Hollywood
Amy Adams breaks down while remembering Philip Seymour Hoffman
MUMBAI: Hollywood actress Amy Adams, in the weeks leading into the Oscars, filmed an interview for Inside the Actors Studio, an American television program hosted by James Lipton. In between discussing her career and her Oscar-nominated role in American Hustle, Adams broke down when host James Lipton asked her about her recently deceased co-star Philip Seymour Hoffman. Hoffman died at the age of 46 from an apparent heroin overdose on 2 February. Adams and Meryl Streep were among many celebrities who attended his private funeral in New York City on 6 February.
The 39-year old Adams worked with Philip Seymour Hoffman on two of her most acclaimed movies: Doubt, in 2008, and The Master in 2012. “I wish you all could get a chance to work with him,” she told the assembled students. “He was beautiful. He’s a beautiful spirit and he had this unique ability to see people; to really see them. Not look through them. He just really saw people”, she explained tearfully to the students in the audience. “I just really loved him, and I know so many people did,” Adams added through sobs, “I just don’t know how much more I can talk about it right now, sorry.”
The actor then apologised and said she wouldn’t be able to go on talking about him.
After making her mark in the industry with memorable appearances in films such as Junebug, Enchanted, Doubt, and The Fighter, Amy Adams discusses her multifaceted career leading up to her standout performance in Columbia Pictures’ American Hustle. Her lead role as a con-artist in the Academy Award nominated film earned Adam’s her first Golden Globe win and fifth Academy Award Nomination. Adams has been nominated for five Golden Globe Awards and six Screen Actors Guild Awards.
Hollywood
Paramount Skydance posts $8.15bn in Q4, warns of ‘below Wall Street estimates’ Q1 growth
Linear TV drag offsets subscriber gains and price rises at Paramount plus
LOS ANGELES: Paramount Skydance forecast first-quarter revenue below Wall Street expectations, blaming a continued slide in its legacy television business even as it predicts robust growth in streaming this year.
The David Ellison-led group said revenue for the first three months of 2026 would land between $7.15 billion and $7.35 billion, narrowly missing analysts’ expectations of $7.36 billion, according to data from LSEG. The outlook underscores the structural strain facing traditional broadcasters as audiences abandon pay TV for on-demand platforms.
Paramount Skydance struck a confident note on streaming, pointing to subscriber growth and price increases at Paramount plus as key drivers. The platform ended 2025 with 78.9 million paid subscribers and expects further gains this year, helped by the addition of the Ultimate Fighting Championship to its exclusive lineup.
The company’s fourth-quarter results reflected the same fault lines. Total revenue edged up to $8.15 billion, just above estimates, while its TV Media unit posted a 5 per cent fall to $4.71 billion, hit by weaker advertising and declining affiliate fees. Paramount expects further softness in the segment this year, broadly in line with industry-wide pay-TV headwinds.
By contrast, filmed entertainment revenue jumped 16 per cent, largely due to the consolidation of Skydance licensing into the group’s accounts.
Investor attention, however, remains fixed on the corporate chessboard. Paramount Skydance described its bid for Warner Bros Discovery as an “accelerant” to its long-term strategy, though it declined to comment further on the talks.
Warner Bros Discovery’s board is weighing whether Paramount’s revised $31-a-share offer for the entire company tops a competing $27.75-a-share proposal from Netflix for its streaming and studio assets. The contest centres on prized film and television libraries housing franchises such as Harry Potter and Game of Thrones.
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