Movies
Yes Foundation organises social film movement
MUMBAI: Yes Foundation, the social development arm of Yes Bank, is giving the public an opportunity to select the winners of India’s largest social film movement – YES! I am the CHANGE.
The top 50 short film entries have been shortlisted and will now compete for the Indian social filmmaking challenge 2014. The five minute long films represent the true spirit of positive social change and touched on social topics including education, women’s safety, women empowerment, animal care and responsible citizenship.
The main aim of this campaign is to spread mass awareness about social causes through the thought provoking films made by youth participants. Over 72,000 viewers have already participated and voted for the popular choice awards. The public can watch the films Yes Foundation India’s YouTube channel and vote for their favourite film. The film with the largest number of likes will be adjudged the winner. Voting ends on 31 January 2015.
The top three winners of the YES! I am the CHANGE popular choice awards will receive prizes worth Rs 25,000, Rs 15,000 and Rs 10,000 respectively.
This programme is mentored by eminent filmmakers and educationists including Shoojit Sircar, Vikramaditya Motwane, Rakeysh Omprakash Mehra, Pritish Nandy, Guneet Monga, Kailash Surendranath, Dr. Indu Shahani, Dr. Nagesh Rao and Nina Lath amongst others.
Movies
Tamil film Made in Korea tops Netflix global chart, storms 24 countries
Cross-cultural drama races to No.1, marking a global breakthrough for South Indian cinema
MUMBAI: A Tamil tale has gone global at speed. Netflix’s Made in Korea has shot to No.1 on its Global Top 10 Non-English Films list, trending across 24 countries within days of release.
Premiering on March 12, the film, directed by Ra.Karthik and starring Priyanka Mohan, is the only South Indian title to claim the top spot across both licensed and Netflix original films, underlining the growing global pull of regional Indian cinema.
The story, which follows Shenba’s journey from Tamil Nadu to Seoul, has struck a chord for its emotional warmth, scenic visuals and cross-cultural appeal. Early word-of-mouth has powered its rapid climb, turning a modest release into a global talking point.
Monika Shergill, vice-president, content, Netflix India, said, “We are proud that a story like Made in Korea has become the first ever film from our south slate to land at the No.1 spot on our Global Top 10 Non-English Films list. It reaffirms our belief that there is so much more from India for the world to discover and embrace. This film stands out for blending two distinct cultures into one powerful story that explores universal emotions of love, friendship, belonging and family. At Netflix, we remain committed to championing authentic, locally rooted stories and it’s incredibly exciting to see a film like this travel so widely and connect with audiences around the world.”
Priyanka Mohan called the moment deeply personal. “Moments like these are what every artist truly hopes for. We always strive to give our best, but some films become very special in our journey as performers, and Made in Korea is one of them for me. Shenba is a character that touched my heart from the moment I read the script, and bringing her story to life has been incredibly meaningful. Working with Ra.Karthik sir was a wonderful experience. He has such clarity and sincerity in the way he tells stories. I’m also grateful to our producer Sreenidhi Sagar sir and the entire team for their constant support. And of course, my heartfelt thanks to Netflix for giving this story such a wonderful platform and helping it reach audiences everywhere.”
Ra.Karthik struck a similar note. “There are certain films you make with complete faith in the audience, believing they will connect with the emotions you are trying to convey. It is truly heartening to see Made in Korea trending on Netflix and receiving such encouraging responses from viewers, not just in India but across the world. Priyanka Mohan brought incredible dedication and sincerity to Shenba’s character, and that commitment reflects beautifully on screen. I’m grateful to producer Sreenidhi Sagar for trusting this story and to Netflix for providing such a wonderful platform for the film to reach audiences across countries.”
As the film continues to travel across borders, its success signals more than just a hit. It marks a shift, where local stories, told with authenticity, are no longer confined by language or geography. In the streaming wars, the South is not just rising. It is rewriting the script.
