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10th NDTV Car and Bike Awards

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MUMBAI: On a day filled with fast-paced thrills, NDTV presented the 10th Edition of the annual Car & Bike Awards, 2015, with Chief Guest Shri Nitin Gadkari, Union Minister for Highways & Transport, giving the NDTV Car of the Year Award to Audi A3 and the NDTV Two Wheeler of the Year 2015 to Suzuki Gixxer. He also presented the CNB Viewers’ Choice Car of the Year to Hyundai i20. The Gixxer won in the Viewers’ Choice category too. Mr Gadkari announced the Manufacturer of the Year awards to Honda Cars and TVS Motor.

 

Other awards were presented by Mobil and Universal Sompo General Insurance Company Ltd  during the ceremony, where leaders from the industry, marketers, Jury members and PR persons across the automobile industry were present.

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The event began with an exhilarating display of speed and dexterity as 7 professional racers including Karun Chandhok and Aditya Patel, took guests on a thrilling ride around the Buddh International Circuit. A first-ever experiential activity for any automobile awards and the guests were lining up for the opportunity

The evening dazzled as awards were presented across various categories including the SUV and Scooter of the year. The coveted Viewers’ Choice category for both Cars and Bikes received over 85,500 votes this year.

Alia Bhatt was awarded the Brand Ambassador of the Year for Hero Pleasure, while the Mobil Motorsport of the Year award was presented to upcoming race talent 16-year old Jehan Daruvala.

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Two drone cameras captured the track’s expanse during the hot laps, and allowed for an overview of the unique stage later, keeping the audience enthralled.

Speaking on the occasion Siddharth Vinayak Patankar, NDTV Group’s Editor Auto & Head of Automobile Programming said, “It’s been an incredible journey over a decade, and with pride and confidence I can say we now have the most accurate, transparent, comprehensive and credible automobile honours in the country, with an enviable jury and the support of our many viewers. The 2015 edition has been the best yet, and we promise to deliver the same if not better standards in the future too.”

 

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Some of the most prominent personalities from the auto industry and auto aficionados attending the event included Vincent Cobee, Global Vice President Nissan; Pawan Goenka, President of Automotive and Farm Equipment Sectors, Mahindra; RC Bhargava, Non- Executive Chairman, Maruti Suzuki India; Keita Muramatsu, CEO HMSI; Eberhard Kern, CEO & MD Mercedes-Benz India; Sudhir Rao, MD Skoda India; Joe King, Head Audi India; Arvind Saxena, President & MD, General Motors India; and Gul Panag, Actress and Biker, among other distinguished guests.

 

The NDTV Car & Bike Awards has over the years, gained prominence amidst the clutter of auto awards in India, as being the most credible. The Awards boasted a panel of eminent jury members including Dilip Chhabria of DC Design; Gul Panag, Actress and Biker; Racers Aditya Patel & Karun Chandhok; Dr V Sumantran, Senior Industry Consultant; Kamlesh Patel, Rallyist & Auto Enthusiast; Pablo Chaterji, Managing Editor, Man’s World; Dhruv Behl, Editor, autoX and Sulajja Firodia Motwani of Kinetic Engineering, with Siddharth Vinayak Patankar, Editor-Auto, NDTV Group.

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The CNB-AAA Awards for marketing & communications categories Jury comprised Ad Guru Prahlad Kakkar; Sam Balsara, CMD, Madison Communications; Prema Sagar, Principal and Director, Genesis Burson-Marsteller; with Shruti Verma Singh and Siddharth Vinayak Patankar from NDTV.

This was also the second year of the awards’ association with the World Car Awards, and the first with two separate two wheeler & car juries – with jury meets for each being held on consecutive days at the Buddh International Circuit.

 

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The Presenting Sponsor for the Awards was once again Mobil, with Universal Sompo as the Powered By Sponsor. Associate Sponsors for the NDTV Car & Bike Awards 2015 were IDBI Bank, Big Boy Toys and MRF. Sound Partner: JBL by Harman; Fuel Efficiency Partner: PCRA; Exclusive Outdoor Partner: Laqshya; Magazine Partner: Ravish Kapoor and Fleet Partner: Mann

 

Winners List

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THE NDTV CAR & BIKE AWARDS 2015 – CARS

·         Entry Hatchback of the Year: Maruti Suzuki Celerio

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·         Premium Hatchback of the Year: Hyundai i20

