Hollywood
Oscars unveils stellar line-up of presenters
MUMBAI: This year’s Oscars will see a stellar line-up of presenters.
From Josh Hutcherson, Scarlett Johansson, Zoe Saldana, Octavia Spencer, Marion Cotillard, Benedict Cumberbatch, Meryl Streep, Oprah Winfrey, Reese Witherspoon, Cate Blanchett, Jared Leto, Matthew McConaughey to Lupita Nyong’o, the who’s who of Hollywood will take to the stage to present various awards this year.
Cotillard, Cumberbatch, Streep, Winfrey and Witherspoon have all been nominated for the Oscars this year. Cotillard is nominated for Actress in a Leading Role for Two Days, One Night. She previously won an Oscar in this category for La Vie en Rose (2007). On the other hand, Cumberbatch is nominated for Actor in a Leading Role for The Imitation Game.
Streep earned a record 19th acting nomination this year for her supporting role in Into the Woods. She previously took home Oscars for her lead performances in Sophie’s Choice (1982) and The Iron Lady (2011), and her supporting performance in Kramer vs. Kramer (1979). Streep’s previous Best Actress nominations were for The French Lieutenant’s Woman (1981), Silkwood (1983), Out of Africa (1985), Ironweed (1987), A Cry in the Dark (1988), Postcards from the Edge (1990), The Bridges of Madison County (1995), One True Thing (1998), Music of the Heart (1999), The Devil Wears Prada (2006), Doubt (2008), Julie & Julia (2009) and August: Osage County (2013). She also received Best Supporting Actress nominations for The Deer Hunter (1978) and Adaptation (2002).
Winfrey is nominated for Best Picture as one of the producers of Selma. She was previously nominated for Actress in a Supporting Role for The Color Purple (1985). She received the Jean Hersholt Humanitarian Award in 2011.
Witherspoon is nominated for Actress in a Leading Role for Wild. She previously won an Oscar in this category for the 2005 movie Walk the Line.
Additionally, last year’s Oscar winners Blanchett, Leto, McConaughey and Nyong’o will also be seen presenting awards this year. “The great tradition of having the previous year’s Oscar-winning best actors and actresses in all four categories happily continues this year with the amazing quartet of Cate, Jared, Matthew and Lupita. We’re thrilled to have them back,” said show producers Craig Zadan and Neil Meron.
Blanchett has been nominated for six Oscars and has won two, including last year’s award for Blue Jasmine. Her previous win was for Actress in a Supporting Role for the 2004 film The Aviator. Blanchett also received leading actress nominations for Elizabeth (1998) and Elizabeth: The Golden Age (2007), and supporting actress nominations for Notes on a Scandal (2006) and I’m Not There (2007).
Last year, Leto won the Oscar for Actor in a Supporting Role and McConaughey for Actor in a Leading Role, both for Dallas Buyer’s Club. Nyong’o took home the Oscar for Actress in a Supporting Role for 12 Years a Slave.
The Oscars will be hosted by Neil Patrick Harris and will be held on 22 February.
Hollywood
Did the ballet and opera controversy cost Timothée Chalamet his Oscar?
The actor’s ‘dying art forms’ comments may have danced away his Oscar chances.
LOS ANGELES: Last night, the 98th Academy Awards delivered a performance that wasn’t in the script, as Michael B. Jordan clinched the Best Actor statue, leaving Timothée Chalamet’s widely predicted win to pirouette away into the night. While Chalamet was long considered the frontrunner for his starring turn in Marty Supreme, many are whispering that a singular, ill-timed performance, not on screen but on the campaign trail, may have rewritten the finale.
For months, the narrative surrounding the race had a singular star, Chalamet, the critics’ darling and the bookies’ bet. However, the closing numbers saw a dramatic plot twist. Chalamet found himself upstaged not just by his fellow nominees but by the ghost of public opinion, following remarks he made during a Variety and CNN actor-on-actor conversation in February.
What started as a breezy discussion turned distinctly frosty when Chalamet, the conversation’s designated trendsetter, took aim at some classical institutions. “I don’t want to be working in ballet or opera, where no one is interested anymore,” he said, before branding them “dying art forms.”
The backlash was swift and, unfortunately for Chalamet’s campaign, star-studded. For the film industry, an establishment that often fancies itself as the glamorous custodian of the high arts, the actor’s comments didn’t just strike a bum note. They sounded like a discordant symphony. Academy heavyweights, including Jamie Lee Curtis, Whoopi Goldberg and Steven Spielberg, publicly voiced their disapproval. Spielberg himself countered that the “cinematic experience” and classical performance are bound by a similar dedication to audience engagement, effectively suggesting that Chalamet’s view was perhaps a bit too modern for its own good.
The conversation quickly became a media maelstrom. In a masterstroke of high-culture clapback, renowned ballerina Misty Copeland didn’t just issue a statement. The Academy even choreographed a surprise performance by her for the ceremony itself, a powerful, wordless rebuttal that many saw as a direct riposte to Chalamet’s dismissive claims. Even regional arts institutions joined the choreography. The Seattle Opera offered a cheeky “TIMOTHEE” discount, granting a 14 percent markdown to prove that people do, in fact, care.
Did this cultural counterpoint truly cost Chalamet his win? While some industry insiders argue that Michael B. Jordan’s complex dual performance in Sinners, a performance that also swept the SAG Awards, had simply built up too much momentum, the timing of Chalamet’s comments was undeniably poor. Coming as final Oscar voting began, they arguably soured his narrative and made a vote for him feel, to some, like a vote against artistic unity.
Even the ceremony itself wasn’t finished with the narrative. Host Conan O’Brien, whose sharp tongue is a celebrated feature of these galas, didn’t miss a beat. “Security is extremely tight tonight,” O’Brien jibed during his opening monologue, glancing toward the front row. “I’m told there are concerns about attacks from both the opera and ballet communities. They’re just mad you left out jazz!”
The laughter that followed was pointed, a final public curtain call for a controversy that Chalamet likely wished had closed weeks ago. Whether it was a case of genuine peer disapproval, a sudden surge in support for Jordan’s powerhouse performance, or simply a case of poor footwork on the campaign stage, the ballet and opera debacle has now cemented its place in Oscar history. Chalamet’s experience serves as a clear memo to future contenders. Even when you are the headline act, a solo performance can still fall flat if you forget to play to the entire house.
