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2014 International Emmy Awards winners announced

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MUMBAI: The International Academy of Television Arts & Sciences announced the winners of the 42nd International Emmy Awards tonight at a Gala event attended by over 1000 international television professionals and hosted by British Comedian and writer Matt Lucas at the New York Hilton.

 

2 Special Awards and 10 Emmy statues were presented by the International Academy during the evening. Winners span 8 countries: Belgium, Brazil, Canada, Germany, the Netherlands, Sweden and the United Kingdom. For the first time a US primetime program produced 50% or more in a language other than English, won an Emmy. This will be a permanent category moving forward.

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Mad Men stars Christina Hendricks and John Slattery presented the International Emmy Founders Award to Mad Men creator, Matthew Weiner.

 

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Rupert Murdoch, Chairman and CEO of 21st Century Fox and News Corporation presented the International Emmy Directorate Award to Roberto Irineu Marinho, Chairman & CEO, Grupo Globo. They were joined on the stage by Brazilian actors Milton Gonçalvez and Gloria Pires.

 

The 10 International Emmy Award Winning programs and performances are:The Exhibition (Arts Programming), Stephen Dillane (Best Performance by an Actor), Bianca Krijgsman (Best Performance by an Actress), What If? 2 (Comedy), Frihet bakom galler (No Burqas Behind Bars) (Documentary), Utopia (Drama Series), El Se?or de los Cielos (Non-English Language US Primetime Program), Educating Yorkshire (Non-Scripted Entertainment), Precious Pearl (Telenovela), and Unsere Mütter, Unsere Väter (Generation War) (TV Movie/Mini-Series). Complete winners information follows this release.

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“In the turbulent world we live in today, television’s unique power to show the beauty and drama of the human story is even more important and impactful,” said International Academy President Bruce L. Paisner. “These outstanding programs and performances are an inspiration to audiences worldwide.” 

 

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2014 International Emmy Award Winners  

Arts Programming

The Exhibition

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Jove Pictures

Canada

An artist faces public outrage as she struggles to mount a large-scale exhibition of paintings based on a police poster of missing women-26 of whom are found murdered on a serial killer’s farm

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Best Performance by an Actor

Stephen Dillane as Karl Roebuck

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The Tunnel

United Kingdom

When the body of a French politician is found on the border of the UK and France, Detective Karl Roebuck is sent to investigate on behalf of the British police. A warm family man, Karl could not be more different from his French counterpart, Elise Wasserman. As they are drawn into the case of the serial killer, Karl and Elise learn to respect each other’s differences and work together.

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Best Performance by an Actress

Bianca Krijgsman as Mirte

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De Nieuwe Wereld (The New World)

Netherlands

Mirte is the grumpiest cleaner in the airport immigration center, a single mother who cannot take care of her son, just managing to keep a grip on her life. This is until Luke arrives, a West African refugee, not put off by her aggression. During the 10 days of his asylum procedure, their encounters lead to an unexpected relationship.

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Comedy

What If? 2

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Shelter / TV Bastards

Belgium

What If? is a comedy sketch show.Every sketch begins with the question what if? What if Jesus was a stand-up comedian? What if all the cops were gay? What If? transports viewers into a completely new and different world!

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Documentary

Frihet bakom galler (No Burqas Behind Bars)

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Nima Film / SVT / NHK / DR / NRK / IKON / The Swedish Film Institute / The Swedish Arts Grants Committee / Nordisk Film & TV Fond / APSA Academy Film Fund

Sweden

Meet Sara, Nadjibeh, Sima, and their fellow inmates in a close portrait of life behind bars in an Afghan women’s prison. Most of the women are convicted of running away from their husbands. But the question arises: where are they most free, in prison or in the outside society?

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Drama Series

Utopia

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Kudos Film & TV / Channel 4

United Kingdom

What if the conspiracy nuts are right? What if there really are people trying to control our lives?

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Non-English Language US Primetime Program

El Se?or de los Cielos (The Lord of the Skies)

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Telemundo Studios / Caracol TV

United States of America

Follow Aurelio Casillas’ journey in becoming the leading, and only, drug dealer in Mexico in the ’90s, taking Pablo Escobar’s place in the region. Police officer Marco Mejia is in his way. After Casillas’ picture is published, ‘The Lord of the Skies’ must disappear without a trace.

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Non-Scripted Entertainment

Educating Yorkshire

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Twofour

United Kingdom

Educating Yorkshire is located at the heart of a diverse northern community, offering the audience a fascinating insight into modern school life in the U.K.

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Telenovela

Precious Pearl

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Globo

Brazil

Franz is the son of a millionaire factory owner. In the Himalayas, he has an accident and meets Ananda, a spiritual leader. When he is back, he falls for Amelia, a factory worker. Together they have a baby girl, who happens to “come” from afar with a mission.

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TV Movie/Mini-Series

Unsere Mütter, Unsere Väter (Generation War)

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teamWorx Television & Film / ZDF / Beta Film / ZDF Enterprises

Germany

Five adolescents, whose friendship was supposed to last a lifetime, are forced to realize that war changes everything.

