Hollywood
Debra Messing gets Shining Star award in the Bahamas Filmfest
NEW DELHI: American film and television actress Debra Messing, who is often compared to fellow redhead and physical comedienne Lucille Ball, has been honoured as the Shining Star at the ongoing Bahamas International Film Festival.
The Festival also screened her film Like Sunday Like Rain. The Bahamas International Film Festival is dedicated to providing the local community and International visitors with a diverse presentation of films from around the world, educational programmes, and forums for exploring the future of cinema.
Immediately following its 10th annual festival, the Bahamas International Film Festival will travel to Eleuthera for a continuation of this year’s celebration to be known as ‘The Best of the Fest Eleuthera’. During its visit to Harbour Island and Governor’s Harbour, a full programme of films and festivities will be offered including daily film screening at Seagrapes, Harbour Island and the Globe Princess Theater in Governor’s Harbour and Closing Night Film and Farewell Party. Visiting Filmmakers will be on hand for panel discussions, seminars and training sessions.
Messing landed her first television job in a recurring role on the hit drama NYPD Blue in 1994. Her career advanced steadily from there, with guest spots on shows such as Seinfeld and a series of film roles: Keanu Reeves’s wife in A Walk in the Clouds (1995), a bit part in Woody Allen’s Celebrity (1998), and Mary Magdalene in the miniseries Jesus. Messing took her first star turn as comedic lead Stacey Colbert in the sitcom Ned and Stacey, opposite Thomas Haden Church. The show ran from 1995 to 1999.
In 1998, Messing landed the role that would make her a household name – that of Grace Adler, a neurotic interior decorator sharing an apartment with her gay best friend in the hit sitcom Will & Grace. Before accepting the role, Messing ensured she would have the freedom to make her character “funny and unusual in a way that tickled me and surprised me,” she recalled. “I didn’t want to be the pretty straight woman. I knew I would not be happy. I grew up watching Lucille Ball and Carol Burnett with curtain rods in her arms, falling down stairs. To me, that’s funny.” Will & Grace, one of the first major network programmes to feature gay characters in starring roles, was considered rather controversial at the time in the late nineties. But audiences immediately took to the brash banter between Messing and co-stars Eric McCormack, Megan Mullally and Sean Hayes. “As much as this is an extraordinary premise because two of the four main characters were gay and we’d never seen this before, it was really a universal theme and that was friendship,” Messing said of the show’s success. The show remained a popular staple of NBC’s prime-time lineup for eight seasons.
When Will & Grace was not filming, Messing continued to act in movies. She took roles in The Mothman Prophecies, Along Came Polly and The Wedding Date. She also played Woody Allen’s girlfriend in the famed director’s 2002 film Hollywood Ending, a role she viewed as a dream job. “I erupted!” Messing said, recalling the call from her agent telling her that Allen wanted her for the part. “This scream came from the lower depths of my body. I don’t know how I didn’t get into a car accident. It was as if I went blind for a minute with joy and shock.”
Hollywood
David Zaslav could net up to $887m as Warner Bros Discovery sells up
Media mogul strikes gold as Paramount Skydance deal triggers massive windfall
NEW YORK: While the average office worker might hope for a nice clock and a round of applause upon leaving, David Zaslav is looking at a slightly more substantial parting gift. The chief executive officer of Warner Bros Discovery is positioned to receive a windfall of up to $887 million following the company’s blockbuster $110 billion sale to Paramount Skydance.
In a twist of corporate fate that feels scripted for the big screen, the deal marks the finale of a high-stakes bidding war. It comes after Netflix, once the frontrunner, decided to exit stage left and abandon its pursuit of the HBO Max parent company.
While most people receive a standard final paycheck, the filing released on Monday suggests Zaslav’s exit package is built a little differently. If the deal closes as expected in the third quarter of 2026, the numbers break down like this:
The cash out: A severance package of $34.2 million, covering his salary and bonuses.
The equity: $115.8 million in vested shares he already owns.
The future fortune: A massive $517.2 million in unvested share awards, essentially “future stock” that turns into real money the moment the ink dries on the merger.
Perhaps the most eye-catching figure is the $335 million earmarked for tax reimbursements. However, this particular pot of gold has an expiration date.
The company noted that these reimbursements are tied to specific tax-code rules that significantly decline as time passes. If the deal hits a snag and drags into 2027, that tax payout drops to zero. With hundreds of millions on the line, the chief executive officer likely has every incentive to ensure the closing process moves at double-speed.
