Hindi
Vijender Singh gets naughty in ‘Fugly’
MUMBAI: Sports star and big screen newcomer Vijender Singh, who is all set to make his Bollywood debut in Grazing Goat Pictures upcoming film Fugly, will impress his legion of fans by taking on a whole new avatar on the silver screen. To cement his ‘bad boy’ character in Fugly he appears in the risque song video entitled: Good In Bed. The cheeky number sees the delectable Vijender grooving with a bevy of scantily-clad girls.
The lively video sees Vijender dressed in a traditional Greek Toga, however, he soon loses his inhibitions and his clothes, as he begins to strip layer by layer, until he is left wearing nothing but a pair of stars and stripes underpants and a t-shirt.
Vijender, who plays a Harayanvi Jat in the film, is joined in the video by his co-stars Mohit Marwah, Kiara Advani and Arfi Lamba.
‘Good In Bed’ is the fifth track to be taken from the popular Fugly soundtrack. Previous hits include: ‘Yeh Fugly Fugly Kya Hai’, ‘Dhup Chik’, ‘Banjarey’ and ‘G Pe Danda’.
‘Fugly’, directed by Kabir Sadanand, is shot extensively in Delhi and Leh. The movie is also the launch pad for Mohit Marwah, Olympic medalist Boxer Vijender Singh, Kiara Advani and Arfi Lamba, the freshest faces to join the film fraternity. They will be making their debut in style along with the supremely talented Jimmy Sheirgill, who will be seen in one of his most powerful performances ever.
‘Fugly’ is set to release on 13 June 2014.
Hindi
Rajesh Ramaswamy exits The Script Room to focus on filmmaking journey
Ad filmmaker steps away from own venture to pursue direction and storytelling
MUMBAI: In a move that has caught the attention of the advertising and creative community, Rajesh Ramaswamy has announced his exit from The Script Room, the company he co-founded, marking the end of a seven-year stint at the helm.
The decision, which came into effect earlier this month, signals a shift in focus for Ramaswamy, who is now looking to immerse himself fully in filmmaking and direction as an independent creative.
Known for blending sharp advertising insight with storytelling craft, Ramaswamy has been instrumental in shaping The Script Room into a creative hub that delivered campaigns, branded content, and original storytelling formats. Over the years, the company collaborated with agencies, directors, and a wide network of writers, while also experimenting with formats such as short films and web series.
Sharing his thoughts on the transition, Ramaswamy indicated that the move is driven by a desire to focus and explore stories he has been developing over time. While he acknowledged the unconventional nature of stepping away from one’s own venture, he also framed it as a necessary leap toward clarity and creative pursuit.
Importantly, The Script Room will continue its operations with its current team and leadership, with Ramaswamy expressing confidence in the group that helped build the company’s identity. The studio, he noted, remains well-positioned to evolve further with fresh talent and ideas.
His exit also reflects a wider industry trend, where experienced advertising professionals are increasingly transitioning into independent filmmaking, tapping into the growing opportunities across digital and long-form content platforms.
As Ramaswamy steps into this new phase, the move underscores a familiar creative instinct, sometimes, the boldest ideas begin with a clean break.