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English Entertainment

The end of Freeview? Britain debates switching off aerial tv by 2034

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UK: The aerial is losing its grip. As broadband becomes the default way Britons watch television, the UK is edging towards a decisive, and divisive, question: should Freeview be switched off by 2034? The issue, highlighted in reporting by The Guardian, has exposed deep fault lines over access, affordability and the future of public service broadcasting.

For nearly 25 years, Freeview has delivered free-to-air television from the BBC, ITV, Channel 4 and Channel 5 to almost every corner of the country. Even now, it remains the UK’s largest TV platform, used in more than 16m homes and on around 10m main household sets. Yet the same broadcasters that built it are now pressing for its closure within eight years.

Their case rests on a structural shift in viewing. Smart TVs, superfast broadband and the Netflix-led streaming boom have pulled audiences online. Advertising economics have followed. By 2034, the number of homes using Freeview as their main TV set is forecast to fall from a peak of almost 12m in 2012 to fewer than 2m, making digital terrestrial television, or DTT, increasingly costly to sustain.

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But critics say the rush to switch off risks abandoning those least able, or least willing, to move online.

“I don’t want to be choosing apps and making new accounts,” says Lynette, 80, from Kent. “It is time-consuming and irritating trying to work out where I want to be, to remember the sequence of clicks, with hieroglyphics instead of words. If I make a mistake I have to start again.”

Lynette is among nearly 100,000 people who have signed a “save Freeview” petition launched by campaign group Silver Voices. She fears the government is about to “take [Freeview] away from me and others who either don’t like, can’t afford, or can’t use online versions”.

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Official figures underline the fault lines. A report commissioned by the Department for Culture, Media and Sport estimates that by 2035, 1.8m homes will still depend on Freeview. Ofcom’s analysis shows those households are more likely to be disabled, older, living alone, female, and based in the north of England, Wales, Scotland and Northern Ireland.

Freeview is owned by the public service broadcasters through Everyone TV, which also operates Freesat and the newer streaming platform Freely. After two years of review, DCMS is expected to set out its position soon, drawing on three options proposed by Ofcom: a costly upgrade of Freeview’s ageing technology; maintaining a bare-bones service with only core PSB channels; or a full switch-off during the 2030s.

The broadcasters have rallied behind the third option. They argue that 2034 is the logical cut-off, when transmission contracts with network operator Arqiva expire. By then, they say, the cost of broadcasting to a dwindling audience will far outweigh the returns from TV advertising.

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Ofcom agrees a crunch point is approaching. In July, the regulator warned of a “tipping point” within the next few years, after which it will no longer be commercially viable for broadcasters to carry the costs of DTT.

Others see risks beyond economics. Questions remain over whether internet TV can reliably deliver emergency broadcasts, such as the daily Covid updates, in the way that universally available DTT can. The UK radio industry has also warned that an internet-only future for TV could push up distribution costs and force some radio stations off air if PSBs no longer share Arqiva’s mast network.

“It is a political hot potato,” says Dennis Reed, founder of Silver Voices, who says he has “dissociated” his organisation from the government’s stakeholder forum, which he believes is “heavily biased” towards streaming.

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The Future TV Taskforce, representing the PSBs, counters that moving online could “close the digital divide once and for all”. “We want to be able to plan to ensure that no one is left behind,” a spokesperson says, adding that rising DTT costs could otherwise mean cuts to programme budgets.

The numbers show the scale of the challenge. Of the 1.8m Freeview-dependent homes projected for 2035, around 1.1m are expected to have broadband but not use it for TV. The remaining 700,000 are forecast to lack a broadband connection altogether.

Veterans of the analogue switch-off, completed in 2012 after 76 years, recall similar fears of “TV blackout chaos”. Around 6 per cent of households were labelled “digital refuseniks”, yet a targeted help scheme and a national campaign, fronted by a robot called Digit Al voiced by Matt Lucas, delivered a largely smooth transition.

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This time, the BBC is less keen to foot the bill. Tim Davie, the outgoing director general, has said the corporation should not fund a comparable support programme for a Freeview switch-off.

Research for Sky by Oliver & Ohlbaum suggests that with early awareness campaigns and digital inclusion measures, only about 330,000 households would ultimately need hands-on help ahead of a 2034 shutdown.

Meanwhile, viewing habits continue to fragment. Audience body Barb says 7 per cent of UK households no longer own a TV set, choosing to watch on other devices. In December, YouTube overtook the BBC’s combined channels in total UK viewing across TVs, smartphones and tablets, albeit measured at a minimum of three minutes.

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That shift may accelerate. YouTube has recently blocked Barb and its partner Kantar from accessing viewing session data, limiting transparency just as online platforms consolidate power.

“When the government chose British Satellite Broadcasting as the ‘winner’ in satellite TV it was Rupert Murdoch’s Sky instead that came out on top,” says a senior TV executive quoted by The Guardian. “There already is such an outsider ready to be the winner in the transition to internet TV; it is YouTube.”

Freeview’s future now hangs on a familiar British dilemma: modernise fast and risk exclusion, or protect universality and pay the price. Either way, the aerial’s days as king of the living room look numbered.

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