Hindi
Saif Ali Khan to speak in Gujarati in ‘Humshakals’
NEW DELHI: Sajid Khan’s films are always known for their out and out comic content and his spur full wit. His upcoming film Humshakals is just an addition to his list of this condominium films. Based on the concept of comedy tripled, audiences are going gung ho to see the glimpse of this comedy flick.
Humshakals has an elaborate star cast comprising Saif Ali Khan, Ritiesh Deshmukh, Ram Kapoor, Bipasha Basu, Esha Gupta and Tamannah.
What we hear is that, Saif Ali Khan will be seen speaking in Gujarati in the film fluently and some glimpse of it will be seen in the trailer as well. In fact, it was Saif himself who decided to experiment with his accent for his role to add the comic twist in the film.
This is for the second time he will be seen playing a Gujarati in a film. He had played a Gujju boy in Kal Ho Na ho.
“Saif had to learn Gujarati little more fluently, and since it is not that difficult a task he started to talk to everyone on the sets in Gujarati,” said a source close to the production team.
Produced by Fox Star Studios and Pooja Entertainment, Humshakals is directed by Sajid Khan and is all set to release on 20 June.
Hindi
Remembering Gyan Sahay, the lens behind film, television and advertising
From a puppet rabbit selling poppadums to Hindi cinema, he framed it all.
MUMBAI: There are careers, and then there are canvases. Gyan Sahay, the veteran cinematographer, director, and producer who passed away on 10 March 2026 in Mumbai, had one of the latter. Over several decades in the Indian film and television industry, he turned lenses, lights, and the occasional puppet rabbit into something approaching art.
A graduate of the Film and Television Institute of India (FTII) in Pune, Sahay built his reputation as a director of photography across a career that stretched from the early 1970s all the way to the digital age. He was the kind of craftsman who understood that a well-composed shot is not merely a technical achievement but a quiet act of storytelling.
For most Indians of a certain age, however, Sahay will forever be the man behind the rabbit. His direction of the iconic long-running television commercial for Lijjat Papad, featuring its now-legendary puppet bunny, gave the country one of its most cheerfully persistent advertising images. It was the sort of work that sneaks into the national subconscious and takes up permanent residence.
His big-screen credits as cinematographer include Anokhi Pehchan (1972), Pagli (1974), Pas de Deux (1981), and Hum Farishte Nahin (1988). In 1999, he stepped behind a different kind of camera altogether, making his directorial debut with Sar Ankhon Par, a drama that featured Vikas Bhalla and Shruti Ulfat, with a cameo by Shah Rukh Khan for good measure.
On television, Sahay was particularly prized for his command of multi-camera production setups, a skill that made him a go-to technician for large-scale shows and reality programmes. In an industry that has never been especially patient with complexity, he was the calm hand on the rig.
In later life, Sahay turned teacher. He participated regularly in masterclasses and Digi-Talks, often hosted by organisations such as Bharatiya Chitra Sadhna, sharing hard-won wisdom on cinematography, the comedy of timing in a shot, and the sweeping changes brought by the shift from celluloid to digital. He was also said to have been involved in a project concerning a biographical film on Infosys co-founder N.R. Narayana Murthy.
Tributes from the film industry poured in following the news of his passing, with colleagues remembering him as a senior cameraman who served as a rare bridge between two entirely different eras of Indian cinema. That is, perhaps, the finest thing one can say of any craftsman: he kept up, and he brought others along with him.
