Hindi
‘Main Aur Mr Riight’ promotions in full-swing
MUMBAI: Promotions for Barun Sobti and Shenaz Treasury’s upcoming film ‘Main Aur Mr Riight’ are in full swing. As part of the film’s promotional activities, the team was spotted at various places in Pune where they interacted with fans. They visited the offices of Radio Mirchi and Radio one stations, which was followed by a press conference and an activity at Seasons Mall, Pune.
At the press conference, producer Pooja Gujral, actor Barun Sobti, Shenaz Treasury and singer Ravi Shukla spoke at length about the film and their experiences while working with each other. At Seasons’ Mall, singer Ravi Shukla entertained the audiences with the song ‘Pyaon Pyaon’ from the film. The lead couple danced to the track, interacting with their fans and were also seen inviting their fans to dance on-stage. Fans in Pune got a chance to click pictures and meet their favourite stars making it a day to remember.
Directed by Adeeb Rais and produced by Pooja Gujral and Aseem Rais, ‘Main Aur Mr. Riight’ is presented by Madmidass films. The music has been given by renowned singer/musician Bappi Lahiri. The movie is slated to release is on 12 December 2014.
Hindi
Remembering Gyan Sahay, the lens behind film, television and advertising
From a puppet rabbit selling poppadums to Hindi cinema, he framed it all.
MUMBAI: There are careers, and then there are canvases. Gyan Sahay, the veteran cinematographer, director, and producer who passed away on 10 March 2026 in Mumbai, had one of the latter. Over several decades in the Indian film and television industry, he turned lenses, lights, and the occasional puppet rabbit into something approaching art.
A graduate of the Film and Television Institute of India (FTII) in Pune, Sahay built his reputation as a director of photography across a career that stretched from the early 1970s all the way to the digital age. He was the kind of craftsman who understood that a well-composed shot is not merely a technical achievement but a quiet act of storytelling.
For most Indians of a certain age, however, Sahay will forever be the man behind the rabbit. His direction of the iconic long-running television commercial for Lijjat Papad, featuring its now-legendary puppet bunny, gave the country one of its most cheerfully persistent advertising images. It was the sort of work that sneaks into the national subconscious and takes up permanent residence.
His big-screen credits as cinematographer include Anokhi Pehchan (1972), Pagli (1974), Pas de Deux (1981), and Hum Farishte Nahin (1988). In 1999, he stepped behind a different kind of camera altogether, making his directorial debut with Sar Ankhon Par, a drama that featured Vikas Bhalla and Shruti Ulfat, with a cameo by Shah Rukh Khan for good measure.
On television, Sahay was particularly prized for his command of multi-camera production setups, a skill that made him a go-to technician for large-scale shows and reality programmes. In an industry that has never been especially patient with complexity, he was the calm hand on the rig.
In later life, Sahay turned teacher. He participated regularly in masterclasses and Digi-Talks, often hosted by organisations such as Bharatiya Chitra Sadhna, sharing hard-won wisdom on cinematography, the comedy of timing in a shot, and the sweeping changes brought by the shift from celluloid to digital. He was also said to have been involved in a project concerning a biographical film on Infosys co-founder N.R. Narayana Murthy.
Tributes from the film industry poured in following the news of his passing, with colleagues remembering him as a senior cameraman who served as a rare bridge between two entirely different eras of Indian cinema. That is, perhaps, the finest thing one can say of any craftsman: he kept up, and he brought others along with him.