·         Subcompact Sedan of the Year: Hyundai Xcent

·         Compact Sedan of the Year: Maruti Suzuki Ciaz

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·         Multi-Utility Vehicle of the Year: Honda Mobilio

·         SUV of the Year: Mahindra Scorpio

·         Premium SUV of the Year: Hyundai Santa Fe

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·         Luxury SUV of the Year: BMW X5

·         Entry Premium Car of the Year: Audi A3

·         Premium Sedan of the Year: Mercedes-Benz C-Class

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·         Luxury  Sedan  of the Year: Mercedes-Benz S Class

·         Performance Car of the Year: BMW M4

·         Sportscar of the Year: Jaguar F – Type Coupe

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·         Car Manufacturer of the Year: Honda Cars India

·         CNB Viewers’ Choice Car of the Year: Hyundai i20

·         NDTV Car of the Year: Audi A3

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THE NDTV CAR & BIKE AWARDS 2015 – TWO WHEELERS

·         Motorcycle of the Year Up To 110 cc: TVS Star City +

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·         Motorcycle of the Year Up To 160 cc: Suzuki Gixxer

·         Motorcycle of the Year Up To 250 cc: KTM RC 200

·         Motorcycle of the Year Up To 500 cc: KTM RC 390

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·         Motorcycle of the Year Up To 1000 cc: Harley-Davidson Street 750

·         Motorcycle of the Year Above 1000 cc: Triumph Tiger Explorer Xc

·         Scooter of the Year: Honda Activa 125

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·         Two Wheeler Manufacturer of the Year: TVS Motor Co.

·         CNB Viewers’ Choice Two Wheeler of the Year: Suzuki Gixxer

·         NDTV Two Wheeler of the Year: Suzuki Gixxer

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GENERAL AWARDS
1. Design of the Year
   a. Car: Hyundai 120
   b. Two Wheeler: KTM RC 390

2. Automotive Man of the Year: Mercedes-Benz Global CEO Dieter Zetsche

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3. Mobil Motorsport Award:  Jehan Daruvala

4. PCRA Green Award: Maruti Suzuki for AGS & increased fuel efficiency and Hero Motocorp for Splendor iSmart

5. Mobil Motorsport Certificates: Diljeet, Ameya Bafna, Vishnu Prasad, Karthik Tarani and Tarun Reddy

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CNB-AAA AWARDS

·         Best Television Commercial of the Year (4 Wheeler): Honda Amaze

·         Creative Television Commercial of the Year (2 Wheeler):  TVS Sport

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·         Best Integrated Campaign of the Year: Honda Mobilio

·         Best PR & Communication Team of the Year: Audi India

·         Best Digital Campaign: Honda Mobilio

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·         Best Innovative Use Of A Medium: Hero Auto Expo

·         Brand Ambassador of the Year: Alia Bhatt for Hero Pleasure

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News Broadcasting

Newsrooms rethink AI, trust and revenue models

Editors and tech leaders debate tools, deepfakes and viability.

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MUMBAI: If yesterday’s newsroom ran on caffeine and chaos, tomorrow’s may well run on code but with a human still holding the pen. At the 22nd edition of the Video Broadcast and Broadband Tech Summit hosted by IndianTelevision.com, some of the sharpest minds in Indian media gathered to examine how artificial intelligence, automation and shifting audience behaviour are reshaping journalism. The session, titled The Newsroom of Tomorrow Tools, Trust, and Business Viability In Focus, did not descend into techno-utopian hype. Instead, it wrestled with a more uncomfortable question: how do you stay relevant, credible and profitable when the audience is changing faster than the headline cycle?

The panel featured Govindraj Ethiraj, Editor of The Core, Dr Nilesh Khare, COO of Sakal Media Group; Prakaran Tiwari, Chief Executive Producer at NDTV Profit; Manoj Padmanabhan, Head of Business Media and Entertainment at AWS; Neeraj Mishra, Key Account Manager at Vizrt and session chair; and Mayuresh Konnur, Bilingual Correspondent at Collective Newsroom, publisher for BBC in India.

Govindraj Ethiraj set the tone with a frank assessment. “The reason people do not consume as much news through us is because they are consuming news through other sources they trust more,” he said. In a fragmented ecosystem flooded with content, trust has become the real differentiator.

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Yet AI is undeniably transforming workflows. Ethiraj admitted he now uses AI tools to proofread his own articles. “Sometimes it is scary how much it picks, but it helps,” he said. What once required layers of sub-editing can now be assisted by machines trained to flag errors, inconsistencies and structural weaknesses.

