Hindi
‘Karle Pyar Karle’, a dull fare…
MUMBAI: Karle Pyar Karle is the launch pad for the third generation Darshan, Shiv Darshan, the son of Suneel Darshan, writer, producer and director of a number of films. Shiv’s grandfather, Darshan Sabharwal, was a producer himself besides having distributed hundreds of films in Central India.
Shiv is a 6’2” hulk of a lad and that limits his launch vehicle to be an action romance. Also, one does not usually expect a newcomer with such a frame to fit an emotional drama. As such, Karle Pyar Karle is designed to be so, a campus romance that soon turns into a fight for survival against a gang lord. This combination of romance and action gives Shiv an ample scope to showcase his proficiency with action, stunts and dance, things one can be trained for.
Shiv and Hasleen are star-crossed lovers forced to part ways in their childhood; Hasleen as well as Shiv’s family is convinced Hasleen is bad news for Shiv because of which he keeps landing in trouble. The duo meets again after a gap of 12 years at a police station. Shiv has been arrested to messing with the city’s traffic system; no idea what is Hasleen doing there! While Shiv has recognised her, she has not despite her childhood claims that she would always recognise him whatever the time lag.
That is not an issue since both happen to be in the same institution, ‘the game is on’ as they often dare each other since childhood. On the campus, there is the usual lot of a villain and his sidekicks. Shiv, now starts to woo back Hasleen till she finds out he is her childhood mate, which she soon does, thanks to a bracelet he had gifted her as a child. They are together again, much in love and it is time for the villain to create a rift between them and create a situation for the interval break.
The second half is all about gangsters. Shiv getting better of each other alternately till the villains are all dead and the lead pair is almost dead! Which is a miracle since the villains are armed with everything from knives, swords, guns and rocket launchers while Shiv prefers to fight with bare hands, well, also legs?
The choice of predictable story and script, among other aspects of the film, is surprising, coming as it does from Suneel Darshan, and for a launch film of his son at that! The hero starts off with a bike stunt, a dance and a fight scene within first few minutes in to the film and with that he has run out of his repertoire of qualifications.
For the rest of the film, things become repetitive. Also, having licked the villain in the opening fight along with his sidekick within seconds it hardly makes any sense to have a long climax fight between the hero and the villain’s sidekick again.
Shiv has limitations. Hasleen lacks screen presence. Direction is below par. For a love story, music is not up to the mark and despite five composers and as many lyric writers on its roaster, the film has just one decent tune in Teri saanson mein…
Karle Pyar Karle faces poor prospects.
Producer: Suneel Darshan.
Director: Rajesh Pandey.
Cast: Shiv Darshan, Hasleen Kaur.
Hindi
Jio Studios, Sanjay Dutt team up to revive Khal Nayak
Rights acquired for new version, format under wraps as remake plans take shape.
MUMBAI: The villain is back and this time, he’s rewriting his own script. Jio Studios has partnered with Three Dimension Motion Pictures and Aspect Entertainment to revive the 1993 cult classic Khal Nayak, marking a fresh chapter for one of Bollywood’s most iconic anti-hero stories. The original film, directed by Subhash Ghai under Mukta Arts, was a commercial and cultural milestone, with Sanjay Dutt’s portrayal of Ballu becoming one of Hindi cinema’s most memorable performances.
Dutt, along with Aksha Kamboj, has now acquired the rights from the original creators, bringing on board Jio Studios and its President Jyoti Deshpande to steer the project creatively.
While the exact format whether remake, sequel, prequel, or a completely new narrative remains undisclosed, the collaboration aims to reinterpret the story for contemporary audiences while retaining the essence that made the original a defining film of the 1990s.
The move taps into a broader industry trend of reviving legacy intellectual property, particularly characters with strong recall value. “Khal Nayak” was notable for pushing mainstream Hindi cinema into morally grey territory at a time when heroes were largely one-dimensional, making Ballu’s character a standout.
The project also marks the film production debut of Aspect Entertainment, signalling a push towards more technology-led storytelling frameworks. Meanwhile, Jio Studios continues to expand its slate, having built a library of over 200 films and series, with more than 60 titles collectively winning 500-plus awards.
For Dutt, the revival is as much personal as it is strategic, a return to a role that reshaped his career. For the industry, it is another sign that nostalgia, when paired with scale, remains a powerful box-office proposition.
Because in Bollywood, some villains never fade, they just wait for the perfect comeback.
