Hollywood
‘Songs of the Blue Hills’ invited to film fests in Italy, Ladakh, Kerala
NEW DELHI: Some mesmerising Naga music will reverberate in a castle on a rocky island off the coast of Italy and the heights of the Himalayas around the same time this month end, as filmmaker-critic Utpal Borpujari’s documentary ‘Songs of the Blue Hills’ has been invited to three more international film festivals.
The film has been selected for the ‘Documentari fuori concorso’ section of the 12th Ischia Film Festival held under the patronage of the Italian President in the medieval Aragonese Castle located on the Mediterranean Sea, the seventh International Documentary and Short Film Festival of Kerala (IDSFFK), and the Ladakh International Film Festival after having already earned high appreciation in six international film festivals.
Produced by the Centre for Cultural Resources and Training (CCRT), an organisation under the Culture Ministry, the film features an eclectic range of Naga musicians who are practising the folk music of various Naga tribes in their pure and contemporary forms.
The 96-minute film earlier got invited to the Doc Outlook International Market of the Visions du Reel Film Festival (Nyon, Switzerland), Gothenburg Independent Film Festival (Sweden), New York Indian Film Festival (NYIFF), Eyes & Lenses Ethnographic Film Festival (Warsaw, Poland), the World Music & Independent Film Festival (Washington) and Signs 2014 Documentary Film Festival, Kochi.
“Every year, the festival presents a selection of films from all over the world, emphasising the cultural identity or the landscape’s features of a certain territory through the audiovisual narration,” says a spokesperson of the Ischia Film Festival which was designed in 2002 by Michelangelo Messina for ‘The Association Art Movie e Music.’
The Festival is an important part of a wider project called ‘Cinema and territory’ that aims at protecting cultural and landscape peculiarities of territories in order to promote them through the audiovisual medium.
‘Songs of the Blue Hills’ features some fascinating music as well as dialogue with musicians like veteran Ao folk singers Sademmeren Longkumer and A. Bendangyanger Tsuwar Jamir, Chakhesang folk veteran Zachunu Keyho, classical pianist Nise Meruno, and groups like the Tetseo Sisters, the Nagaland Singing Ambassadors, the Chancel Choir, Ru’a, Üsou’s Instrumental, Abiogenesis, Nagagenous, Baptist Youth Choir Poilwa Village and Purple Fusion.
In addition, experts such as Dr A Lanunugsang, Lipokmar Tzudir, Gugs Chishi, Theja Meru, Vivee Peseye, Som Kamei, Zubeno Mozhui and Dr Abraham Lotha have shared their views on the changing face of Naga music in recent times.
Shot extensively across Nagaland, the film’s crew comprised Biswajeet Changmai (cinematography), Debajit Gayan (sound), Umesh Kumar (Editor), Atanu Phukan (research & coordination), and Aiyushman Dutta (research & art direction).
Hollywood
Remembering Chuck Norris: the man, the myth, the legend at 86
From martial arts legend to internet folklore, fans honour his final level up
KAUAI: The world lost a legend on 19 March 2026, when Chuck Norris died aged 86. For a man long treated as immortal in internet folklore, the news felt almost unreal. Yet in true Norris fashion, the farewell has been less about mourning and more about myth-making.
Just days before his passing, on his 86th birthday, Norris shared a video from Kauaʻi, Hawaii, showing him sparring under the sun. His caption was characteristically wry: “I don’t age. I level up.” It now reads like a final wink to fans who had spent years elevating him to near-superhuman status.
His death followed a sudden medical emergency while on holiday. He passed away peacefully, surrounded by family, who described him not just as a global symbol of strength, but as a devoted husband, father and grandfather.
Online, grief quickly gave way to tribute in the language Norris helped popularise. Social media filled with one last wave of “Chuck Norris Facts”, the tongue-in-cheek myths that turned him into a digital demigod. The jokes wrote themselves, as always. Death did not take Norris, it finally dared to meet him.
Behind the humour, however, lies a formidable real-world legacy.
Long before the memes, Norris was Carlos Ray Norris, a decorated martial artist. After serving in the US Air Force, he rose to become a six-time world professional middleweight karate champion. His on-screen duel with Bruce Lee in Way of the Dragon remains one of cinema’s most iconic fight sequences.
Through the 1980s, he became the face of action cinema with films such as Missing in Action and The Delta Force, embodying a stoic, no-nonsense hero. In the 1990s, he reached living rooms worldwide as Cordell Walker in Walker, Texas Ranger, blending Western grit with martial arts flair.
Off-screen, his work carried equal weight. His foundation, Kickstart Kids, continues to teach martial arts to at-risk youth, focusing on discipline and self-worth. He also founded Chun Kuk Do, a martial arts system that trained thousands.
What made Norris unique was not just his strength, but his willingness to laugh at it. When the internet transformed him into an exaggerated symbol of invincibility, he embraced the joke. In doing so, he bridged generations, from cinema-goers to meme-makers.
His passing marks more than the loss of an action star. It signals the fading of a rare cultural crossover, where genuine athletic prowess met Hollywood heroism and early internet humour.
For many, remembering Chuck Norris means recalling a time when heroes were simple, punches were decisive and the internet still felt like a playground of shared jokes.
And if the myths are to be believed, this is not quite the end. It is simply Chuck Norris moving on to his next level.