He pointed to how newsroom roles have evolved. The desk editor, widely advertised over the last 15 years, barely existed in its current form before the internet boom. As digital publishing accelerated, tasks such as curating listicles, ranking stories and optimising headlines became specialised functions. Now, many of those responsibilities can be performed or at least supported by AI systems. The disruption is not hypothetical; it is operational.

Dr Nilesh Khare approached the issue from both a business and technological standpoint. Sakal Media Group is developing its own large language model, built on 60 years of text and photo archives. The goal is independence. “We won’t need to depend on other platforms to develop ours,” he said, underscoring the strategic value of proprietary data.

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For Khare, AI represents opportunity as much as anxiety. It can help expand content across geographies and languages, particularly in bridging North and South Indian markets. It can streamline production and reduce costs. He did not shy away from the implications. “As a journalist I feel bad but as a content producer I feel good that we will require less manpower,” he said, articulating a tension many in the room recognised but few openly admit.

He also highlighted how audience behaviour is evolving. Today, a retail investor can follow a stock using Gemini or GPT instead of toggling between multiple news channels. News is no longer consumed linearly; it is queried, personalised and synthesised. The newsroom must therefore produce content that survives not just on screens but within AI-generated summaries.

Prakaran Tiwari offered a more philosophical reflection. “AI has developed itself and adapted on the basis of how news is consumed. It’s all about giving a perspective,” he said. In his view, the competitive edge will not lie in speed alone but in interpretation. Facts are increasingly commoditised; context is not.

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He also suggested that formats are fluid. While short-form video dominates social feeds, long-form audio is resurging. Govindraj Ethiraj noted that in the United States the 2024 election was described as the “podcast election”, reflecting how audiences are investing time in deeper, long-form discussions. The newsroom of tomorrow must cater to both scrolling and sustained listening.

Manoj Padmanabhan of AWS reframed the debate. Technology, he argued, is not an existential threat but an amplifier. “The power is given to the human journalist with all this technology in their hand, with it acting as a support or assistant to deliver the correct and relevant news to the people,” he said.

The traditional divide between a “normal” newsroom and a “digital” newsroom is fading. “It will not be two newsrooms,” he said. “It will be one newsroom.” In that integrated environment, the storyteller remains central. AI may assist with research, editing and distribution, but editorial judgement remains human.

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Neeraj Mishra of Vizrt echoed the assistive narrative. India, he said, is a market of organised chaos, where news broadcasters are pushing ever-increasing volumes of content. AI will help manage scale. It is not here to replace people but to assist them.

Production barriers are already collapsing. “You don’t need a green screen to produce content now,” Mishra observed, hinting at virtual production tools and real-time rendering technologies. And this, he said, is only the beginning. In a cost-conscious market like India, AI adoption in both B to B and B to C segments is likely to rise sharply. The skills are available, he argued, the real question is whether organisations are willing to invest.

If opportunity was one half of the conversation, risk was the other. Mayuresh Konnur warned that fake news is now being peddled with alarming ease using AI tools. Deepfakes, synthetic audio and fabricated visuals can damage credibility overnight. Several journalists, he said, have already faced instances where manipulated content was circulated in their name.

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“Eventually it becomes a question of how authentic you are in the market,” Konnur noted. In a crowded information economy, credibility is the ultimate moat. Regulations and clear guidelines, he argued, are necessary to curb misuse without stifling innovation.

Mishra added a note of caution against overuse. “AI should not be everywhere. It has to be used optimally,” he said. The value lies not in blanket automation but in strategic integration.

One of the most resonant metaphors came from Padmanabhan. AI, he suggested, is like a brush in a human hand. Powerful, versatile, transformative but inert without the artist. It cannot survive without the human touch.

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Konnur distilled the session’s core takeaway, AI is inevitable, but the art of storytelling will never disappear.

In a media landscape defined by speed, shrinking attention spans and intense competition, the newsroom of tomorrow is not simply a technological upgrade. It is a recalibration. Between efficiency and ethics. Between automation and authenticity. Between reducing manpower and retaining meaning.

The algorithms may write cleaner copy and generate sharper graphics. They may even predict what audiences want before audiences know it themselves. But the enduring task remains unchanged to tell stories that inform, interrogate and inspire.

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And for that, the human newsroom is still very much open for business.

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