Hollywood
’12 Years a Slave’ set to release in India on 31 January
MUMBAI: PVR Pictures, one of the largest independent distributor of Hollywood movies in India, is all set to bring the much awaited drama 12 Years a slave to India. Based on the memoirs of Solomon Northup, the movie stars award winning actors Chiwetel Ejifor, Michael Fassbender, Benedict Cumberbatch, Paul Dano and features a special appearance by Brad Pitt. The historical drama is directed by Steve Mcqueen (Hunger) and brings on board Brad Pitt as producer.
Set in the 1900’s. 12 Years a Slave is the poignant story of Solomon Northup, a free black man from upstate New York, who is abducted and sold into slavery. Facing cruelty at the hands of a malevolent slave owner, as well as unexpected kindnesses, Solomon struggles not only to stay alive, but to retain his dignity. In the twelfth year of his unforgettable odyssey, Solomon’s chance meeting with a Canadian abolitionist will forever alter his life.
Commenting on the release of the movie, PVR Pictures president Kamal Gianchandani said, “12 Years a Slave is meaningful cinema and acting prowess at its best. The movie handles sensitive subjects of slavery and racial discrimination beautifully winning accolades at across film festivals and award ceremonies. We are proud to bring the movie for our Indian audiences who are certain to appreciate good cinema.”
12 Years a Slave has won Golden Globe award for the Best Picture Drama and has received nine Oscar nominations.
Release Date in India – 31 January, 2013
Director – Steve McQueen
Writers – Matt Whitely
Producer – Mark Hulme & Marcos A. Rodriguezs
Starring – Chiwetel Ejifor, Lupita Nyong’o, Michael Fassbender, Benedict Cumberbatch, Paul Dano, Brad Pitt
Hollywood
Disney unifies streaming, film, TV and games under Dana Walden
Debra O’Connell to chair Disney Entertainment Television in new setup
LOS ANGELES: The Walt Disney Company is pressing play on a more tightly woven future. As audiences hop between cinema screens, streaming apps and game worlds, the media giant is stitching its storytelling arms into one coordinated machine under Dana Walden.
Set to take charge as president and chief creative officer on March 18, Walden will oversee a newly unified Disney Entertainment structure that brings together streaming, film, television and the company’s fast-expanding games and digital business. She will report directly to incoming chief executive officer Josh D’Amaro.
The thinking is simple. Whether viewers are watching on Disney+, heading to the cinema or diving into a game, Disney wants the experience to feel like chapters of the same story. Walden summed it up as strengthening the emotional thread between Disney’s characters and its audiences, wherever they choose to engage.
The leadership reshuffle reads like a carefully cast ensemble. Alan Bergman continues as chairman of Disney Entertainment, studios, steering film production, marketing and distribution while sharing oversight of direct to consumer.
Streaming gets a dual command. Joe Earley and Adam Smith step in as co-presidents of direct to consumer, jointly handling strategy and financial performance across Disney+ and Hulu. Earley will also guide content strategy, while Smith retains his role as chief product and technology officer across Disney Entertainment and ESPN.
A new chair enters the frame with Debra O’Connell taking on the role of chairman, Disney Entertainment Television. She will oversee an expansive slate that includes ABC Entertainment, National Geographic and Hulu Originals, while continuing to supervise ABC News and owned stations.
Gaming, once a side quest, is now a central storyline. Sean Shoptaw, executive vice president, games and digital entertainment, moves into the Disney Entertainment fold. His remit includes partnerships such as the collaboration with Epic Games, aimed at building a Disney universe linked to Fortnite.
Elsewhere, John Landgraf remains chairman of FX, reporting to Walden, while Asad Ayaz continues as chief marketing and brand officer, reporting to both D’Amaro and Walden.
The message behind the reshuffle is clear. Disney is no longer thinking in silos of screens but in stories that travel. And with Walden at the creative helm, the company is betting that a single, seamless narrative can keep audiences hooked, whether they are watching, scrolling or playing.
