to give their audiences a comic relief.
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Soon after the trailer was launched with Besharam’s release, audiences were found tweeting and describing the trailer as hilarious and expressing their eagerness to watch the film. Some people also called it the dhamaka trailer, re-instating the fact that the film indeed looks as a promising blockbuster for all Punjabi and comedy film buffs.
The film is the story of Gurpreet Ghuggi, who plays the character of Sundeep Cheema, juggling between two wives. His life ends up in a complete chaos with the entry of Gippy Grewal who plays Jeeta and falls in love with Preet played by Ragini Khanna. In this comedy of errors of epic proportions, both sides know the deepest and the most intimate secrets of the other, which each of them want to protect at any cost and holds it over the other’s head. The film is a budding laugh riot and as one hilarious situation unfolds after another, the film only gets more interesting and engaging.
Bhaji in Problem stars some of Punjab’s most reputed stars Gippy Grewal and Gurpreet Ghuggi who are joined by Sasural Ghenda Phool’s Suhana Raghini Khanna, and veteran actor Om Puri as central characters. The film is directed by Smeep Kang who has delivered successful hits such as Carry on Jatta and Lucky Di Unlucky Story. The film also sees cricketer Harbajan Singh make a friendly appearance along with producer Akshay Kumar, who is a Punjabi himself, having an extended appearance.
Honing in on the huge success of their first film venture, OMG: Oh My God, and their first Marathi film, the critically acclaimed 72 Miles Ek Pravas, Akshay Kumar and Ashvini Yardi have further spearheaded the popularisation of regional cinema with Bhaji in Problem.
Hindi
Remembering Gyan Sahay, the lens behind film, television and advertising
From a puppet rabbit selling poppadums to Hindi cinema, he framed it all.
MUMBAI: There are careers, and then there are canvases. Gyan Sahay, the veteran cinematographer, director, and producer who passed away on 10 March 2026 in Mumbai, had one of the latter. Over several decades in the Indian film and television industry, he turned lenses, lights, and the occasional puppet rabbit into something approaching art.
A graduate of the Film and Television Institute of India (FTII) in Pune, Sahay built his reputation as a director of photography across a career that stretched from the early 1970s all the way to the digital age. He was the kind of craftsman who understood that a well-composed shot is not merely a technical achievement but a quiet act of storytelling.
For most Indians of a certain age, however, Sahay will forever be the man behind the rabbit. His direction of the iconic long-running television commercial for Lijjat Papad, featuring its now-legendary puppet bunny, gave the country one of its most cheerfully persistent advertising images. It was the sort of work that sneaks into the national subconscious and takes up permanent residence.
His big-screen credits as cinematographer include Anokhi Pehchan (1972), Pagli (1974), Pas de Deux (1981), and Hum Farishte Nahin (1988). In 1999, he stepped behind a different kind of camera altogether, making his directorial debut with Sar Ankhon Par, a drama that featured Vikas Bhalla and Shruti Ulfat, with a cameo by Shah Rukh Khan for good measure.
On television, Sahay was particularly prized for his command of multi-camera production setups, a skill that made him a go-to technician for large-scale shows and reality programmes. In an industry that has never been especially patient with complexity, he was the calm hand on the rig.
In later life, Sahay turned teacher. He participated regularly in masterclasses and Digi-Talks, often hosted by organisations such as Bharatiya Chitra Sadhna, sharing hard-won wisdom on cinematography, the comedy of timing in a shot, and the sweeping changes brought by the shift from celluloid to digital. He was also said to have been involved in a project concerning a biographical film on Infosys co-founder N.R. Narayana Murthy.
Tributes from the film industry poured in following the news of his passing, with colleagues remembering him as a senior cameraman who served as a rare bridge between two entirely different eras of Indian cinema. That is, perhaps, the finest thing one can say of any craftsman: he kept up, and he brought others along with him.
