iWorld
Star India’s hotstar.com to premier Star Guild Awards 2015
MUMBAI: In the US, Netflix, Hulu and Amazon have taken the lead by streaming original series like House of Cards, Transparent, Orange is the New Black, Arrested Development, The Hot Wives of Orlando to their subscribers.
Indian over the top services (OTTs) like BigFlix, Spuul, BoxTV, Sony Liv, ErosNow, DittoTV have been serving as aggregation models to stream linear channels or programmes to subscribers simultaneously or after they have been aired on TV.
Now stealing a march on them is the Star India promoted online streaming services hotstar.com. In a first for India, Indya Interactive Services (which runs hotstar.com) announced that it will be premiering the Star Guild Awards 2015 on the video on demand service on 17 January from 7 pm onwards. The awards will be aired on Star Plus a day later on 18 January.
A source close to the development says that this is the next big step towards change in the way content will be delivered to viewers and consumed by them.
The Star India network, however, is going easy on the promotion of the VoD premiere: ads were released today in leading dailies, even as 92.7 Big FM and YouTube had promos and commercials airing. “The platform is still in the testing stage,” revealed the source. “Hence, it is just seeding the service to potential subscribers.”
But at first glance, the hotstar.com service seems interesting as it offers a vast programming catalogue on mobile and the web. With everything found under one roof, the platform has all the genres that the network dabbles in – from popular dailies to live sporting events.
In all it has around 20,000 hours content spread across seven languages, which include 120+ full length TV shows, 500+ movies and live screening of popular sports like cricket, football, tennis and kabbadi.
A media planner labelled the Star Guild Awards VoD premier an experiment. Said he: “I believe it is just an initiative to kick start hotstar.com. It is just for their internal learning process as the platform is still in its beta version. The Star Guild Awards will allow them to try and test whether the platform can manage the traffic and whether it can deliver a good experience to viewers. It also allows them to correct any errors if they do crop up.”
Media observers believe that premiering the awards show is not going to really ruin the telecast on Star Plus on 18 January in terms of viewership ratings. He said: “People like you and me know about it because we are in the space. But do the millions of people who watch television also know about the VoD premier? However, as a test, an experiment I think it is good as it could attract some subscribers to try the hotstar.com service.”
That would be music for the Star India management ears. Under the leadership of CEO Uday Shankar it has been making some pioneering moves and initiatives; hotstar.com is another one of them.
iWorld
Micro-Dramas Surge in India, Redefining Mobile Content Habits
Meta-Ormax study maps rapid rise of short-form storytelling among 18–44 audiences.
MUMBAI: Micro-dramas aren’t just short, they’re the snack that ate Indian entertainment, and now everyone’s bingeing between the sofa cushions. Meta, in partnership with Ormax Media, has released ‘Micro Dramas: The India Story’, a comprehensive study unveiled at the inaugural Meta Marketing Summit: Micro-Drama Edition. The report maps how the vertical, bite-sized format is reshaping content consumption for mobile-first audiences aged 18–44 across 14 states.
Conducted between November 2025 and January 2026 through 50 in-depth interviews and 2,000 personal surveys, the research reveals that 65 per cent of viewers discovered micro-dramas within the last year proof of explosive adoption. Nearly 89 per cent encounter the format through social feeds and recommendations, making algorithm-driven discovery the primary engine rather than active search.
Key viewing patterns show a median of 3.5 hours per week (about 30 minutes daily) spread across 7–8 short sessions. Consumption peaks between 8 pm and midnight, with additional spikes during commutes and work breaks classic “in-between moments” that the format fills perfectly. Around 57 per cent of viewing happens in ambient mode (while doing something else), and 90 per cent is solo, enabling more intimate, personal storytelling.
Romance, family drama and comedy lead genre preferences. Audiences show growing openness to AI-generated content, 47 per cent find it unique and creative, while only 6 per cent say they would avoid it entirely. Regional languages are surging after Hindi and English, Tamil, Telugu and Kannada dominate consumption.
Meta, director, media & entertainment (India) Shweta Bajpai said, “Micro-drama isn’t a passing trend, it’s rewriting the rules of Indian entertainment. In under a year, an entirely new category of platforms has emerged, built audience habits from scratch, and created a business vertical that is scaling fast.”
Ormax Media founder-CEO Shailesh Kapoor added, “Micro-dramas are beginning to show the early signs of becoming a distinct content category in India’s digital entertainment landscape. When a format aligns closely with how audiences naturally engage with their devices, it has the potential to scale very quickly.”
The study proposes ecosystem-wide responsibility, universal signposting of commercial intent, shared accountability among advertisers, platforms, creators, schools and parents, built-in safeguards, and formal media literacy in schools.
In a feed that never sleeps and a day that never stops, micro-dramas have slipped into the cracks of every spare minute turning 30-second stories into the new national pastime, one vertical swipe at a time.
